6,808 research outputs found
Research progress of printing and dyeing wastewater treatment / Xuxun Zheng and Liting Xu
No full textIn the textile industry, printing and dyeing technology, as an essential technical basis, produces a lot of printing and dyeing wastewater (PDW) that jeopardizes the ecological environment and human health. PDW generally has the characteristics of large discharge, high chromaticity, strong toxicity, strong alkalinity, complex componentization, poor biodegradability, large fluctuations in water quality and quality, and high content of organic pollutants, belonging to the type of industrial wastewater that is difficult to manage. In this paper, the current research progress of PDW treatment technology from the aspects of physical technology, chemical technology, and biological technology are reviewed. In addition, measures to reduce the damage caused by printing and dyeing wastewater from three perspectives: treatment principle, processes, advantages, and disadvantages are discussed, which provides a reference point for the treatment of printing and dyeing wastewater. It is worth noting that the article reviews the ABS system, which is gaining attention as an emerging technology under biological technology. The purpose of this paper is to provide a reference basis for the selection and application of technology, and then promote the innovation and development of printing and dyeing wastewater treatment technology
Research progress of desertification control in China / Liting Xu and Xuxun Zheng
No full textDesertification is a change in soil properties, vegetation, or climate that leads to the ongoing loss of ecosystem services essential for sustaining life. Desertification affects large areas of dry land around the world and is a major cause of stress in human societies. Desertification is a serious ecological problem in China. Desertification has seriously affected vegetation growth, food security, and human economy, and has caused certain adverse effects on the natural environment and social environment. Based on the causes of desertification and the present situation of desertification, this paper analyzes various measures to prevent and control desertification and puts forward some useful ideas on desertification in China, which will provide a reference for the research of desertification control in China
sj-pdf-1-ccx-10.1177_10732748211038445 – Supplemental Material for What Makes a Military Professional? Evaluating Norm Socialization in West Point Cadets
No full textSupplemental Material, sj-pdf-1-ccx-10.1177_10732748211038445 for Body Composition Changes in Hepatocellular Carcinoma: Prediction of Survival to Transcatheter Arterial Chemoembolization in Combination With Clinical Prognostic Factors by Xiaomin Zheng, Feng Cao, Liting Qian and Jiangning Dong in Cancer Control</p
Composition of New Music for Zheng
No full text[[abstract]]Zheng, also known as Guzheng, is a traditional music instrument, and, yet, capable of producing new sounds with widely varying styles of music. Therefore, the author adopted it as the research theme of this thesis study. Improvement of this music instrument was driven by social and cultural needs of each era. Better understanding of its characteristics was achieved through investigation of the instrument evolution, technique development and the scale system. Such understandings may be applied to the composition of Zheng music. Subsequently, the author analyzed the Zheng music of contemporary Taiwanese composers. Through research on music teachers’ works, the author was able to transform the learned techniques into author’s own music expressions. Using these elements, the author composed three Zheng music pieces as a demonstration of her transforming theoretical studies into creation of new Zheng music.
This thesis comprises five chapters:
Chapter 1 is the “Introduction,” which presents the motivation and purpose of this study as well as the sequence of the study and the structure of the thesis.
Chapter 2 is the “History of Zheng,” which describes the evolution of the instrument, the playing techniques and its scale system.
Chapter 3 is the “Analysis of Zheng Music by Contemporary Taiwanese Composers,” which allows the author to transform music phrases of other composers into music expressions of the author’s own.
Chapter 4 is the “Composition of New Music for Zheng, by author” which presents the three compositions for Zheng ensembles of different sizes.
Chapter 5 is the “Conclusions,” which summarizes the important findings of this study that may serve as the guidelines for future compositions.
Nan Song Shuzhou gong du yi jian zheng li yu yan jiu Zheng li yu yan jiu
No full textBen shu shi dui wo she yu 1990 nian chu ban de ying yin ben "Song ren yi jian" de zheng li yu yan jiu. Gai shu shi liao feng fu, she ji zheng zhi, jing ji, jun shi yi ji Song dai gong wen ge shi he shu yi, shi zhen gui de shi wu wen xian. "Song ren yi jian" fan ying le bu shao nan Song shi qi di fang guan fu ji gou she zhi he xing zheng guan li zhi du, bu chong le xu duo Song dai cai zheng, shui shou zheng ce de xin cai liao, bao liu le nan Song chu nian Jiang Huai di qu zhan bei zhuang kuang de xi jie cai liao, hai shi Song dai wen shu zhi du de zhong yao cai liao, you zhu yu Song shi yan jiu de shen ru. Zheng li ben yan jin gui fan, ge shi ming xi, ji ben huan yuan le Song jian tu ban de ben lai mian mao, ju you jiao qiang de can kao jia zh
A translation comparison of stray birds between Zheng Zhenduo’s version and Feng Tang’s version : from the perspective of manipulation theory
No full textThis paper employed Lefevere’s Manipulation Theory to explain respectively how
three main factors of Manipulation Theory, namely patronage, ideology and poetics
controlled Zheng Zhenduo’s and Feng Tang’s translation activity of Tagore’s Stray
Birds. And then the paper will analyze their translation strategies by comparing
certain poems in Stray Birds. However, author of this paper did not aim to reconfirm
Lefevere’s Manipulation Theory, but under his theoretical framework, tried to
interpret translation phenomenon from an extra-linguistic perspective.
