1,721,142 research outputs found
C-reactive protein in childhood non-typhi salmonella gastroenteritis with and without bacteremia
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From appreciation to dwelling : on the evolution of Hong Kong's non-fiction nature writing = Cong shang wan dao qi ju : lun Xianggang fei xu gou zi ran shu xie zhi yan bian
No full textRecent scholarship on Hong Kong’s nature-oriented literature predominantly looks into fiction. This thesis examines non-fictional prose, so as to highlight the generic feature of nature writing, in which field experience, knowledge and emotions of the author are intertwined. It aims to fill the gap in literary ecocriticism and trace the evolving trajectory of Hong Kong’s nature writing since the 1930s. How do these texts reflect the interrelationship between humans, non-human beings and the environment? How do they interact with the environmental discourse in Hong Kong over time? In particular, this study focuses on three types of nature writing—travel accounts of the countryside, plant and animal writing, as well as pastoral writing. Borrowing the theoretical lens of “mobility” and “sense of place” from human geography, this thesis explicates how various mobilities in the texts alter human-nature relations and present the possibility of “nature as a place”. It first explores how different ways of walking shape the travelers’ perceptions towards the countryside. It then illustrates the influence of interactive dynamics between human and non-human beings on the imagination of a cohabiting place. Eventually, it elaborates how the author establishes a profound connection with the land through farming. Despite the distinctive development and internal heterogeneity of each type, the texts generally demonstrate a turn from the anthropocentric, urban identified topophilia to the nature-oriented topophilia. It shows humans gradually move beyond their experiences of leisure, stop manipulating nature, and (re-)learn to dwell with it in the Anthropocene.published_or_final_versionChineseMasterMaster of Philosoph
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Clinical and histological changes of a free radial forearm flap transplanted into the oral cavity- a case report
No full textDispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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