1,720,973 research outputs found
Enhanced surface plasmon resonance based on the silver nanoshells connected by the nanobars
No full textThe Relation between Corporate Governance and Voluntary Disclosure
No full text我國自1998年開始宣導公司治理的重要性，並制定相關法規，以期能提升各企業的公司治理，其中資訊揭露即為公司治理的重要構面之一。因此，本研究欲探討公司治理如何影響企業之自願性資訊揭露行為，主要著重公司治理中之董事會組成和所有權結構對自願性揭露之影響。研究中使用獨立董事佔董事會的席次比例來做為董事會組成的衡量變數；所有權結構則利用經理人持股比率、大股東持股比率及政府持股比率衡量變數。
本研究樣本選取為2010年台灣上市櫃公司，並採用台灣證券交易所及證券櫃檯買賣中心委託證券暨期貨市場發基金會自2003年設置的資訊評鑑系統之評鑑結果來做自願性揭露的衡量變數。
研究結果發現，獨立董事佔董事會比例和政府機構持股比例和自願性揭露程度間成顯著正相關；大股東持股比例和自願性揭露程度間呈顯著負相關；經理人持股比例和自願性揭露程度間成不顯著之負相關。Since 1998, Taiwan government has started to promulgate the importance of corporate governance and establish related regulations to promote corporate governance for firm listed in Taiwan Stock Exchange Corporation (TWSE) and Gre Tai Securities Market (GTSM). Information disclosure is considered as one of the major aspects of corporate governance. The purpose of this study is to examine the association between corporate governance mechanism focusing on board composition and ownership structure and the extent of voluntary disclosure. Board composition is measured by the percentage of outside directors in the board; ownership structure is characterized by managerial ownership, blockholder ownership and government ownership.
The sample for this study is selected from firms listed on the Taiwan Stock Exchange (TWSE) in year 2010. The degree of voluntary disclosure extent is measured by the ranking results conducted by “Information Disclosure and Transparency Rankings System” launched by Taiwan Stock Exchange corporation and Securities & Future Institute.
The empirical results of this study indicate that both the percentage of outside directors on the board and government ownership are positively related to the degree of voluntary disclosure. Blockholder ownership is negatively associated with the degree of voluntary disclosure. However, managerial ownership is not related to voluntary disclosure
A string of melodized singing voice︰A study of the music of Taiwan Yi-dan in Japanese Colonial Period
No full text臺灣藝旦為在宴飲場合擔任陪侍侑酒之工作，並以其才藝著稱，其中音樂之藝更為基本訓練。她們在臺灣的起始時間並無定論，但在日治時期之活動則有大量的紀錄，其活動已有許多學者關注，但並無為音樂作深入探討者。本文將以日治時期的報章、相關文獻及有聲資料為材料，對於她們音樂活動以至於曲目樂種作廣泛的討論。文將從共時性及歷時性兩方面來建構出藝旦音樂活動之概念，再從藝旦所唱的曲目作樂種的分類，討論不同場合所呈現的樂種差異，並從她們使用的樂器重新審視音樂表演內容，以建立其音樂的全貌。之後將範圍縮至藝旦小曲，討論其曲目與客家小調及北管幼曲之相關性，試圖探求小曲之可能來源。並使用歷史錄音為研究文本，探討其唱奏詮釋，並比較其與流行歌曲之特色，最後歸納出藝旦實為臺灣音樂文化之收納者。本文循著「音樂活動→音樂種類→小曲」的主題，再從小曲的研究，重新審視藝旦所處之社會脈絡，由大到小，再由小觀大，可說為本論文欲完成的研究脈絡。Stating by their talent and skill, Yi-dan (literally ”Taiwanese geisha”) was basically trained in musical art, and hold the post of the banquet attendant. There are no ultimate conclusion about the outset time of Yi-dan, but huge amount of records in Japanese colonial period and the activities of Yi-dan has been attentitive by many scholars; however, further research on the topic of their music was absent. This research will discuss broadly from the musical activities to the repertoire and genre of Yi-dan, on the basis of the newspapers, relevant reference and musical data.his research will firstly construct the concept about musical activities of Yi-dan in synchronic and diachronic approches. Secondly, in order to construct the whole picture of music of Yi-dan, this research will classify the genre of repertoire performed