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    Touches in Wang Shu-he’s Mai Jing

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    王叔和彙整魏晉以前醫籍脈診論述、歷代醫家的診脈心得,編撰中醫史上第一部脈診專著。對脈診初學者而言,診脈技術提升的關鍵,取決於是否能真正分辨、掌握那難以精準描述、容易混淆的脈動手感。本研究由「身體感」的角度,尋繹王叔和《脈經》中的手感論述,探究於實際診脈時,如何由指下手感解讀身體的狀態,掌握脈診技術中難以言傳的「默會之知」(tacit knowledge)。 第二章闡明在傳統醫家「治未病」的追求中,脈診不僅是「治已病」的診病技術,更具有使病人成為無病之平人,並繼續踏上賢人、聖人、至人、真人此一不斷階級升進的理想與目標。 第三章將依脈診生手學習之次序,探究診脈部位、脈位與臟腑對應關係以及實際下指診脈的手法;第四章將進一步探討如何藉由控制力道之輕重探測不同深度的脈動,並瞭解透過觸摸感知的脈動深度其所表徵之生理與病理意義;第五章將探究中醫如何透過指下感知的脈動速度與力度,探知患者體內狀態之寒熱、虛實。Wang Shu-he (王叔和) collected and organized the medical classics and doctor’s discourse of pulse diagnosis before the Wei and Jin Dynasties, therefore compiled the first monograph of pulse diagnosis in the traditional Chinese medical history. For a novice at pulse diagnosis, the key to advancing his pulse diagnostic technique is to identify the many touches of pulse accurately. This study attempt to research the descriptions of touches in Mai Jing (脈經) from the angle of “bodily sense”, investigating how to diagnose physical state through decoding pulse messages, grasping the “tacit knowledge” (Michael Polanyi, 1966) in the pulse diagnosis technique. The second chapter expounded that since traditional Chinese Physicians aimed to “ cure by prevention ”, pulse diagnosis was not only a technique used to cure the already ill into the healthy, but also have the capability of bettering common people’s physical and mental state therefore enabling them to continue the path of self improvement and enlightenment. The third chapter aimed to research the corresponding relationship between pulse positions and the viscera, and how to use fingers to feel the pulse. In the fourth chapter, we will investigate the method in controlling the force to enable touching the pulse deeply or lightly, and will explain the physiological and pathological meaning of the pulse depth. In the fifth chapter, we will find how traditional Chinese physicians diagnose patient’s chills and fever in addition to the deficiency and excess from the pulse rate.