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A Norwegian grey zone: Knut Rød, Victor Lind and 'The crucial year, 1942'
No full textThis article uses Primo Levi’s concept of “the grey zone” to explore Knut Rød’s involvement in the transfer of 532 Norwegian Jews from Oslo to Auschwitz in 1942. Rød, the police chief in charge of the operation, was subsequently exonerated of any crime on the grounds that he had simultaneously used his position to help members of Milorg – the Norwegian Resistance. The legal and moral basis of this verdict has been questioned by the artist Victor Lind in a series of artworks, including his “countermonument” The Perpetrator (2005)
An other tongue: language and identity in translingual writing
No full textPhDAbandoning one‟s mother tongue for another language is one of the most profound aspects of exile experience, often fraught with feelings of loss and alienation. Yet the linguistic switch can also be viewed as an advantage: the adopted language becomes a refuge, affording the writer creative distance and perspective. This thesis examines the effects of this switch as reflected in the works of two translingual Jewish authors, Stefan Heym (1913-2001) and Jakov Lind (1927-2007). Both were forced into exile after their lives in Germany and Austria were shattered by the rise of Nazism, and both chose English as a medium of artistic expression at certain periods of their lives.
Reading these authors‟ works within their post-war historical context, the thesis argues that translingualism is associated with a psychic split as the self is divided between its languages. This schism manifests itself differently in the writing of each of these authors, according to their distinct perceptions of their identity and place in the world: in Lind‟s work, it is experienced as a schizophrenic existence, and in Heym‟s – as an advantageous doubling of perspective.
The first chapter focuses on autobiographical writing in a foreign language, exploring how self and language are bound together in Lind‟s English-language autobiographies. The second chapter draws on Bakhtin‟s notion of dialogism as it considers the relationship between narration, ideology and propaganda in Heym‟s war novel The Crusaders. The third chapter examines Lind‟s and Heym‟s representations of the writer in their fiction, and how their translingualism defines their perception of their own identity and role as writers. The final chapter shows how the two authors reinterpret the figure of the Wandering Jew to construct different visions of a humanistic Jewish identity that correspond to their own diasporic existence
Armed violence and poverty in Northern Kenya: a mini case study for the Armed Violence and Poverty Initiative
No full textYesThis report on Northern Kenya is one of 13 case studies (all of which can be found at www.bradford.ac.uk/cics). This research draws upon secondary data sources including existing research studies, reports and evaluations commissioned by operational agencies, and early warning and survey data where this has been available. These secondary sources have been complemented by interviews with government officers, aid policymakers and practitioners, researchers and members of the local population. The authors would like to thank Patta Scott-Villiers for comments on an earlier draft. The analysis and opinions expressed in this report are those of the authors and do not necessarily represent the views or policy of DFID or the UK government
Lind, Richard (Death, 1891-02-24)
No full textAddress: 329 John St.Age at death: 1 Mo.414/Pg 26/1890/M W S/City/Dr. C.F. Runkle/Fanny Lind/CumminsvilleOriginal record filed in drawer labeled 'Lewis, R-Lindy'
Le Président Gustav von Lind
No full textLe Comité de la Société de Hambourg pour le soin des militaires blessés et malades a l'honneur d'informer le Comité international de la Croix rouge de la mort du vénérable M. Gustav von Lind qui, depuis tant d'années, l'a si vaillamment présidé.</jats:p
A fairy tale: the art system, globalization, and the fair movement
No full textThe article is dedicated to the analyse of the infrastructural consequences of the increase in the overall activities of the art market and of the extension of the geographical scope of arts mediation networks.
The data set is particularly concentrated on the fair movement
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