1,720,984 research outputs found
Fig 34 in A new species of the genus Nigidius MacLeay (Coleoptera: Lucanidae) from the Green Island, Eastern Taiwan
No full textFig 34. Type locality and habitat of Nigidius wushuae sp. n.Published as part of Lin, J.-Z., 2022, A new species of the genus Nigidius MacLeay (Coleoptera: Lucanidae) from the Green Island, Eastern Taiwan, pp. 19-28 in Far Eastern Entomologist 451 on page 27, DOI: 10.25221/fee.451.4, http://zenodo.org/record/716659
Figs 1–5 in A new species of the genus Nigidius MacLeay (Coleoptera: Lucanidae) from the Green Island, Eastern Taiwan
No full textFigs 1–5. Nigidius wushuae sp. n. 1 – male holotype, habitus, dorsal view; 2 – the same,Published as part of Lin, J.-Z., 2022, A new species of the genus Nigidius MacLeay (Coleoptera: Lucanidae) from the Green Island, Eastern Taiwan, pp. 19-28 in Far Eastern Entomologist 451 on page 21, DOI: 10.25221/fee.451.4, http://zenodo.org/record/716659
Figs 6–9. Nigidius lohi, holotype. 6 in A new species of the genus Nigidius MacLeay (Coleoptera: Lucanidae) from the Green Island, Eastern Taiwan
No full textFigs 6–9. Nigidius lohi, holotype. 6 – habitus, dorsal view; 7 – the same, ventral view; 8 –Published as part of Lin, J.-Z., 2022, A new species of the genus Nigidius MacLeay (Coleoptera: Lucanidae) from the Green Island, Eastern Taiwan, pp. 19-28 in Far Eastern Entomologist 451 on page 21, DOI: 10.25221/fee.451.4, http://zenodo.org/record/716659
Figs 24–29 in A new species of the genus Nigidius MacLeay (Coleoptera: Lucanidae) from the Green Island, Eastern Taiwan
No full textFigs 24–29. Male (24–26) and female (27–29) genitalia of Nigidius spp. 24, 27 – N.Published as part of Lin, J.-Z., 2022, A new species of the genus Nigidius MacLeay (Coleoptera: Lucanidae) from the Green Island, Eastern Taiwan, pp. 19-28 in Far Eastern Entomologist 451 on page 24, DOI: 10.25221/fee.451.4, http://zenodo.org/record/716659
Could it be possible, the application of quantitative-PCR in toxic Microcystis population measurement?
No full textSingle amino acid difference of a microcystin synthetase, McyH in the releasing of microcystins in a specific strain of Microcystis aeruginosa
No full textDoes McyH, an Enzyme among Microcystin Synthetase Complex Containing an ABC Transporter Motif Control the Toxin-Releasing in Microcystis aeruginosa?
No full text
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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