6,339 research outputs found
Lingfeng xiao pin ji.
No full textChapter 第一輯雙鳳樓隨筆 ---p.2家園紀事 ---p.2牽牛 ---p.6煤煙 ---p.10黃瓜 ---p.14河 ---p.17畫 ---p.21霉的素描 ---p.24閑居 ---p.27天竹 ---p.30笑 ---p.40Chapter 第二輯她們 ---p.50他 ---p.50藢 ---p.52天書 ---p.56英 ---p.58玫瑰 ---p.63送別 ---p.65賀柬 ---p.68手套 ---p.73謊 ---p.77白日的夢 ---p.85偶成 ---p.91Chapter 第三輯北遊漫筆 ---p.96新秋隨筆 ---p.109憔悴的絃聲 ---p.113秋意 ---p.117霧 ---p.120文藝隨筆 ---p.124文學與生活 ---p.124我的小品作家 ---p.128幾篇短篇小說 ---p.133家庭瑣事 ---p.131自殺俱樂部 ---p.145一册厚的書 ---p.149一幕愛的喜劇 ---p.156Chapter 第四輯白葉雜記 ---p.164夢的紀實 ---p.164心靈的安慰 ---p.167芳鄰 ---p.172遷居 ---p.178惜別 ---p.184人去後 ---p.191偷生 ---p.196歸來 ---p.201春蠶 ---p.207血 ---p.211謝忱 ---p.214今後的生涯 ---p.216無題 ---p.218靈魂的歸來 ---p.224生離 ---p.228鄉愁 ---p.232紅燈小擷 ---p.238紅燈小擷 ---p.238秋懷 ---p.241金鏡 ---p.244小樓 ---p.247病榻囈言 ---p.250桃色的恐怖 ---p.264Chapter 第五輯太陽夜記 ---p.274月亮給我的信 ---p.274冰車 ---p.279交響樂 ---p.283指甲 ---p.286鐵與雪 ---p.290噩夢 ---p.293獄中五日記 ---p.302葉靈鳳著.散文.Ye Lingfeng zhu.San wen
Wen yi sui bi
No full textChapter 第一輯幾本古典名著關於'伊索寓言' ---p.3褒頓與'天方夜譚' ---p.13'十日談','七日談'和'五日談' ---p.20喬叟的'坎特伯雷故事集' ---p.30Chapter 第二輯作家與作品巴爾札克和他的'人間喜劇' ---p.35左拉和他的'盧貢馬加爾家傳' ---p.40史諦芬遜和他的'金銀島' ---p.44霍桑和動人的'紅字'故事 ---p.49莫泊桑的短篇傑作 ---p.53可愛的童話作家安徒生 ---p.58蘇格蘭農民詩人彭斯 ---p.64詩人小說家愛倫坡 ---p.70Chapter 第三輯讀書偶記巴爾札克的'詼諧故事集' ---p.77拉封歹的寓言 ---p.79喬治吉辛和他的散文集 ---p.82淮德的'塞爾彭自然史' ---p.85品托的'遠東旅行記' ---p.88'猴爪'和三個願望的故事 ---p.91意大利的'笑林廣記' ---p.96紀德關於王爾德的回憶 ---p.101'贗幣犯'和'贗幣犯日記' ---p.104潘的性格和故事 ---p.107歌德和席勒的友情 ---p.109艾克曼的'歌德談話錄' ---p.114達爾文和赫胥黎 ---p.117托爾斯泰夫妻失和的內幕 ---p.122Chapter 第四輯幾本書的故事迦撒諾伐和他的'回憶錄' ---p.127王爾德'獄中記'的全文 ---p.131'循環舞'的風波 ---p.137小仲馬和他的'茶花女' ---p.145'茶花女'和茶花女型的故事 ---p.150比亞斯萊,王爾德與'黃面誌' ---p.156'魯濱遜飄流記'的作者 ---p.163'查泰萊夫人之情人'的遭遇 ---p.166'查泰萊夫人之情人'解禁經過 ---p.175後記 ---p.183葉靈鳳著Copy 4 printed in 1979.Ye Lingfeng zh
Zhongguo xian dai wen xue ji wen hua zhong de Biyazilai: Aubrey Beardsley in modern Chinese literature and culture.
