1,721,420 research outputs found
Correction: Synthesis, structure and optical performance of red-emitting phosphor Ba<sub>5</sub>AlF<sub>13</sub>:Mn<sup>4+</sup>
No full textCorrection for ‘Synthesis, structure and optical performance of red-emitting phosphor Ba5AlF13:Mn4+’ by Lin Qin et al., RSC Adv., 2017, 7, 49473–49479.</p
Ophiopogon elatior, a new species of Asparagaceae from Yunnan, China
No full textLin, Qin-Wen, Le, Chi-Toan, Yu, Zhi-Yong, Sun, Guo-Feng, Liu, Bing (2021): Ophiopogon elatior, a new species of Asparagaceae from Yunnan, China. Phytotaxa 525 (1): 46-50, DOI: 10.11646/phytotaxa.525.1.
Supplemental Material - LINC00680 modulates docetaxel resistance in breast cancer via the miR-320b/CDKL5 axis
No full textSupplemental Material for LINC00680 modulates docetaxel resistance in breast cancer via the miR-320b/CDKL5 axis by Jia Li, Jing Ke, Cheng-lin Qin and Xun Zhu in International Journal of Immunopathology and Pharmacology</p
The identity of Buchanania yunnanensis, as a new synonym of Spondias pinnata (Anacardiaceae)
No full textLe, Chi-Toan, Lin, Qin-Wen, Tan, Yun-Hong, Zhu, Ren-Bin, Hao, Yun-Qing, Liu, Bing (2021): The identity of Buchanania yunnanensis, as a new synonym of Spondias pinnata (Anacardiaceae). Phytotaxa 528 (3): 209-214, DOI: 10.11646/phytotaxa.528.3.
FIGURE 2. Anoplocaryum helenae Volot. A in Anoplocaryum: A newly recorded genus of Boraginaceae from China
No full textFIGURE 2. Anoplocaryum helenae Volot. A. habit; B. basal leaves; C. flowering branch; D. details of branch.Published as part of Hao, Jia-Chen, Fan, Ying-Xin, Zhu, Deng-Xiang & Lin, Qin-Wen, 2022, Anoplocaryum: A newly recorded genus of Boraginaceae from China, pp. 205-212 in Phytotaxa 530 (2) on page 208, DOI: 10.11646/phytotaxa.530.2.7, http://zenodo.org/record/583274
FIGURE 4 in Anoplocaryum: A newly recorded genus of Boraginaceae from China
No full textFIGURE 4. Isotype of Anoplocaryum helenae Volot. (K.A. Volotovsky s.n., NSK0000079, available at http://herb.csbg.nsc.ru:8081/#fuzzylabel)Published as part of Hao, Jia-Chen, Fan, Ying-Xin, Zhu, Deng-Xiang & Lin, Qin-Wen, 2022, Anoplocaryum: A newly recorded genus of Boraginaceae from China, pp. 205-212 in Phytotaxa 530 (2) on page 209, DOI: 10.11646/phytotaxa.530.2.7, http://zenodo.org/record/583274
Rohdea medogensis (Asparagaceae), a new species from southeast Tibet, China
No full textFeng, Hui Zhe, Ren, Yong Zhu Ci, He, Xuan, Han, Qing Xiang, Lin, Qin Wen (2022): Rohdea medogensis (Asparagaceae), a new species from southeast Tibet, China. Phytotaxa 542 (1): 90-94, DOI: 10.11646/phytotaxa.542.1.8, URL: http://dx.doi.org/10.11646/phytotaxa.542.1.
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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