3,801 research outputs found

    Guy B. Burnette Interview

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    Guy Burnette was born in North Carolina in 1921 and was drafted in 1942. After training his unit was stationed in Hawaii for island defense, and after the atomic bombs were dropped on Japan he was sent there for occupation duty. Following the war he returned to North Carolina, where he raised a family and was a farmer and construction worker

    Guy Nicely Interview

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    Guy C. Nicely grew up in Lexington, Virginia and is a decorated veteran of World War II. He was drafted in February 1943 and soon joined the First Division, the Big Red One. After serving briefly in Sicily, his unit was sent to England to train for the D-Day invasion on June 6, 1944. He landed on Omaha Beach and later fought in the Battle of the Bulge. He received both the Bronze Star and the Purple Heart

    Spectacular Developments: Guy Debord's Parapolitical Turn

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    Following the attacks of September 11th, 2001, Guy Debord’s concept of ‘the spectacle’ re-emerged in the work of a variety of theorists as a critical prism through which the attacks and subsequent ‘War on Terror’ could be approached. Debord’s first book on the spectacle (1967) was written in the context of France’s post-war boom; his later reflections, contained in a series of minor works written throughout the seventies and eighties, are heavily influenced by Italy’s ‘Years of Lead’ and a broader geopolitical climate of armed struggle, terrorism, counter-insurgency and espionage. Nearly all post-9/11 invocations of Debord’s concept draw on the version elucidated in Debord’s 1967 book, with its emphasis on commodity fetishism, ideology, and alienation, and fail to engage his later work and its focus on terrorism, secrecy, and conspiracy. Among those that do in fact reference Debord’s later work are several writers whose work could pejoratively be labelled ‘conspiracy theory’. Looking at Debord’s oeuvre as whole, and investigating how it combines a critique of late capitalism in its totality with parapolitcal concerns of ‘systemic clandestinity’, Spectacular Developments: Guy Debord’s Parapolitical Turn provides a bolstered conception of the spectacle that aims to reconfigure the conceptual foundations of this debate. This conception of the spectacle allows one to approach the 9/11 attacks and all that followed in their wake with both a precision and a breadth lacking in these other works, demonstrating the superficiality of readings that make the concept synonymous with the mass media or that attempt to unravel nefarious conspiracies of power. Simultaneously, this approach foregrounds the epistemological and strategic challenges faced by researchers, politicians and activists working in and on the society of the spectacle

    Maupassant contista traduzido em analogias brasileiras: paratextos

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    Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2014O presente trabalho tem como objetivo principal analisar os elementos paratextuais presentes em doze antologias, dos séculos XX e XXI, traduzidas no Brasil, de Guy de Maupassant, autor francês do século XIX, pretendendo revelar como o autor e sua obra são apresentados ao leitor brasileiro, através dos paratextos. Foram analisadas somente as antologias traduzidas com contos do autor francês, não considerando as publicações mistas. O principal referencial teórico abordado foi fundamentado nas reflexões de Gérard Genette (2009) e Marie-Hèléne C. Torres (2011).Abstract: The main objective of this work is to examine the paratextual elements in twelve anthologies of the French author Guy de Maupassant's short stories, translated and published in the 20th and 21st centuries in Brazil, in order to disclose how the writer and his oeuvre are presented to the Brazilian reader, through the use of paratexts. I analysed only the translated anthologies with short stories from the author himself; anthologies that had other authors as well were not considered. The main theoretical framework was based on the reflections of Gérard Genette (2009) and Marie-Hèléne C. Torres (2011)

    "The speciall men in every shere": the Edwardian regime, 1547-1553

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    This thesis examines clienteles during the reign of Edward VI, particularly those of the dukes of Somerset and Northumberland, and the role of the county elite in political society in order to reassess politics from the perspective of clientage. Edward's reign has not been extensively studied from this perspective but work by Dr Adams, Professor Guy and others on other periods provided the necessary context to reassess Edwardian politics. The aim was to investigate whether the regime continued to rely on the same core within the county elite employed in the 1520s and 1530s and again in Elizabeth's reign. This has involved extensive archival research since 1996 (in St Andrews, London and the Midlands). I have found that the privy council tried to foster a closer working relationship with the county elite in order to maintain stability and prevent faction during this period of minority government. The regime depended on the same core of gentlemen in the shires to act as commissioners of the peace and to fill the other vital local offices. Even within this group there was an inner-ring. This relationship was a two-way process and the clientage that underpinned early modem society was central to it. This study has also explored the extent to which Somerset's and Northumberland's clienteles were involved in central and local government to reassess how much the dukes operated as courtcentred or county-centred politicians. Both men dominated government in turn and their clienteles were vitally important. These were made up of their servants, family, friends and clients and were mutual self-support groups that reinforced their political and social status. Although principally intended as a political study, this research has come to incorporate military and local history. It has looked at how clienteles operated during periods of stability and crisis (the activities of Lord Seymour of Sudeley, the 1549 rebellions, the October coup, the second fall of Somerset and the succession crisis in 1553) in order to demonstrate how they really functioned

    Notice from Guy Robertson, Project Director, to the residents of Heart Mountain, October 1943

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    Notice from Guy Robertson to incarcerees regarding labor shortage, recruitment, and operations for agricultural laborers at Heart Mountain incarceration camp.The Japanese American Archival Collection documents the people, places, and daily life of Japanese Americans, primarily those who lived in the once thriving community of pre-war Florin in the Sacramento region, as well as the conditions in American incarceration camps during World War II. The approximately 7,000 original items include personal and official letters, photographs, diaries, arts and crafts, newsletters, textiles, camps artifacts, yearbooks and other publications

    Memo from Guy Robertson, Heart Mountain Project Director, to Committee of Delegates Cooperative, January 14, 1943

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    Memorandum of understanding from Guy Robertson, Project Director at Heart Mountain incarceration camp, to Committee of Delegates Cooperative regarding the rules and regulations for consumer enterprises at the camp.The Japanese American Archival Collection documents the people, places, and daily life of Japanese Americans, primarily those who lived in the once thriving community of pre-war Florin in the Sacramento region, as well as the conditions in American incarceration camps during World War II. The approximately 7,000 original items include personal and official letters, photographs, diaries, arts and crafts, newsletters, textiles, camps artifacts, yearbooks and other publications

    Correspondance Parisienne, Jeudi 1 Septembre 1892

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    Page of the French periodical "Correspondance Parisienne" with a column titled "Bulletin Aeronautique" by Guy De Roope.For more information about this item, visit https://archivesspace.mit.edu/repositories/2/digital_objects/82

    Guy Kawasaki: The Art of Enchantment

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    Guy Kawasaki is the chief evangelist of Canva, an online graphic design tool. Formerly, he was an adviser to the Motorola business unit of Google and chief evangelist of Apple. His in-depth knowledge of the high-tech industry combined with his years of management experience enables him to address a wide range of audiences. His particular strength is the ability to quickly understand diverse industries and incorporate his pre-existing knowledge into a highly relevant and customized speech. He is also the author of Enchantment: The Art of Changing Hearts, Minds, and Actions, APE, What the Plus! and ten other books. His two latest books are The Art of the Start 2.0 and The Art of Social Media. Guy routinely gets rave reviews from clients including trade associations, packaged goods companies, service providers, insurance companies, educational institutions, and technology companies. He has spoken for organizations including Google, Nike, Audi, TEDx, Wal-Mart, Sprint, Hewlett-Packard, IBM, Saturn, Stanford University, TIE, Calgary Flames, The Body Shop, MIT, Forbes and Aveda
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