86 research outputs found
Analytical discourse on the writing and social practices in the novels of Chen Yingzhen
No full text碩士 本論文在研究方法上，將藉用顏崑陽教授提出的「作家的意識結叢」與「作家的三重存在情境」做為理論基礎，以文本分析與社會情境考察，內外交互詮釋；然後將分析詮釋所獲致的意義加以綜合，系統性的呈現出陳映真的小說書寫與社會實踐意義。在方法論上，本論文對於研究對象的本質，預設二個基本假定：文學反映時代與社會、文學家的三重存在。
期望能以此說明陳映真透過小說形式，展現的社會關懷與實踐。要討論他的小說作品，時代社會現況不能只被視為客觀背景。作家所處的時代，政治、社會、經濟及當時的文藝思潮走向，都會影響小說家的世界觀。
他的創作，不僅僅只是為藝術價值所寫，更強烈的意圖是希望能夠為社會各階層的小人物發聲。書寫是他抵抗主流價值的一種形式，聲音或許微小，但不容許我們視而不見。在陳映真小說中，透過人物角色、背景的建構，隱藏著他的批判視角。陳映真相信文學應該有其社會改革的作用，藉由文學發掘社會問題，或許緩慢，但是他仍試著親身參與。我們可以說陳映真是透過小說反映當時臺灣社會重要的問題，他的文學在社會裡寫作，寫作也是為了社會。
This thesis focuses on the novels of Chen Yingzhen with the intention of exposing the social practices that Chen Yingzhen desired to reveal through the medium of the novel applying textual analysis, which implies the notion of the reflection of time and society through literature and relies on a discourse between the theories of “the complex of writer consciousness” and “the three scenarios of existence of writers” proposed by Professor Yen Kun-Yang, and supported by a variety of specific social circumstances outside of the text itself. It is hoped that the social practices which Chen Yingzhen intended to exhibit through the medium of the novel can be expressed through this comprehensive method. In discussing his novels, the time period and social circumstances cannot merely be treated as objective circumstances. The time period, politics, society, economy, and contemporary trends in literature which surround the author are capable of influencing his or her worldview.
His works were not only written for their artistic value. The greater intention was to write for regular people from all social classes. Writing was one of his ways to resist mainstream values and attempt to express a different voice, quiet perhaps, but unwilling to be ignored. In the novels of Chen Yingzhen, his critical perspective lies within the development of character personas and backgrounds. Chen Yingzhen believes that literature should have its own revolutionary effect and that literature can be relied upon to uncover social issues, possibly slowly, but he still attempted to participate in this process himself. It can be said that Chen Yingzhen reflected the crucial issues in contemporary Taiwanese society through his literature and that his literature was composed within society, for society.第一章 緒論...............................................................................................................1
第一節 研究動機、目的...............................................................................1
第二節 研究對象本質的基本假定...............................................................6
（一）文學反映時代與社會.............................................................6
（二）完境文學史／文學家的三重性存在.....................................8
第三節 名詞界義－知識分子......................................................................11
第四節 章節設計與論述步驟......................................................................21
第五節 前行研究..........................................................................................24
第六節 研究範圍與文獻的運用原則..........................................................34
第二章 陳映真的社會實踐.......................................................................................43
第一節 陳映真的人性觀及其對知識分子的論述.......................................43
第二節 以文本內人物塑造重建人的存在價值...........................................46
第三節 文本外的社會實踐...........................................................................51
小結.................................................................................................................82
第三章 孤絕於歷史之外的知識分子身影－－寓言時期的虛無：1959－1965......85
第一節 六○年代的苦悶與理想....................................................................85
第二節 死亡與虛無－－〈麵攤〉、〈我的弟弟康雄〉....................................91
第三節 孤懸於歷史之外－－〈鄉村的教師〉、〈蘋果樹〉、〈淒慘的無言的
嘴〉、〈一綠色之候鳥〉..............................................................................97
第四節 對底層人物的關懷－－〈故鄉〉、〈將軍族〉...............................116
小結...............................................................................................................123
第四章 美國統治下的臺灣知識分子群像－－社會批判時期：1966－1982…..127
第一節 美國結－深受西方影響的知識分子／美國統治下的臺灣........128
第二節 知識分子群像－－〈唐倩的喜劇〉.............................................132
第三節 一天過一天，我都過得心慌了－－〈第一件差事〉.....................140
第四節 第一次同白人平等地躲在戰壕裡－－〈六月裡的玫瑰花〉........146
第五節 這個世界已經不是人的世界－－〈賀大哥〉...........................148
第六節 跨國企業下人的異化－－「華盛頓大樓」四部曲......................151
小結.............................................................................................................171
第五章 噤聲不語的知識分子形象－－歷史回顧時期：1983－2001....................173
第一節 五○年代的白色恐怖歷史............................................................173
第二節 一種革命情懷的希望與失落－－「鈴璫花」三部曲..................176
第三節 分斷體制三部曲－－〈歸鄉〉、〈夜霧〉、〈忠孝公園〉.................196
小結.............................................................................................................216
第六章 結論..........................................................................................................219
參考書目..................................................................................................................223附錄一：人間出版社‧陳映真作品集收錄篇目..................................................234學號: 698010203, 學年度: 10
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