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    Confucian Dao-Discourse in the Northern Song Dynasty: Fan Zhongyan, Ouyang Xiu, Shao Yong, Wang Anshi

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    本論文的目的在呈現一個思想史或學術史上的事實,即北宋仁宗慶曆之後,在儒學之內曾經形成一個論道的高峰。此一論道高峰在學術史中具有重要的意義,第一,它既是承繼中唐以降以及宋初的論道傳統而來,同時又具有強大的創新力。它出現在一個推崇議論的時代,一個思想自由的時代,儒、釋、道三教之間的競爭與融合兩種趨勢同時趨進。這也是這個時期論道風氣盛行的最直接原因。第二、儒學之內對「道」的詮釋,可謂議論紛紛,絲毫沒有定於一尊的意思。即使是王安石《三經新義》頒行,作為舉業準式,異「道」之論仍然不絕。第三,值得留意的是,他們都在當時所謂「傳道」說的系統之外。他們不一定反對「傳道」說,但是他們並未附和。這便顯示他們對「道」都有相當獨立的見解。第四,對應於理學而言,透過本論文的研究,可以瞭解在理學形成之前或正在形成的過程中,北宋儒學界曾經有過一個論道熱烈的時期,出現非常豐富的道論,其中有的成為理學茁壯的養分,有的是刺激理學成長的學說。可見,理學中大部分的課題,都不是突然出現的。第五,此時期道論的四種類型,在理學形成、並成為儒學主流之後,逐漸只剩下第二種類型「天道與人道是本質的一貫」最盛,其他類型中的道論,或為理學所吸收,或逐漸沈寂。緒論 一、「虛位」之「道」:從韓愈的〈原道〉談起………………………………… 2 (一)原「道論」:「哲學的突破」…………………………………………… 2 (二)「虛位」的「道」:韓愈〈原道〉的意義……………………………… 6 二、方法的檢討:「北宋儒學」在中國思想史中的位置 ……………………… 11 三、宋初儒學的方向……………………………………………………………… 20 四、北宋儒學道論的特色………………………………………………………… 23 五、論文規劃:四種「道論」型態……………………………………………… 30 第一章 范仲淹法天為政的行道論 前言………………………………………………………………………………… 35 第一節 自然與人文一貫的道…………………………………………………… 39 一、人文建制本乎天道示象…………………………………………………… 40 (一)「當然」的「自然」之道 …………………………………………… 41 (二)本乎「自然之節」的人文之道……………………………………… 46 二、「由道」、「行道」的論道取向 …………………………………………… 48 三、可以理性認知的「道」…………………………………………………… 51 (一)「見意」與「因時」 ………………………………………………… 51 (二)「精義入神」以見道 …………………………………………………… 52 (三)「絕聖棄智」以為道 ………………………………………………… 55 四、用權與行道………………………………………………………………… 57 第二節 道的人間實現…………………………………………………………… 62 一、王道………………………………………………………………………… 62 (一)王道的基本義………………………………………………………… 63 (二)帝王之學……………………………………………………………… 63 二、臣道………………………………………………………………………… 67 (一)臣道的基本義………………………………………………………… 67 (二)「三公論道」的新義 ………………………………………………… 69 三、名教之道…………………………………………………………………… 72 四、「士」的道:具「文」、「學」之器以講議論道 ………………………… 76 (一)范仲淹與教育事業的推動…………………………………………… 77 (二)「文」與「學」是士學的兩大範疇 ………………………………… 80 (三)文與學與道:政教導向的士學……………………………………… 87 結語………………………………………………………………………………… 91 第二章 歐陽修知古通經的為道論 前言………………………………………………………………………………… 95 第一節 「道」與歷史及歷史寫作……………………………………………… 100 一、雙重的學術基調:文學與史學的重合…………………………………… 100 (一)歐陽修的「一家之讀書法」………………………………………… 101 (二)著述「為道」是一種選擇與創造…………………………………… 106 二、事實即道:由「知古」到「明道」……………………………………… 109 (一)「古」作為一個核心概念 …………………………………………… 109 (二)「知古」釋義 ………………………………………………………… 111 (三)「君子之學」的內容………………………………………………… 114 第二節 六經之道的詮解………………………………………………………… 124 一、「經」與「道」的當然關係 ……………………………………………… 124 二、詮釋「六經之道」的基礎………………………………………………… 128 (一)六經之道是合乎「常理」的「常道」……………………………… 128 (二)六經詮解中的「簡」、「直」原則及其運用………………………… 136 三、「六經之道」的呈顯 ……………………………………………………… 144 (一)「修人事,而不廢天地鬼神」之道 ………………………………… 145 (二)「六經載道」與「明聖人之用」 …………………………………… 147 (三)「言」、「文」與「六經之道」 ……………………………………… 149 結語………………………………………………………………………………… 153 第三章 邵雍觀物循理的盡道論 前言………………………………………………………………………………… 161 第一節 由先天到後天之道……………………………………………………… 167 一、一「道」之二義…………………………………………………………… 167 二、「先天」說的來源與新義 ………………………………………………… 170 (一)邵雍「先天」觀念的來源蠡測……………………………………… 170 (二)邵雍「先天」新義:以「理」求「道」…………………………… 173 三、從「先天」到「後天」:造化與道化 …………………………………… 181 (一)造化工夫的體現:氣與數…………………………………………… 183 (二)道化精神的呈現:性與命…………………………………………… 193 第二節 由後天體先天之道……………………………………………………… 201 一、兩種體道的途徑:「觀時照物」說 ……………………………………… 202 二、觀物………………………………………………………………………… 204 三、觀時………………………………………………………………………… 219 (一)「時」與「觀時」工夫 ……………………………………………… 220 (二)歷史解釋與治世理想………………………………………………… 224 結語………………………………………………………………………………… 237 第四章 王安石道德業俱全的一道論 前言………………………………………………………………………………… 243 第一節 道、器與性命之理的分合……………………………………………… 248 一、道的本質與體現…………………………………………………………… 249 (一)道的本質:合「氣」的體與用而言………………………………… 249 (二)道的體現:天道人道,各有度數…………………………………… 252 二、養生盡性以成全「道德業」的修養論…………………………………… 258 (一)「性」之義……………………………………………………………… 260 (二)「命」之義……………………………………………………………… 263 (三)兩種盡性以成全「道德業」的工夫………………………………… 267 第二節 「道德業」俱全的實現之道…………………………………………… 273 一、「一道」的理論與實踐……………………………………………………… 273 (一)政教制度與道一理想………………………………………………… 274 (二)經書之「大體」與道一理想………………………………………… 277 二、通變趨時的道……………………………………………………………… 280 三、「一道說」與「傳道說」的對照 ………………………………………… 284 結語……………………………………………………………………………… 292 結論 ………………………………………………………………………………… 297 附錄:邵雍的師承淵源與求道過程試論 一、師承問題再議……………………………………………………………… 305 二、求道過程:由個己的生命困境向宇宙人生的存在提問………………… 316 參考文獻…………………………………………………………………………… 32

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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