by Yi-dan and discuss the differences of genre performed in varied places. Thirdly, through the discussion above, the range of research would be focused to the xiao-qu (ditties) of Yi-dan, and try to explore the possible origins of xiao-qu by discussing the relevance of repertoire of xiao-qu, Hakka xiao-tiao and Bei-guan you-qu. The text of research is historical recording, in which the interpretations of performance will be discussed, and comparing its peculiarity with pop music. Finally, the conclusion of this research is that the role of Yi-dan is the reflector of Taiwanese musical culture. The context of the research is located in music, for considering both the micro and macro level of the social background, starting from its activities and music genres to xiao-qu, then through the research of xiao-qu to re-examine the social context of Yi-dan.目 錄試委員會審定書....................................... i謝................................................... ii文摘要............................................... ivbstract............................................... v錄................................................... vi一章 緒論............................................1一節 研究動機與目的.................................. 1二節 文獻回顧........................................ 5三節 研究方法與研究限制.............................. 11四節 章節架構與名詞使用.............................. 13二章 藝旦及其音樂的歷史回顧..........................16一節 藝旦的興起與發展............................... 17二節 藝旦的表演方式與場合........................... 41結................................................... 59三章 由曲目看藝旦音樂的呈現..........................64一節 藝旦音樂之曲目類別.............................. 65二節 藝旦音樂與演出空間.............................. 93三節 藝旦音樂與樂器.................................. 97四節 常演藝旦曲目及其特點............................ 111結................................................... 121四章 藝旦小曲之探討................................. 123一節 小曲的定義...................................... 125二節 藝旦小曲與客家小調、北管幼曲曲目之探討...........128三節 藝旦小曲及其錄音的分析.......................... 151四節 藝旦小曲在京劇及亂彈中的戲劇運用................ 175結................................................... 179五章 結論........................................... 181考資料............................................... 185錄錄一 廣播節目表..................................... 198錄二 南管曲目表..................................... 205錄三 梆子劇目表..................................... 209錄四 女班比較表..................................... 210錄五 唱片目錄表..................................... 214錄六 北曲比較表..................................... 217錄七 曲目資料表..................................... 228錄八 藝旦演出表..................................... 286錄九 採譜........................................... 318目錄1 藝旦裝扮藝閣的模樣，上面的藝旦手中拿著胡琴。...... 462 秋蟾照。.......................................... 543 寶惜校書。........................................ 544 幼良照。.......................................... 545 舉辦田都元帥祭典的新舊爐主—阿粉與新月鄉。........ 896以【一疋綢】小調為旋律的【應元麻病丸】，是以小曲重新詞的廣告。.......................................... 92 7 藝旦彈南管琵琶的模樣。........................... 100 8 藝旦手抱南管琵琶。............................... 100 9 一八九六年名牌藝旦阿鳳與北管琵琶。............... 101 10 藝旦經常使用的樂器︰北管琵琶和三絃。............. 103 11 左起為三絃、月琴、北管琵琶、簫、吊鬼仔、琵琶、琵琶。................................................... 104 12 陳進，《合奏》，1934年，絹．