Through analysis and comparison, the importance of three core elements was
different in those two versions. For Zheng Zhenduo, three main elements shared equal
impacts on his translation. His individual ideology and poetics conformed to
prevailing ideology and poetics in those days, and his patronage also exerted a
positive influence, therefore his Stray Birds received favorable reviews.
In Feng Tang’s case, individual poetics played the most important role. Although his
poetics reflected literary trends to some extent, but that is still not the mainstream in
today’s literary market. The translator’s subjectivity in Feng’s version was clearly
stronger than Zheng’s. For the purpose of literary innovation and commercial interests,
patronage did not manipulate Feng’s translation too much. As a result, Feng Tang’s
Stray Birds was forced to stop sales.
Key words: Zheng Zhenduo; Feng Tang; Stray Birds; Manipulation TheoryMaster of Art
A Brief Discussion on Zheng He's Nautical Charts - And the Presentation of the Ancient-Present Contrast of Zheng He's Nautical Charts
No full textOriginally, Zheng He’s Nautical Charts were published in Wu Bei Zhi (a collection of military books, 1621), Vol. 240, compiled by Mao Yuanyi of the Ming Dynasty. The charts are thought to have been drawn in the early 15th century. For more than one hundred years, scholars worldwide have been doing research on Zheng He’s Nautical Charts and have published many books and theses. On the basis of these previous works, the author has continued to investigate the charts from the angle of marine cartography, written several papers, and compiled the Ancient-Present Contrast of Zheng He’s Nautical Charts (which were exhibited at the XIHth International Hydrographic Conference) as a chief editor. This paper describes the features of Zheng He’s Nautical Charts briefly and introduces the newly-compiled Ancient-Present Contrast of Zheng He’s Nautical Charts
The emergence of the Chinese zheng : traditional context, contemporary evolution, and cultural identity
No full textThe zheng is a Chinese long zither that was developed from a five-string folk instrument over two thousand years ago to become a concert instrument with approximately twenty million practitioners around the world today. The opposing forces of metamorphosis and continuation have dominated the evolution of the instrument with the most rapid and drastic changes to its conception and practice witnessed in the twentieth century.
This dissertation is a musical and cultural study of the zheng’s living tradition from traditional practice to contemporary evolution, with an emphasis on the transformation of its musical and cultural identity. The studied areas include composition, dissemination, performance technique, and aesthetics. These discussions reveal an underlying ancient Chinese aesthetic principle drawn from both Confucian and Taoist philosophies that applies to all developmental periods of the zheng––the relationship between sheng (generated sound) and yin (cultivated sound).
In addition to being a researcher, the author combines her four-decade long experience of performing and studying the instrument with the voices of four generations of zheng performers and those of Chinese and non-Chinese zheng composers and scholars to reveal the core musical and aesthetic elements of traditional zheng practice. Crucially this includes analyzing contemporary changes in Mainland China and North America since the twentieth century in the context of political influences, Westernization, and globalization. The author argues that the fundamental values of traditional zheng practice are still pertinent to the contemporary development of the instrument.Arts, Faculty ofMusic, School ofGraduat
Zheng Chouyu - the life and works of the classic author of Taiwanese
No full textMým úmyslem bylo v této práci postihnout charakteristické rysy básnické tvorby, kterou se Zheng Chouyu natrvalo zapsal do dějin moderní taiwanské poezie. Snažila jsem se poskytnout co nejširší úhel pohledu na Zheng Chouyuho rané dílo a všímala si jak témat a motivů, tak i formálních a jazykových prostředků. Součástí charakteristiky stylu bylo také zamyšlení nad vztahem Zheng Chouyuho díla k tradiční čínské poezii. Soustředila jsem se na estetickou hodnotu básní a posuzovala je jako samostatné entity, i když nebylo vždy možné zcela přehlédnout společenské vlivy, které měly podíl na jejich vzniku. Centrem mého zájmu bylo čtení básní a následná analýza jazyka, techniky zpracování, témat, stylu a obraznosti. V textu jsem uvedla příklady vybraných básní typických pro dané téma nebo pro námět zpracovaný v jisté kapitole. Soustředila jsem se na interpretaci jednotlivých básní a na jejich rozbor
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