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New species of Eurythenes from hadal depths of the Mariana Trench, Pacific Ocean (Crustacea: Amphipoda)
No full textWeston, Johanna N. J., Carrillo-Barragan, Priscilla, Linley, Thomas D., Reid, William D. K., Jamieson, Alan J. (2020): New species of Eurythenes from hadal depths of the Mariana Trench, Pacific Ocean (Crustacea: Amphipoda). Zootaxa 4748 (1): 163-181, DOI: 10.11646/zootaxa.4748.1.
FIGURE 3 in New species of Eurythenes from hadal depths of the Mariana Trench, Pacific Ocean (Crustacea: Amphipoda)
No full textFIGURE 3. Microfibre found within the hindgut of a Eurythenes plasticus sp. nov. individual from 6949 m in the Mariana Trench.Published as part of Weston, Johanna N. J., Carrillo-Barragan, Priscilla, Linley, Thomas D., Reid, William D. K. & Jamieson, Alan J., 2020, New species of Eurythenes from hadal depths of the Mariana Trench, Pacific Ocean (Crustacea: Amphipoda), pp. 163-181 in Zootaxa 4748 (1) on page 169, DOI: 10.11646/zootaxa.4748.1.9, http://zenodo.org/record/369766
FIGURE 7. Egg sizes and frequencies from four individuals. Binned into 0.5 in Pseudoliparis swirei sp. nov.: A newly-discovered hadal snailfish (Scorpaeniformes: Liparidae) from the Mariana Trench
No full textFIGURE 7. Egg sizes and frequencies from four individuals. Binned into 0.5 mm increments. Small peaks show 22, 23, 7, 14 large eggs for specimens USNM 438994/HADES 200027, SIO 16-81/HADES 200039, SIO 16-87/HADES 200025, USNM 438995/HADES 200085.Published as part of Gerringer, Mackenzie E., Linley, Thomas D., Jamieson, Alan J., Goetze, Erica & Drazen, Jeffrey C., 2017, Pseudoliparis swirei sp. nov.: A newly-discovered hadal snailfish (Scorpaeniformes: Liparidae) from the Mariana Trench, pp. 161-177 in Zootaxa 4358 (1) on page 171, DOI: 10.11646/zootaxa.4358.1.7, http://zenodo.org/record/106755
FIGURE 4. A in New species of Eurythenes from hadal depths of the Mariana Trench, Pacific Ocean (Crustacea: Amphipoda)
No full textFIGURE 4. A, Photographs of specimens of E. plasticus sp. nov.: female holotype from 6865 m (A top; USNM 1615729), juvenile paratype from 6865 m (bottom left; USNM 1615730), male paratype from 6010 m (bottom right; USNM 1615732). B, Eurythenes plasticus sp. nov., mature female, holotype, USNM 1615729.Published as part of Weston, Johanna N. J., Carrillo-Barragan, Priscilla, Linley, Thomas D., Reid, William D. K. & Jamieson, Alan J., 2020, New species of Eurythenes from hadal depths of the Mariana Trench, Pacific Ocean (Crustacea: Amphipoda), pp. 163-181 in Zootaxa 4748 (1) on page 170, DOI: 10.11646/zootaxa.4748.1.9, http://zenodo.org/record/369766
FIGURE 6 in New species of Eurythenes from hadal depths of the Mariana Trench, Pacific Ocean (Crustacea: Amphipoda)
No full textFIGURE 6. Eurythenes plasticus sp. nov. holotype (USNM 1615729). A, left gnathopod 1; B, chela of left gnathopod 1; C, left gnathopod 2; D, chela of left gnathopod 2; E, left pereopod 3; F, left pereopod 4.Published as part of Weston, Johanna N. J., Carrillo-Barragan, Priscilla, Linley, Thomas D., Reid, William D. K. & Jamieson, Alan J., 2020, New species of Eurythenes from hadal depths of the Mariana Trench, Pacific Ocean (Crustacea: Amphipoda), pp. 163-181 in Zootaxa 4748 (1) on page 172, DOI: 10.11646/zootaxa.4748.1.9, http://zenodo.org/record/369766
Bathyal demersal fishes of the Charlie-Gibbs Fracture Zone region (49°–54°N) of the Mid-Atlantic Ridge : III. Results from remotely operated vehicle (ROV) video transects
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FIGURE 4. A in Pseudoliparis swirei sp. nov.: A newly-discovered hadal snailfish (Scorpaeniformes: Liparidae) from the Mariana Trench
No full textFIGURE 4. A) Ventral view drawing. B) Tooth pattern on maxillary jaw. Counted rows denoted on right side of image. C) Tooth structure of specimen USNM 438996/HADES 200024. D) Disk details of SIO 16-87/HADES 200025 stained with Alizarin Red S. E) Disk of USNM 438995/HADES 200085 stained with Cyanine Blue.Published as part of Gerringer, Mackenzie E., Linley, Thomas D., Jamieson, Alan J., Goetze, Erica & Drazen, Jeffrey C., 2017, Pseudoliparis swirei sp. nov.: A newly-discovered hadal snailfish (Scorpaeniformes: Liparidae) from the Mariana Trench, pp. 161-177 in Zootaxa 4358 (1) on page 166, DOI: 10.11646/zootaxa.4358.1.7, http://zenodo.org/record/106755
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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