30,481 research outputs found
Buddhism of Qian-ling-shan in Gui-zhou
No full text110006481950There are several sacred places of Buddhism, like Fan-jing-shan, Jin-ding-shan, and Qian-ling-shan, in Gui-zhou, China. In these sacred places of Buddhism, which were established in Ming/Qing era, there are many temples, to which many Buddhist believers came to worhip from such surrounding regions Si-chuan and Yun-nan. In this paper, taking the Buddhism of Qian-ling-shan of these sacred places of Buddhism as my subject, I describe the history and present status, the life and thought of the priest Chi-song-he-shang, who was the founder of the Hong-fu-si temple of Qian-ling-shan, and the Zen priests of Gui-yang recorded in Qian-nan-hui ding-lu. In my second section "Qian-ling-shan, the sacred place of Buddhism in Gui-zhou". I describe the nature, scenery, ruins, beautiful places etc. mainly by the use of copy of Qian-ling-shan-zhi owned by Toyobunko, Tokyo. In Qian-ling-shan, there is Hong-fu-si, the largest temple in Gui-zhou. In my third section I delineate the history and present status of this temple. The founder of Hong-fu-si was Chi-song-he-shang. Since we have biographical material on him, I describe his life and thougt in my fourth section, "The life and Thought of Chi-song-he-shang". Iestablish that he was an excellent Zen priest ; not only was his thought profound, but also his life itself was brillant. Since the lineage of the successive chief priests of Hong-fu-shan is not clear, I describe the lives of the Zen priests of Gui-yang in my fifth section, The Zen of Priests of Gui-yang, recorded in Qian-nan-hui-ding-lu. "Almost all the life records of Chinese Zen Buddhists concepy those in regions like Jiang-su, Zhe-jiang, and Hu-nan, not those who stayed in Qian/Gui-zhou. Only Qian-nan-hui-ding-lu, by Shan-yi-ru-chun, contains the lives of the Zen priests of Gui-zhou. This is the reason why I searched for the lives and activities of the Zen priests who were active in Gui-yang, where Qian-ling-shan is located, by mens of this volume. Even thougt it is certain that Gui-zhou and Si-chuan are closely related politically and economically, and that they had developed transpontatim systems between tlem, how about the history of Budd ism? This paper makes it cleen that the Buddhist priests in Si-chuan and Yun-nan played a great role in the organization of Buddhism in Gui-zhou. Now that I have finished writing the sixth volume of The History of Chinese Buddhism, only the seventh and the eighth volumes remain unfinished. It seems to me that the historical current of Chinese Buddhism will be clarified to a certain degree by the completion of these eight volumes. However, it is a history of Buddhism focused on the central district, the center of political authority, the history of Buddhism in the local regions has not yet become evident. The only Chinese scholar who has delineated the history of Buddhism in the Dian-Qian region is Chen-yuan, whose work, Ming-ji-Dian-Qian-Fo-jiao-Kao (A researh onto Buddhism in Dian-Qian in the late Ming Era) was published by Zhong-hua Book Store in April, 1989. I have continually been paying attention to the history of region al Buddhism and Buddist writings in orderon to acguiren the whole iguit of the history of Chinese Buddhism. After the conpletion of all eight volumes of The History of Chinese Buddhism, I would like to write a technical book on the history of regional Buddhism, Buddhist writings, Buddhist ruins, and so forth. This is the reason why I have considered Buddhism in Gui-zhou considered.departmental bulletin pape
Ling shu jing
