1,721,064 research outputs found
De danske kongers stat - 1400-1848
No full textEt kapitel i en tværfaglig danmarkshistorie med bidrag fra flere af Saxo-Instituttets ansatte
Weapons law in Western Europe, 1550-2020 /
No full textThis book is a transnational history of European weapons law that utilizes the law and primary sources to trace the development from early portable firearms to modern-day weapons. Challenging many conventional assumptions, this book establishes that weapons control in the current sense is a new phenomenon. Control with possession only became dominant between 1918 and 1939, thereby establishing a high degree of uniformity for the first time. Weapons law is old in Western Europe, but only as a palette of possible solutions. Possession control triumphed as a tool against Communist and Fascist attacks on democracy and remained as an instrument against crime and accidents. It is argued that previously the laws on possession furthered rather than hindered ownership. For centuries, governments sought security by encouraging trusted men to arm themselves, rather than disarming the suspect. Legislators used a range of carrying restrictions, sometimes many but mostly few, as a tool against armed crime. The author examines attitudes and policies towards power, law, violence, social hierarchy, national defence, and civic freedom. This volume offers historians and social scientists a new perspective on the long-term development of Western European states and societies, and it will be of value to undergraduate and postgraduate students of history, sociology, and politics
Kildeudgivelse og kildebenyttelse. Kildeskriftselskabet 1877-2002
No full textHistorie, Historiske kilder, Historieforskning, Kildeskrifte
"De bedste kilder":- et essay om kildeudgivelse efter den funktionelle vending
No full textEn analyse af kildebregebets udvikling fra Erslevs dage omkring 1900 til i dag med særlig henblik på betydningen for udgivelsen af historiske kilder
War observed at a Distance:Media Coverage and Attitudes to War in Denmark, 1939-1940
No full textSammenligning mellem holdninger i medier og i personlige dagbøger til krigsbegivenheder ved krigen i Polen 1939, den finske vinterkrig 1939-40 og krigen i Norge april til maj 194
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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