膠彩，200 x 177公分。.105 13 藝旦北管小型絲竹樂隊︰北管琵琶、吊規仔、絃子、鼓板琵琶。............................................... 105 14 藝旦組成的絲竹樂隊，包括了笛子、殼仔絃、琵琶、吊鬼等。..................................................107 15 南管的二絃。.................................... 107 16 北管樂器︰提絃、和絃。........................... 107 17 圖中藝旦彈奏揚琴，曲師拿胡琴類樂器。............. 108 18 介紹【嘆煙花】之報導。........................... 153 19 【嘆烟花】之「將奴家賣在」頻譜圖。............... 155 10 「嘆煙花」三字頻譜圖。............................156 21 「媽做」頻譜圖。..................................157 22 阿樓【記得當初】片斷頻譜圖。......................158 23 蔡小月唱法頻譜圖。................................158 24 打嘟嚕振幅圖。....................................162 25 有音高變化的打嘟嚕振幅圖。........................162 26 張福興樂譜介紹。..................................167 27 【女告狀】之介紹。................................167 28、29、30、31 一九二四年張福興出版的樂譜，包括封面、詞、樂譜解說及東西樂譜對照。..........................168目錄格 1 報導中的音樂類別。................................66格 2 《陳三五娘》相關曲目。............................74格 3 北曲樂器分類表。..................................98格 4 藝旦演奏揚琴之紀錄。.............................109格 5 《二進宮》及《三進宮》演出紀錄。.................113格 6 天水關演出紀錄。.................................115格 7 三娘教子演出紀錄。...............................116格 8 《綠牡丹》與《宏碧緣》演出紀錄。.................117格 9 《貴妃醉酒》演出紀錄。...........................118格 10 梅派劇目演出紀錄。..............................119格 11 小曲曲目表。....................................129格 12 藝旦小曲與北管幼曲、客家小調及八音的比較。......138格 13 【嘆煙花】的歌詞比較。..........................154格 14 【九連環】的歌詞比較表。........................164格 15 藝旦咬字對照表。................................165格 16 藝旦阿椪所唱【女告狀】與張福興所記的歌詞對照。..16
The Exploration of the Mode and Network of My House, Taipei—including Members’Recovery
No full text慢性精神病患社區化是台灣從民國60年代起的思維。在30多年的發展下，政府建構了精神醫療網，以及擬定推行相關的政策法令以發展社區精神復健，民間機構也有對應的努力。但近幾年在社區復健的發展中，出現了個別化和多元性不夠的反思。在這樣的反思和需求下，台灣在民國90年後，陸續成立了會所模式，讓精神障礙者有自主選擇的空間。這樣創新的模式在剛起步的情況下，究竟提供了什麼樣的機制和網絡，對當中的會員康復又有什麼樣的助益，是本研究所關心的問題。 本研究以質性研究以回應研究主題，選取台北My House當作研究對象，隨機抽取七位會員和三位工作人員作為訪談對象，輔以參與觀察蒐集資料。研究發現從台北My House的內部交流，談到與社區的交流，而再切回台北My House在會員的康復上所扮演的媒介。 研究結果發現在台北My House內部機制上，會所工作日受限於「維繫會所運作」的責任，而在「提高自我價值」、「促進人際互動」與「培養就業能力」上的發揮都有所限制，也就是「任務取向」與「過程取向」的差異和衝突。在台北My House外部網絡上，目前以發展就業網絡為主，而提供會員其他資源和資訊的連結，與社區採取「和平相處」的態度。台北My House在會員康復上，提供了康復導向的環境、自主選擇的起步，以及支持性網絡發展的空間，但如何幫助會員邁向自立，仍是需要長期努力的部份。 根據研究結果，在會所內部機制、會所外部網絡，以及精神醫療復健體制三方面做出建議，以及提出未來研究建議。The community-based service for people with chronic mental disability is the thinking traced back to 1970’s. Over the next three decades, the psychiatric medical network was established. Related policy was set up to develop community psychiatric rehabilitations as well. Led by the government, the non-profit organizations also contribute a lot of effort. However, the reflection of the unsatisfied demand on individualization and variety emerged during the recent development. Clubhouse model was established in response to the reflection and demand after 2000’s to provide personal space to choose for people with mental disability. The research is dedicated to look into the mode and network of this new model and the benefits it provides to its members in terms of their recovery. The research applied qualitative research method in response to the theme. Seven members and three staffs of My House, Taipei were randomly selected as the interviewees. Participant observation was also used to collect data. The research finding focused on the interaction within My House, the interaction between My House and community, and the role My House play on the