No full text現代文學與現代藝術之間，有著千絲萬縷的關係，可是在具體操作中，往往被分開來，各自獨立開展研究。自「文化研究」興起，學界方才將兩者結合起來，二十世紀上半葉中國文學界關注英國畫家比亞茲萊(Aubrey Beardsley )(1872--1898)是很好的切入口，因諸多新文學作家(如魯迅、聞一多、梁實秋、邵洵美、郁達夫、葉靈鳳……)都對比亞茲萊有間接或直接的論述。本文將比亞茲萊和中國現代文學結合研究，不囿於文化研究、比較文學研究或視覺文化研究的幾個範疇，嘗試在中國現代文學的領域作跨學科研究，除了發掘學界所忽略的原始材料外，也會從翻譯、出版、藝術、文化、思想幾個領域探討「比亞茲萊在中國」這一現象帶出的「中國現代性」思考。本文導言部份會簡介比亞茲萊在中國現代文學與出版界的再現情況，接著會評述中國在比亞茲萊研究這一學術領域的成果及不足之處，然後從本論文的研究概念、方法與主題進入正式論述。本文第一章會探討被稱為「中國比亞茲萊」的作家葉靈鳳的文字與圖像創作，從一系列原始材料的鋪展與圖文對讀中，筆者將質疑「中國比亞茲萊」這稱謂的實質內容，從而呈現出歷來學者對葉靈鳳及創造社研究的誤讀之處。本文第二章會詳細討論魯迅編《比亞茲萊畫選》的小引及選畫問題，筆者將以西文原典證明歷來學界對小引是「魯迅寫」的錯誤認知，本文將從小引的「魯迅硬譯」開始，探討魯迅的藝術觀與其文字作品呈現精神世界的契合點。本文第三章將以比亞茲萊與中國現代文學中的世紀末思潮為題，探討幾個中國作家筆下呈現的比亞茲萊，筆者將以專題形式討論郁達夫的頹廢與比亞茲萊的異同；梁實秋、聞一多留美歲月中的比亞茲萊論述；張愛玲小說中把比亞茲萊放在第二次世界大戰中的意義。本文第四章將從出版史的角度，考察一個世紀以來比亞茲萊畫冊/圖像在中國的出版情況，探討其中的文化、政治、社會意義。研究比亞茲萊在中國的現象，從百年來中國現代社會的建立，到中國作家不同語境中比亞茲萊的呈現，最終會落入對比亞茲萊藝術「現代性」的思考，本文總論部份將探討比亞茲萊的「中國式面孔」帶來的「中國現代性」迷思，呈現中國現代文學與西方現代藝術糾纏而複雜的面相。Modern literature and contemporary arts are inter-related, yet they have been usually regarded as completely different and independent perspectives in academic researches. Cultural Studies is the first academic field to combine these two perspectives for cultural phenomena explorations. The attention and discussion on English illustrator Aubrey Beardsley (1872 - 1898) by the Chinese literature circle (including writers such as Lu Xun、Wen Yiduo、Liang Shiqiu、Shao Xunmei、Yu Dafu、Ye Lingfeng etc.) in early 20th century could serve as a proper entry point for the study of interaction between literature and picture.This paper will implore Beardsley and modern Chinese literature, not only by applying the theories of cultural studies, comparative literatures and visual arts, but also making an attempt at an interdisciplinary study based on modern Chinese literature. It will be studied how the phenomenon of "Beardsley in China" has led to the thinking of "Modernity of China" through different perspectives including translation, publication, arts, culture and philosophy.To start, the prelude shall give a brief introduction on the representations of Beardsley in Chinese modern literature and publishing industry. The studies on the topic of "Beardsley in China" and its inadequacies will be commented, followed by an outline of the research concept and methodology adopted in the paper leading to the discourse. The first chapter will focus on text and visual works by the writer Ye Lingfeng, aka Chinese Beardsley. Through the comparative reading of original texts and visual materials, the author challenges the validity of "Ye Lingfeng as Chinese Beardsley" and argues there has been miss-reading of Ye Lingfeng and "Creation Society" (創造社) by scholars in previous studies. In chapter 2, the Introduction and selection of paintings in "The Selected Paintings of Aubrey Beardsley" (《比亞茲萊畫選》) edited by Lu Xun is thoroughly deliberated. Reference will be taken from the original English text to substantiate the argument that the Introduction was actually translated by Lu Xun instead of written by him as miss-interpreted by many scholars. Along this argument, the thesis will further explore how Lu Xun perceived arts and its relationship with his written works. How Beardsley and "Decadence" were represented in works of various important Chinese writers including Yu Dafu, Liang Shiqiu、Wen Yiduo and Eileen Chang is discussed in detail in Chapter 3, followed by an account of the publication history of Beardsley’s works in China and its cultural, political and social significance in Chapter 4.The study of Beardsley in China under the context of development of Chinese society in the past century and its representations in various Chinese writers’ works will lead to review ofthe modernity of Beardsley’s arts. In the conclusion, the thesis will sum up the myth of "Modernity of China" brought about by Chinese face of Beardsley and reveal the intricate and complicated forms of modern Chinese literature and contemporary western arts.Detailed summary in vernacular field only.Detailed summary in vernacular field only.Detailed summary in vernacular field only.Detailed summary in vernacular field only.徐霞.Parallel title from added title page.Thesis (Ph.D.) Chinese University of Hong Kong, 2014.Includes bibliographical references (leaves 219-232).Abstracts in Chinese and English.Xu Xia
Predicting hospitalization for heat-related illness at the census-tract level: Accuracy of a generic heat vulnerability index in phoenix, Arizona (USA)
No full textabstract: Background: Vulnerability mapping based on vulnerability indices is a pragmatic approach for highlighting the areas in a city where people are at the greatest risk of harm from heat, but the manner in which vulnerability is conceptualized influences the results.
