4,110 research outputs found

    Wedding portrait of Dorothy Isabel McClelland (née Lockhart) and Carlyle McClelland, Melbourne, September 1937 [picture]

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    Title from caption list provided by family member.; Part of the collection: The Lockhart family's wedding veil and a collection of photographs of it being worn by brides over several generations.; "Dorothy Isabel Lockhart m. Andrew ('Andy') Carlyle McClelland on 15 September 1937 at Piangil, Vic."--Note from acquisition documentation.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn3547968-s8; Donated by Jenny Hadlow and Rosemary Hyde on behalf of the family, 2005

    Paul V. Lockhart

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    One black and white photographic print of Paul V. Lockhart of Akron, Ohio, an African-American employee at the General Tire & Rubber Company, posing with a recurve bow and a trophy naming him bowman field champion in men's freestyle for 1960. The trophy for the women's free style champion, Isabel Lockhart, also sits on the table along with a quiver and arrows

    A Discussion About Writing Fiction and Creative Prose with Isabel Huggan

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    Award-winning Canadian author Isabel Huggan talks to students about writing, with a focus on fiction and creative non-fiction.Presentation for English 2905 (Introduction to Creative Writing), taught by Dr. Stepanie McKenzie

    Humanismo y Reforma en la corte renacentista de Isabel de Vilamarí : Escipión Capece y sus lectoras

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    Durante la primera mitad del siglo XVI y en la corte salernitana del último príncipe de la casa Sanseverino y de su esposa, Isabel de Vilamarí (noble señora de origen catalán) se desarrolló un intenso clima intelectual. Allí se congregaron artistas y humanistas italianos y españoles. En este ambiente de intercambio cultural, atento en participar en las ideas de la Reforma que se difundió en Nápoles gracias a B. Ochino y a Valdés, nace el poema De principiis rerum del último académico pontaniano: Escipión Capece. En esta obra no sólo se rastrean motivos lucrecianos y virgilianos sino también el influjo de los tratados cosmológicos de Pontano. En este estudio, la autora propone el análisis de la figura y de la obra de Capece a través de sus lectoras: Isabel de Vilamarí y las mujeres cultas de su corte.During the first half of sixteenth century and in the Salernitan court of the last prince Sanseverino and his wife Isabel de Vilamarí (a lady coming from a noble Catalan family) an intense intellectual climate developed. Italian and Spanish artists and humanists met there. In this environment of cultural exchange, that shared in the Reform ideas divulged in Naples by B. Ochino and Valdés, Scipione Capece (the last member of the Pontanian Academy) writes his poem De principiis rerum. In his book Capece uses Latin literature (Vergil and Lucretius mainly) and Pontano's treatises on cosmology. The author of this paper studies Scipione Capece through his female readership: Isabel de Vilamarí and the learned women from her court

    Humanismo y Reforma en la corte renacentista de Isabel de Vilamarí : Escipión Capece y sus lectoras

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    Durante la primera mitad del siglo XVI y en la corte salernitana del último príncipe de la casa Sanseverino y de su esposa, Isabel de Vilamarí (noble señora de origen catalán) se desarrolló un intenso clima intelectual. Allí se congregaron artistas y humanistas italianos y españoles. En este ambiente de intercambio cultural, atento en participar en las ideas de la Reforma que se difundió en Nápoles gracias a B. Ochino y a Valdés, nace el poema De principiis rerum del último académico pontaniano: Escipión Capece. En esta obra no sólo se rastrean motivos lucrecianos y virgilianos sino también el influjo de los tratados cosmológicos de Pontano. En este estudio, la autora propone el análisis de la figura y de la obra de Capece a través de sus lectoras: Isabel de Vilamarí y las mujeres cultas de su corte.During the first half of sixteenth century and in the Salernitan court of the last prince Sanseverino and his wife Isabel de Vilamarí (a lady coming from a noble Catalan family) an intense intellectual climate developed. Italian and Spanish artists and humanists met there. In this environment of cultural exchange, that shared in the Reform ideas divulged in Naples by B. Ochino and Valdés, Scipione Capece (the last member of the Pontanian Academy) writes his poem De principiis rerum. In his book Capece uses Latin literature (Vergil and Lucretius mainly) and Pontano's treatises on cosmology. The author of this paper studies Scipione Capece through his female readership: Isabel de Vilamarí and the learned women from her court

    . 28 (1992) abril-septiembre. Historias. Revista de la Dirección de Estudios Históricos

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    - La cultura popular a debate por Isabel Quiñónez. - En busca de la cultura popular por Robert Muchembled. - La cultura popular y la represión de la élite en la Europa moderna temprana por William Beik. - Culturas separadas por Eugen Weber. - Las columnas de Hércules por Ray B. Browne. - Los nahuas después de la conquista según las fuentes en náhuatl por James Lockhart. - Conquistadores y misioneros frente al “pecado nefando” por Guilhem Olivier. - Indios censualistas. El censo enfitéutico en el marquesado del Valle, siglo XVIII por Margarita Menegus. - Los socavones aventureros por Inés Herrera. - El viajero funesto. El cólera morbus en la ciudad de México, 1850 por Salvador Rueda. - Vida social y tiempo libre de la clase alta capitalina en los tempranos años veinte por Ma. del Carmen Collado. - Los mineros y el sabio del rey: Federico Mothes en Hualgayoc, 1794-1798 por Carlos Contrera Carranza. - Textos para la historia de la minería en Guanajuato en el siglo XIX por Alma Parra. – Vidas e inquisiciones por Antonio Saborit. - Corresponsales privados por P. N. Furbank. - La memoria de los mapaches por Alicia Olivera de Bonfil. – Revitalización cultural por Francisco Pérez Arce. – Crestomanía por José Mariano Leyva

    El Tlacuache Núm. 144 (2004). 144 Año 4 (2004) octubre. El Tlacuache

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    -De cantares, refranes, cementerios y epitafios por Isabel Garza Gómez. - El Yauhtli por Margarita Avilés y Macrina Fuentes. - De ofrendas y cosechas por Isabel Garza Gómez

    The Scandalous Case of Isabel de la Cruz Mejía: Healing, Ethnicity, and Gender in Seventeenth-Century Mexico

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    During the seventeenth century, the colony of New Spain experienced a dearth of formally trained and affordable medical practitioners due to the education, cost, and socioeconomic requirements dictated by the Protomedicato. In this absence, Novohispano society learned to heal itself. Influenced by Iberian, Mesoamerican, and African religious and medical traditions, popular healers of mixed caste, gender, and ethnicity learned to heal in a hybrid colonial context. Heavily influenced by popular Spanish Catholicism, urban casta healers like Isabel de la Cruz Mejía functioned as intermediaries between their elite criollo clientele and the native peddlers of empirical healing remedies. They practiced a healing methodology that incorporated many types of knowledge and rituals that colonial society expected and accepted, and thus worked within socially demarcated frameworks by using effective gossip networks, accepted hybrid rituals, and popular religious beliefs. As a hybrid figure, the female casta healer put herself in a liminal position whereby she could easily be denounced to the Holy Office of the Inquisition. The case of Isabel de la Cruz Mejía demonstrates the ways in which the Inquisition was utilized by different segments of society for personal reasons that were in turn connected to larger colonial issues such as class, race, gender, and identity. Her case also suggests that there existed a fine line between magic, healing, and popular piety in colonial New Spain
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