No full text張志聰集註.綫裝.框19.9x13.8公分, 9行20字, 小字雙行同. 白口, 四周雙邊, 單黑魚尾. 版心上鐫題名, 中鐫卷次, 下鐫葉次.書名頁刻"黃帝内經素問靈樞合編, 張隱菴先生註, 善成堂, 太醫院藏".卷一卷端題名下署"錢塘張志聰隱菴集註, 同學莫承藝仲超參訂, 門人朱景韓濟公校正".《中國中醫古籍總目》00011著錄有清光緒五年太醫院刻本, 清光緒二十九年[1903]善成堂刻本.With: 靈樞經 : 九卷 / 張志聰集註.鈐"莊兆祥印"朱, 白文各一方.Xian zhuang.Kuang 19.9 x 13.8 gong fen, 9 hang 20 zi, xiao zi shuang hang tong. Bai kou, si zhou shuang bian, dan hei yu wei. Ban xin shang juan ti ming, zhong juan juan ci, xia juan ye ci.Detailed notes in vernacular field only.Detailed notes in vernacular field only.Detailed notes in vernacular field only.Zhang Zhicong ji zhu.With: Ling shu jing : jiu juan / Zhang Zhicong ji zhu.Qian "Zhuang Zhaoxiang yin" zhu, bai wen ge yi fang
Complete solo piano works of Zhou Long
No full textAccess to thesis restricted until 07/2023.Zhou Long is a contemporary composer of Chinese American descent, who
belongs to a generation of Chinese composers that began introducing traditional
Chinese music to western audiences. He gained international recognition after
receiving the 2011 Pulitzer Prize for his opera, Madame White Snake (2011). Very
few performances, recordings, and publications currently exist on Zhou’s piano
music, and this doctoral lecture recital is the first time an artist has performed the
complete collection of Zhou’s solo piano pieces. The pieces include: Mongolian Folk-
Tune Variations, Wu Kui, Pianogongs, and Pianobells. In his piano music, Zhou
makes use of unconventional extended piano techniques, imitates and evokes Chinese
traditional instruments, and likes to make connections with other art genres. Also, the
prominence of percussive elements in Zhou’s music is of a great importance. In this
lecture recital, the author has mainly focused on 1) the background information of
Zhou Long and his solo piano works; 2) the influence of Chinese traditional
instruments, ancient literatures and aesthetic concepts, in addition to folk elements on
his piano music; 3) how the composer combined those elements with western music
and compositional skills; and 4) the exploration of the percussive usage of the piano
along with various sound effect. Much of the discussion were from the author’s own
observations; it also include insights from an interview the author conducted with the
composer. Through the combined presentation of the lecture and performance of Zhou
Long’s four piano pieces, the author intended to help bring exposure to his piano
works, and to serve as a guide for piano students and teachers interested in exploring
Zhou’s piano music.Thesis (D.A.
Niuzhong Chime-Bells of Eastern Zhou China
No full textLes niuzhong (" cloches à anse ") sont dérivées des cloches à battant ling qui comptent parmi les objets en bronze les plus anciens de la Chine. N'étant en effet que des ling élargies sans battant, les niuzhong furent dès l'origine fabriquées en carillons. A l'époque Zhou, leur fonction était complémentaire par rapport à d'autres types de cloches musicales, principalement lesyongzhong et les bo. La forme particulière de ces cloches (section en forme d'amande) leur permettait d'émettre deux sons distincts, selon qu'on les frappait au milieu ou sur le côté de la face.
La plupart des niuzhong datent de la période des Zhou Orientaux. Cet article retrace leur évolution typologique et le développement stylistique de leur décoration. Il semble possible que des " ling en carillon " de la période tardive des Zhou Occidentaux soient les plus anciennes niuzhong. Dans les premières pièces des Zhou Orientaux, la décoration ressemble encore à celle des ling; mais ensuite, elle va se conformer au schéma classique du décor des cloches musicales utilisé d'abord sur lesyongzhong. L'adoption de ce décor standardisé semble indiquer la transformation des niuzhong en des cloches musicales placées sur le même plan que les autres. Depuis, on voit assez souvent des ensembles de cloches de types différents mais décorées de façon uniforme.