Objectives: We tested a generic national heat-vulnerability index, based on a 10-variable indicator framework, using data on heat-related hospitalizations in Phoenix, Arizona. We also identified potential local risk factors not included in the generic indicators.
Methods: To evaluate the accuracy of the generic index in a city-specific context, we used factor scores, derived from a factor analysis using census tract–level characteristics, as independent variables, and heat hospitalizations (with census tracts categorized as zero-, moderate-, or highincidence) as dependent variables in a multinomial logistic regression model. We also compared the geographical differences between a vulnerability map derived from the generic index and one derived from actual heat-related hospitalizations at the census-tract scale.
Results: We found that the national-indicator framework correctly classified just over half (54%) of census tracts in Phoenix. Compared with all census tracts, high-vulnerability tracts that were misclassified by the index as zero-vulnerability tracts had higher average income and higher proportions of residents with a duration of residency < 5 years.
Conclusion: The generic indicators of vulnerability are useful, but they are sensitive to scale, measurement, and context. Decision makers need to consider the characteristics of their cities to determine how closely vulnerability maps based on generic indicators reflect actual risk of harm.Corresponding Author:
Wen-Ching Chuang
Arizona State University
[email protected]
First person – Yi-Wen Xu
No full textABSTRACT
First Person is a series of interviews with the first authors of a selection of papers published in Journal of Cell Science, helping early-career researchers promote themselves alongside their papers. Yi-Wen Xu is the first author on ‘Maternal DCAF2 is crucial for maintenance of genome stability during the first cell cycle in mice’, published in Journal of Cell Science. Yi-Wen is a PhD student in the lab of Heng-Yu Fan at the Life Sciences Institute, Zhejiang University, China, investigating the mechanisms of mammalian germ cell development and disease models relating to the female reproductive system.</jats:p
First person – Chih-Wen Chu
No full textABSTRACT
First Person is a series of interviews with the first authors of a selection of papers published in Journal of Cell Science, helping early-career researchers promote themselves alongside their papers. Chih-Wen Chu is the first author on ‘The Ajuba family protein Wtip regulates actomyosin contractility during vertebrate neural tube closure’, published in Journal of Cell Science. Chih-Wen is an associate scientist in the lab of Sergei Sokol at Icahn School of Medicine at Mount Sinai, New York, USA, investigating apical constriction and planar cell polarity, with a focus on protein dynamics at the cell junctions.</jats:p
Recommended from our members
Jetting, In-Nozzle Meniscus Motion and Nozzle-Plate Flooding in An Industrial Drop-on-Demand Print Head
No full textThe state of the ink film at and near the nozzles of a drop-ondemand(DoD) print head during jetting has a direct impact on
printing performance and reliability. We have developed highspeed imaging apparatus and analytical techniques to investigate
the ink film dynamics on an industrial print head nozzle-plate in real-time. In addition to a direct correlation between the jet
emergence velocity and drive voltage, drive-dependent variations in the oscillation of the ink meniscus in adjacent nozzles were also observed. Using a ray-tracing model to analyze the meniscus shape, the meniscus oscillations for both printing and nonprinting nozzles were found to be complex and involve elements such as pre-oscillation and high-order surface waves. The flooding of non-firing nozzles, deliberately caused by the application of maximum drive voltage to a neighboring nozzle, has been recorded and analyzed dynamically. The build-up of fluid in an annulus around the nozzle (flooding rate) has been characterized and compared with models for the net ink flow
through the nozzle
The Menkaure Triad, Numerical Thinking, and Divine Configurations in Ancient Egypt
No full textAbout the Author
Formerly an undergraduate at the University of California, Los Angeles, Wen Li Teng is a transfer student at the University of Chicago. Wen Li is currently pursuing a major in History
[[alternative]]Wen’s Town and Talent Member School Project: Idea and Practice
No full text[[abstract]]The goal of ‘Town and Talent Member School Project’, which Sayling Wen and Kenny Lin launched into, is using modern technology and the internet to develop a knowledge-based economy in the Chinese western region for a bright future. The author tries to make a thorough inquiry to understand how member schools in the town and talent project could lead local economic development and thereby digs out educational significances within. According to the research results:
(1) Through e-charity platform member schools can bring more moral education into practice;
(2) By practicing town and talent project member schools can expand their social functions;
(3) To educate is the most fundamental work to change impoverished situations in the world;
(4) The development of educational technology will promote the transition of learning styles.
In this paper the author also points out that town and talent member school project begins with technical interest, and grow up with practical interest and emancipatory interest. Finally, comments for and against town and talent member school project are offered.
Division and Unity: The History and Historiography of the Pennsylvania Constitution
No full textAbout the author:
Wen Li Teng is pursuing a double major in History and Political Science at the University of Chicago
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