口試委員會審定書 I 誌謝 II 中文摘要 IV 英文摘要 V 第一章 脈學典範與學脈新論 1 第一節 中醫診斷學中的脈診 1 第二節 《脈經》以前的經脈文獻與王叔和《脈經》的典範意義 5 一、《脈經》以前出土文獻、文物中的經脈文獻 6 1. 張家山漢墓竹簡《脈書》 6 2. 長沙馬王堆三號墓帛書脈書 9 3. 緜陽雙包山西漢人體經脈漆雕 12 二、《脈經》以前傳世文獻中的經脈文獻 16 1. 醫書 16 (1)春秋、戰國(或秦漢之際)《黃帝內經素問》、《黃帝內經靈樞》 16 (2)戰國到東漢《黃帝八十一難經》 19 (3)東漢.張機《傷寒雜病論》 21 2. 史傳記載 21 (1)春秋.扁鵲(生年不詳,西元前310-307年間遇刺) 22 (2)西漢.淳于意(世稱倉公,西元前205-134年) 26 (3)東漢.郭玉(西元1-2世紀) 27 (4)東漢.華佗(生卒不詳,一說西元145-208年) 27 三、王叔和《脈經》的典範意義 29 第三節 當代脈學研究與學脈途徑 31 一、當代脈診研究回顧 31 1. 脈診起源 31 2. 脈診技術流變 32 3. 脈診科學原理 34 4. 脈象與證型關係研究 36 二、脈學中的手感論述 37 第二章 脈象典範與聖人典範 46 第一節 身體觀與理想情緒 48 一、傳統思想中的「形──氣──神」身體觀 48 二、先秦兩漢思想中用「心」工夫關照的起訖點 51 1. 儒家義界的負面情緒 53 2. 道家義界的負面情緒 56 3. 傳統醫家思想中的理想情緒 58 第二節 「治未病」的工夫踐履:以診察輔助 60 一、身心合一的臟象網絡:五臟、五神、五志與脈象 60 二、《脈經》病、脈、證中的情緒表述 64 三、情緒導致的生理疾病 69 第三節 跨領域研究意義:文本詮釋的新向度 73 結語 75 第三章 一寸之身:寸口之內的全體象徵 77 第一節 「獨取寸口」前的遍身診法 77 一、張家山《脈書》之遍身診法操作概況 77 二、《黃帝內經素問.三部九候論》之遍身診法操作簡介 78 三、《黃帝內經靈樞.禁服》人迎、寸口診脈法操作技術 82 第二節 嚴整有序的宇宙、多氣多血與男女之防: 獨取寸口的理論依據 86 一、由局部到整體 86 二、實徵既然 88 三、《難經》、史傳中獨取寸口的診脈技術 88 四、選擇手太陰肺經之由 90 第三節 體表、臟腑與周身細部:寸關尺各部的訊息解讀 91 一、「獨取寸口」在中醫的獨特性 91 二、寸關尺所表徵的體表訊息 92 三、從寸關尺得以閱讀的臟腑訊息 95 四、從寸關尺得以閱讀的身體細部 102 五、來自寸關尺既定脈位外的訊息 104 小結 106 第四節 《脈經》中的脈診技術:從生手到專家的脈診操作 108 一、尋找《脈經》診脈位置 108 二、《脈經》具體下指手法 114 1. 覆仰手勢 115 2. 確定關部 118 3. 佈中、食、無名三指 120 4. 另一種客觀:量身訂做的同身寸 123 5. 醫者避忌:不留爪甲 124 結語 124 第四章 上下浮沉:手感的空間書寫 125 第一節 「浮」、「中」、「沉」之下指輕重 125 第二節 「三菽」、「六菽」、「九菽」、「十二菽」、「至骨」: 臟腑的沉浮歸零 128 第三節 「秋浮」、「冬沉」:四季的沉浮歸零校準 133 第四節 從「外」、「表」到「內」、「裏」:上下浮沉的空間意義 138 第五章 寒熱虛實:手感中的速度與力度 146 第一節 中西醫認識下的脈動速度 146 一、脈動速度的基準 146 1. 以醫者為主體的診察方法 146 2. 以器械取代醫者的診察方法 148 二、脈搏頻率的意義 152 1. 脈氣的運行 152 2. 心臟的狀態 155 第二節 《脈經》中速度與力度的階梯 159 一、「損」、「至」之脈:《脈經》中的速度階梯 159 0. 一呼二至之平脈 159 +1. 一呼三至之離經 160 +2. 一呼四至之奪精 161 +3. 一呼五至之死 162 +4. 一呼六至之命絕 163 -1 一呼一至之離經 163 -2. 二呼一至之奪精 164 -3. 三呼一至之死 164 -4. 四呼一至之命絕 165 二、「虛」、「實」之脈:《脈經》中的力度解讀 167 1. 力度中的氣血虛實 168 2. 力度中的病邪虛實 169 三、遲「寒」、數「熱」:《脈經》中的溫度指標 169 第三節 數、緩、遲、虛:相關速度的四種脈象 172 一、數脈 174 二、緩脈 177 三、遲脈 178 四、虛脈之遲 181 第四節 促、結、濇、代:相關節奏的四種脈象 184 一、促脈 186 二、結脈 190 三、濇脈 193 四、代脈 196 結語 201 結論 203 參考文獻 213

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

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    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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