1,721,013 research outputs found
Engineering gestures for multimodal user interfaces
Despite increased presence of gestural and multimodal user interfaces in research as well as daily life, development of such systems still mostly relies on programming concepts which have emerged from classic WIMP user interfaces. This workshop proposes to explore the gap between attempts to formalize and structure development for multimodal interfaces in the research community on the one hand and the lack of adoption of these formal languages and frameworks by practitioners and other researchers on the other hand.On behalf of Dietrich Kammer, this work was supported by
the European Union and the Free State Saxony through the
European Regional Development Fund (ERDF).
The work of Lode Hoste is funded by an IWT doctoral scholarship
Defining CARE Properties Through Temporal Input Models
In this paper we show how it is possible to represent the
CARE properties (complementarity, assignment, redundancy,
equivalence) modelling the temporal relationships
among inputs provided through different modalities. For
this purpose we extended GestIT, which provides a declarative
and compositional model for gestures, in order to
support other modalities. The generic models for the
CARE properties can be used for the input model design,
but also for an analysis of the relationships between
the different modalities included into an existing input
model
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Het Sint-Denijs- en Farmanplein. Een brokje geschiedenis.
Vóór de Eerste Wereldoorlog was het Sint-Denijsplein, op de wijk Buchten,voor heel wat Gentenaars een begrip dat grotendeels hetzij met ontspanninguitstaans had, hetzij herinneringen opriep in verband met militaire dienst.</jats:p
Gentse praalstoeten te water.
Ter gelegenheid van de 75e verjaring van de Belgische Onafhankelijkheid was er een waterstoet op 18 juni 1905. Maar reeds tijdens Gentse Feesten van 1853 voer er een stoet over de Gentse wateren.</jats:p
Gezelschapsleven te Gent in de 19e begin 20ste eeuw (Vervolg)
Fanfare en harmoniegezelschappen</jats:p
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