recovery of its members. First, the research indicated that in terms of its inner mode, the work-ordered day of My House is occupied with the responsibility of daily clubhouse operation. As a result, its major tasks such as enhancing self-value, promoting interpersonal interaction and cultivating work ability are limited. It’s referred to the conflict between task-oriented work and process-oriented work. Second, in its outer network, My House has developed the employment network and provides connections with other resources and information to its members. My House holds a “peaceful interaction” attitude toward its community. Finally, My House dedicated itself to the establishment of a recovery-oriented environment, self-choice, and the development of supportive network for the recovery of its members. However, it remains its major concern that how to help its members to achieve independency. Based on the findings, the researcher will provide suggestions on the improvements of the inner mode of the clubhouse, the outer network of the clubhouse, and the psychiatric rehabilitation system. Furthermore, the researcher will make recommendation on future research.謝辭.........i文摘要.........ii文摘要.........iii錄.........v目錄.........ix目錄.........ix一章 緒論.........1一節 研究緣起.........1二節 研究議題.........3三節 研究目的.........6二章 文獻回顧.........7一節 精神障礙者的康復.........7、精神障礙者康復概念的起源.........7、康復的意涵.........11、康復的階段和任務.........15、康復的助力和阻力.........16二節 以康復為信念的會所模式.........18、會所模式的起源.........18、會所模式相關理論.........20、會所模式的內涵......... 23三節 會所模式的交流.........28、會所模式內的交流.........28、會所模式與社區的交流.........32四節 從台灣的社區精神復健到會所模式.........34、社區精神復健的定義.........34、台灣社區精神復健的歷史.........35、從社區精神復健到會所模式的誕生.........40結.........43三章 研究方法.........44一節 研究方法選取.........44、依研究主題而言......... 44、依研究目的而言 .........44二節 研究設計.........45、研究對象.........45、資料蒐集.........47、資料分析.........49、研究值得信任度......... 49三節 研究倫理.........49、告知後同意.........50、匿名與保密.........50、沒有傷害.........50四節 研究者角色 .........50四章 研究發現與分析.........52一節 七位精神障礙者的生命故事.........52、斯文踏實的永祥 .........52、緩緩奮鬥的恩寶 .........53、樂於分享的嘉福 .........54、不挫不撓的茗芳......... 56、自我接納的映羽 .........57、永不放棄的萱茵......... 59、見多識廣的智宇 .........61二節 台北My House素描.........63、機構介紹.........63、工作日.........67、服務方案.........76、服務特性.........83三節 台北My House內部交流.........92、會員情誼.........92、會所權力結構.........99、會員交易.........104、團體文化.........107四節 台北My House與社區.........110、從就業準備到就業服務.........111、生活圈的擴大.........114、台北My House與精神醫療復健體系.........119五節 台北My House與康復.........125、會員心中的康復圖像.........125、台北My House作為康復的橋樑.........132六節 分析與討論 .........147、台北My House社區復健功能的發揮程度.........147、在夥伴關係輔助下，會員自主性的發揮度.........148、台北My House網絡的穩固和延伸程度.........149、台北My House對精神障礙者康復的助力.........150五章 結論與建議 .........151一節 結論.........151、台北My House內部機制.........152、台北My House的外部網絡.........154、台北My House會員與康復.........155二節 建議.........156、會所內部機制.........156、會所外部網絡.........157、精神醫療復健體制.........157三節 研究限制與未來研究建議.........158、選取樣本的限制......... 158、資料蒐集的限制......... 158、資料分析的限制......... 159、未來研究建議.........159考文獻.........160錄一 會員訪談大綱.........167錄二 社工訪談大綱.........168錄三 就業服務員訪談大綱.........168錄四 會員訪談同意書.........169錄五 工作人員訪談同意書.........170目錄2-1 影響康復的因素.........173-1 受訪會員基本資料.........463-2 受訪工作人員基本資料.........47目錄2-1 生態觀點的康復元素.........152-2 會所模式系統中的能量交換.........222-3 會所模式中會所與會員的雙向交流.........2
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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