1,720,957 research outputs found
Oral history interview with Merlin Little Thunder
No full textMerlin Little Thunder is Cheyenne and has been a professional artist for many years. He explains how he became an artist and the experiences that pushed him toward this work. Little Thunder describes his style and his process in creating unique artwork. He mentions some of the people who have helped him with his career and acknowledges how important his heritage is to his life and work.The Oklahoma Native Artists Collection is a series of interviews with Native American artists living in Oklahoma or have Oklahoma ties. The purpose of this project is to highlight the contributions of American Indian artists to the state by examining their lives and careers through the lens of art. This series also contains interviews with collectors, gallery owners and festival organizers
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Spirits Lead White Buffalo Thru the Sun's Ancient Trail
No full textOklahoma-based Southern Cheyenne artist Merlin Little Thunder is known for the meticulous detail of his paintings and the stories they tell. He paints Native Americans in naturalistic landscapes as well as in the more symbolic mode seen here. Usually working in miniature, he frames his paintings with a multi-layered mat on which he surrounds his signature with a bolt of lightning and thunderclouds. Little Thunder became a painter full time in 1981 after having worked as a laborer, musician and assistant museum director. One of the artists who influenced his career was the celebrated painter and printmaker Woody Crumbo, Jr., an Oklahoma Potawatomie artist. Little Thunder says that "this picture represents a segment of the story of two Cheyenne cultural heroes who encounter the Old Woman, who changed the Sun's trails from yellow to red and introduced the buffalo and corn to the Cheyenne." The four rigid spirits behind the buffalo represent the cardinal directions and the sacred colors, red, yellow, black and white, plus the Northern Cheyenne sacred color blue and the Southern Cheyenne sacred color green. Little Thunder says the buffalo spirit is carried by a tornado painted with the colors of the Day, Night, Male and Female. The small triangle in the right corner represents an eagle flying.
Merlin Little Thunder studied at Bacone College, Muskogee, Oklahoma; Eastern Oklahoma State College, Wilberton, Oklahoma; and Southwestern Oklahoma State University, Weatherford, Oklahoma. - Andrea S. Norri
Oral history interview with Merlin Little Thunder, Doris Littrell, and Robert Taylor
No full textMerlin Little Thunder and Robert Taylor are both Indian artists who have worked with Doris Littrell for many years. Merlin, Robert, and Doris all mention some of their memories of each other. They describe their experiences and relationships with one another and how beneficial these have been. Merlin and Robert talk about the role Doris and her gallery have played in their careers and how much they have learned from her. The three of them acknowledge their connection based on art.The Oklahoma Native Artists Collection is a series of interviews with Native American artists living in Oklahoma or have Oklahoma ties. The purpose of this project is to highlight the contributions of American Indian artists to the state by examining their lives and careers through the lens of art. This series also contains interviews with collectors, gallery owners and festival organizers
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