1,720,959 research outputs found
Chinese, Japanese, and Korean Immigrants and Their Descendants in Argentine Audiovisual Popular Culture
The University of Nevada, Reno Libraries will promptly respond to removal requests related to content that violates intellectual property laws, data protections, or has been uploaded without creator consent. Takedown notices should be directed to our ScholarWolf team ([email protected]) with information about the object, including its full URL and the nature of your complaint.For the past 40 years, immigration from China, Japan, and Korea has steadily grown bringing approximately 200,000 immigrants to Argentina. With an increase in the national population, questions of adaptation and integration into Argentine society are raised. To what degree are new immigrants affecting Argentine popular culture? Are there heavy Asian influences in the way characters are developed or how Asians are portrayed in film and television? This paper seeks to investigate the cultural presence of Chinese, Japanese, and Korean immigrants and their descendants in Argentine audiovisual popular culture. Research was carried out through the analysis of Argentine films, television programs, and YouTube video clips that portray Chinese, Japanese, and Korean persons. It was found that Argentine popular culture includes programs and films related to Japanese anime, Korean pop music, and Chinese characters and are accustomed to seeing actors of Chinese, Japanese, and Korean descent in main and supporting roles both in film and television. As Chinese, Japanese, and Korean immigrants continue to move to Argentina, their role in shaping and defining Argentine popular culture has become more prominent
Una examinación de Noches lúgubres de José Cadalso por medio de la traducción
This study examines José Cadalso's Noches lúgubres (Woeful Nights) through research and translation. Research covers Cadalso's life and works, and areas of translation theory and history. The translation, of the work mentioned above, is from Spanish to English, and this study is written entirely in Spanish except for the translation into English. Research on Cadalso's background deals with the influence of the Enlightenment on his work (especially in Cartas marruecas) and, later, the influence of Romanticism (in Noches lúgubres). Research also considers his approach to masculine characterization (his distinction between "hombre de bien" and "petimetre") as propounded by Rebecca Haidt in her Embodying Enlightenment. Research on translation theory and history inlcudes a look at "foreignization" theory of Lawrence Venuti, a theory which I hold to in this particular translation. Other topics of translation history and theory are covered, like the emergence of Translation Studies, "skopos" theory, translatorial action, feminist and post-colonial translation, passive multilingualism, overt and covert translations, creativity and translation, and the multiple responsibilities of the translator. The study closes with a detailed look at a number of key moments from the process of translating Noches lúgubres and the decisions that were made in each case
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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