69,638 research outputs found

    Gardens, Chinese: Shizi Lin Yuan Garden, Suzhou, China [005]

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    Photograph of Shizi Lin Yuan Garden, Suzhou, ChinaShizi Lin Yuan Garden, Suzhou, China

    Gardens, Chinese: Shizi Lin Yuan Garden, Suzhou, China [011]

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    Photograph of people on stone boat, Shizi Lin Yuan Garden, Suzhou, ChinaStone boat, Shizi Lin Yuan Garden, Suzhou, China

    Gardens, Chinese: Shizi Lin Yuan Garden, Suzhou, China [017]

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    Photograph of corner of garden wall (with six windows), possibly at Shizi Lin Yuan Garden, Suzhou, ChinaWall with windows, possibly at Shizi Lin Yuan Garden, Suzhou, China. 32-L

    Gardens, Chinese: Shizi Lin Yuan Garden, Suzhou, China [023]

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    Photograph of magnolia tree and wall with round opening, probably in Shizi Lin Yuan Garden, Suzhou, ChinaMagnolia tree and moon gate, probably in Shizi Lin Yuan Garden, Suzhou, China

    Gardens, Chinese: Shizi Lin Yuan Garden, Suzhou, China [020]

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    Photograph of magnolia tree and wall with round opening, probably in Shizi Lin Yuan Garden, Suzhou, ChinaMagnolia tree and moon gate, probably in Shizi Lin Yuan Garden, Suzhou, China

    Research on the Three Poets in the Late Yuan Dynasty

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    \ue3\ue3In terms of the trajectory of its development, Yuanshi can extend the year to the boundary and divide it into two periods. The most important feature of the development of Yuan poetry is that there have been poets in the poetry that have been cultivated under the specific cultural structure of the Yuan Dynasty. At this time, different cultural structure layers have different poetry groups with different styles. The growth and maturity of non-Han poets is its greatest feature. Secondly, Han poets are also distinguished by the differences in their experiences and the differences in their life experiences. The group of poets. From the perspective of the change of poetry, the late poetry of the Yuan poetry has truly transformed its own complex and distinctive features, and it is truly a "yuan poem." In the late Yuan Dynasty, the poetry circle was dominated by "the pavilion poet", and the collection was an unquestionable representative poet. On the other hand, the poetry of the Western Regions was a combination of poetry and poetry, which is an important feature of the poetry of other dynasties. Sa Du-La is the first hand recognized by the academic circles; in addition, the end of the Yuan Dynasty poetry of Yang Wei-Zhen is also an important landmark of Yuanshi. Interestingly, Sa Du-La and Yang Wei-Zhen are friends of the same year, and the lord is the collection. The teachers and students are just the highest poets in the late Yuan Dynasty. This article selects "Yu, Sa, Yang" as the research target, and is the representative writer of the late poetry in the late Yuan Dynasty. The first chapter is an introduction. One is the reason why the study of Yuan poetry needs to be expanded. The second argument is "Yu, Yang, Fan, Jie", which is the famous pavilion poet who rose up and since Yuanyou, not the representative of Yuan poetry. Cum research methods. The second chapter briefly describes the historical background of the Yuan Dynasty and discusses the stage and flow of the Yuan poems. The third, fourth and fifth chapters, the chapters on the three poets of Yu Ji, Sa Du-La, and Yang Wei-Zhen are the focus of this thesis. The sixth chapter discusses the acceptance process of the three poems of Yu, Sa and Yang in the Yuan, Ming and Qing Dynasties, and based on this, summarizes several common characteristics of the poems in the late Yuan Dynasty. The final section is a summary of this paper

    Yuan cao tang shi yu: [3 juan].

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    鳳林書院, [伍崇曜]輯.Date from preface.框13.1 x 9.1 cm., 9行21字, 黑口, 左右雙邊, 無魚尾, 版心中鐫分冊書名, 下鐫叢書名.Feng lin shu yuan ; [Wu Chongyao ji]Kuang 13.1 x 9.1 cm., 9 xing 21 zi, hei kou, zuo you shuang bian, wu yu wei, ban xin zhong juan fen ce shu ming, xia juan cong shu ming
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