L'évolution stylistique des niuzhong a suivi des orientations assez diverses dans le sud et dans le nord de la Chine. L'apparition vers la fin de l'époque des Royaumes Combattants de niuzhong ayant un profil bombé et une section presque ronde indique que la " possibilité d'émettre deux tons " a été abandonnée. Les niuzhong furent les seules parmi les cloches musicales de la période Zhou a être encore fondues au cours des époques Qin et Han. Les pièces tardives sont ornées de façon exubérante, mais donnent l'impression d'avoir une fonction moindre.Falkenhausen Lothar. Niuzhong Chime-Bells of Eastern Zhou China. In: Arts asiatiques, tome 44, 1989. pp. 68-83
A Similarity-Based Algorithm for Topic Exploration and Distillation
No full textWang XY, Xiong F, Ling B, Zhou AY. A similarity-based algorithm for topic exploration and distillation
Huang di nei jing ling shu
No full textV.1-3. 補注黃帝内經素問 -- v.4. 黃帝内經素問遺篇 -- 黃帝内經靈樞 : 十二卷.V.1-3. Bu zhu huang di nei jing su wen -- v.4. Huang di nei jing su wen yi pian -- Huang di nei jing ling shu : shi er juan.啟玄子注 ; 林億 ...[et al.]校正 ; 孫兆改誤.綫裝.框18x12.7公分, 13行40字,小字雙行同. 白口, 四周單邊,對黑魚尾. 版心中鐫題名, 卷次, 下鐫葉次.書名頁題"黃帝内經後附靈樞, 光緒二十二年圖書集成局印".《中國中醫古籍總目》00006著錄光緒二十三年上海圖書集成印書局鉛印子書二十二種本.附: 黃帝内經素問遺篇 ; 黃帝内經靈樞 : 十卷.鈐"莊兆祥印"朱, 白文各一方.Xian zhuang.Kuang 18 x 12.7 gong fen, 13 hang 40 zi, xiao zi shuang hang tong. Bai kou, si zhou dan bian, dui hei yu wei. Ban xin zhong juan ti ming, juan ci, xia juan ye ci.Detailed notes in vernacular field only.Detailed notes in vernacular field only.Qixuanzi zhu ; Lin Yi ...[et al.] jiao zheng ; Sun Zhao gai wu.Fu: Huang di nei jing su wen yi pian ; Huang di nei jing ling shu : shi juan.Qian "Zhuang Zhaoxiang yin" zhu, bai wen ge yi fang
Ephemeral Persistence Features and the Stability of Filtered Chain Complexes
No full textWe strengthen the usual stability theorem for Vietoris-Rips (VR) persistent homology of finite metric spaces by building upon constructions due to Usher and Zhang in the context of filtered chain complexes. The information present at the level of filtered chain complexes includes ephemeral points, i.e. points with zero persistence, which provide additional information to that present at homology level. The resulting invariant, called verbose barcode, which has a stronger discriminating power than the usual barcode, is proved to be stable under certain metrics which are sensitive to these ephemeral points. In some situations, we provide ways to compute such metrics between verbose barcodes. We also exhibit several examples of finite metric spaces with identical (standard) VR barcodes yet with different verbose VR barcodes thus confirming that these ephemeral points strengthen the discriminating power of the standard VR barcode
Zhou shu: [50 juan. v.1
No full text令狐德棻 ... [et al.]撰]嶺南薛古堂藏板.Ling nan Xue gu tang cang ban.In oriental style.Linghu Defen ... [et al.] zhuan
FIGURES 2–3 in First record of the genus Aneuclis Förster (Hymenoptera, Ichneumonidae) from China
No full textFIGURES 2–3. Aneuclis flavopedes Sheng, Zhou & Wei, sp.nov. Holotype. Female. 2 Head, anterior view 3 Head, lateral view.Published as part of Wei, Ya-Wei, Zhou, Yong-Bin & Sheng, Mao-Ling, 2021, First record of the genus Aneuclis Förster (Hymenoptera, Ichneumonidae) from China, pp. 292-296 in Zootaxa 4908 (2) on page 294, DOI: 10.11646/zootaxa.4908.2.10, http://zenodo.org/record/443820
Spontaneous breaking of SO(3) to finite family symmetries with supersymmetry — an A <sub>4</sub> model
No full textWe discuss the breaking of SO(3) down to finite family symmetries such as A4, S4 and A5 using supersymmetric potentials for the first time. We analyse in detail the case of supersymmetric A4 and its finite subgroups Z3 and Z2. We then propose a supersymmetric A4 model of leptons along these lines, originating from SO(3) × U(1), which leads to a phenomenologically acceptable pattern of lepton mixing and masses once subleading corrections are taken into account. We also discuss the phenomenological consequences of having a gauged SO(3), leading to massive gauge bosons, and show that all domain wall problems are resolved in this model.</p
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