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韓劇閱聽人研究－以台北女性為例
No full text韓劇在台灣主要受到女性喜愛，部份韓劇收視率甚至超越台灣自製的戲劇，為了解這個跨文化傳播現象的全貌，本研究先著手分析韓劇主要收視群－女性閱聽人身處的社會脈絡，呈現她們在生活中理性選擇、運用這個跨國文本的動態過程，再回到全球化的背景下，探討她們收看跨文化文本時注意的文化因素，如何比較本地和韓劇文本、從中選擇。
研究發現，女性閱聽人要在父權體制下做出一些努力，例如先完成家務、和男性協商，或處理反對意見，才能維持收看韓劇的習慣。她們在韓劇中看到了相似的倫理和社會規範，產生情緒上的寫實感受，因而喜愛韓劇，並能夠運用韓劇文本來解決人際溝通問題。雖然能夠採取行動來維持收視、主動運用韓劇來改善生活困境，但所追求的秀異特質仍然突顯了父權場域對女性的要求。
為什麼女性閱聽人能夠接收、運用的是跨文化文本，而非台灣製播的戲劇，是因為有文化上的接近性，又多了一份異國情調的新鮮感。女性閱聽人認為，韓劇比台灣戲劇更能讓她們產生情緒上的寫實感受，主要是因為台灣的戲劇技術不佳讓人無法入戲，太強調衝突，而且對女性的描述充滿刻板印象。雖然她們喜愛韓劇，也不是對其內容全盤接收，還是會思考、分析不合理之處，並提出質疑和批判。目錄
第一章 研究緣起 ........................................................................................... ..3
第二章 文獻回顧與研究問題 ................................................................... 6
一、 跨國傳播脈絡─全球化 ............................................................................ 6
二、 跨文化的電視劇觀眾研究 ............................................................................ 8
三、 以女性為主體的閱聽人研究 ..........................................................................14
四、 Bourdieu的文化社會學 ..............................................................................18
五、 研究問題 ..................................................................................................... 21
第三章 研究方法….............................................................................................22
一、 個案選擇 ......................................................................................................22
二、 訪談進行方式 ..............................................................................................25
三、 訪談大綱 ............. ........................................................................................25
第四章 女性收看韓劇的情境脈絡................................................................27
一、 女性如何接收跨文化文本 ..........................................................................27
二、 解讀跨文化文本後的閱讀與實踐 ................................................................60
第五章 韓劇在台灣成功的特殊性－台灣女性選擇韓劇的比較與評價...............................................................................................................78
一、跨國文本的新鮮感與文化接近性 ..........................................................78
二、韓劇成功的特殊性 ..................................................................................89
三、女性看跨文化文本的省思 ................................................................101
第六章 研究結論與限制 ............................................................................108
參考文獻11
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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