85,003 research outputs found
The study of Lin Hui Yin's new poems
No full text碩士林徽因，一位對於中國古代的建築學有著極大的貢獻的女建築師，同時也是位才女，在父親刻意的栽培下，她不但有著濃厚的國學基礎，而且對西方文學的涉獵也極廣博，究竟一位身兼藝術家與文學家的建築師，在大放異彩的新文化運動時代下，她所創作的新詩有何特色？中西方文學對於她的新詩又有何影響？她的詩與其他文學詩人又有何獨到之處呢？這都是非常值得探討與研究的；因此，本論文希望藉由考察林徽因的家世、生平來了解其成長的背景，並藉由對林徽因約六十首的詩歌題材，作品的藝術特色中去了解林徽因詩歌作品特色及當時詩壇的概況。
本文共分五章，第一章「緒論」，就研究動機、文獻探討與論文架構做說明。第二章「生平」，希望藉由她的家世背景、求學狀況，以及文學創作的過程與人生的經歷，來了解其背景，並作為後續研究之基礎。第三章「詩歌的內容分析」，將其詩歌歸類為『自我情感的抒發』、『大自然的感懷』、『對人生的哲思』及『現實的關懷』等四類，並對其內容作深入的分析與探討。第四章「詩歌的藝術特色」，主要從詩歌的格律與音節、譬喻與修辭、傳統古典意境美等三方面，來探討林徽因詩歌的藝術特色。第五章「結論」，綜合第二章到第四章對於林徽因詩歌各個方面的研究與分析，對於林徽因在新詩史上的評價作探討與歸結。Lin Hui Yin, a female architect who had great devotion and contribution to the Chinese ancient architecture, and meanwhile, a talented poet, under the intended cultivation of her father, not only had a very strong basis of Chinese education, but also formed extensive knowledge of Western literature. We cannot help but wonder that she being an architect, an artist and a poet as well, in the brilliant time of new cultural movements, what the characteristics of her new poems are. What were the influences of Chinese and Western literature on her poems? What made her poems so unique from other poets’ works? These are the issues I would like to make research on. Therefore, in this thesis, I would like to study on the family backgrounds of Lin Hui Yin, and the theme, the characteristics of her approximate sixty poems.
The thesis was divided into five chapters. In the first chapter, the research motives, the study status, and the study steps were reported. In the second chapter, I would like to elaborate her family backgrounds, education, and the road of her literature and art and her life experiences to understand her poems better. In the third chapter, the themes of her poems were analyzed into four categories including the expression of her own feelings, the recall of emotions to the nature, her philosophy of life, and the care toward the reality. In the fourth chapter, the main features of her poems were mainly explored in the following three fields: the forms and syllables, the metaphor and other figures of speech, and the artistic conception of traditional Chinese poems. In the fifth chapter, the conclusion of the analysis and the evaluation of Lin Hui Yin’s poems will be made according to the previous chapters.第一章 緒論-------------------------------------------1
第一節 研究動機---------------------------------------1
第二節 文獻探討---------------------------------------3
第三節 論文架構---------------------------------------9
第二章 生平-------------------------------------------11
第一節 家世、幼年與求學-------------------------------11
第二節 文學創作高峰期---------------------------------17
第三節 從抗戰到去世-----------------------------------23
第三章 詩歌的內容分析---------------------------------28
第一節 自我情感的抒發--------------------------------28
第二節 大自然的感懷----------------------------------37
第三節 對人生的哲思----------------------------------42
第四節 現實的關懷------------------------------------46
第四章 詩歌的藝術特色---------------------------------51
第一節 格律與音節-------------------------------------51
第二節 譬喻與修辭-------------------------------------80
第三節 傳統古典意境美---------------------------------91
第五章 結論------------------------------------------102
參考書目-----------------------------------------------107
附錄一 林徽因新詩作品繫年（依寫作發表年月排序）--------116
附錄二 林徽因新詩作品形式分類表------------------------121學號: 795010056, 學年度: 9
人民英雄纪念碑
No full textInscription on back of monument drafted by Mao Zedong and written by Zhou Enlai commemorating martyrs of revolutionary struggle; A ten-story obelisk (stele) that was erected as a national monument of the People's Republic of China to the martyrs of revolutionary struggle during the 19th and 20th centuries. It is located in the southern edge of Tiananmen Square, to the north of Mausoleum of Mao Zedong. Commissioned by the government in 1949, it was completed in 1958. The architect of the monument was Liang Sicheng, with some elements designed by his wife, Lin Huiyin (an architect and the aunt of Maya Lin). The monument has also served as the center of large-scale mourning activities that later developed into protest and unrest, such as the deaths of Premier Zhou Enlai (which developed into the Tiananmen Square protests of 1976) and Hu Yaobang (which developed into the Tiananmen Square protests of 1989). The monument covers an area of 32,000 square feet. Source: Wikipedia; http://en.wikipedia.org/wiki/Main_Page (accessed 4/26/2013
Research on the May Fourth spirit and its influence in Lin Hai-yin\ue2s novel.
No full textThe thesis is a study of the May Fourth Spirit in Lin Hai-yin\ue2s novel. Her acceptance of the May Fourth literature thoughts and May Fourth women\ue2s novel had affect her writing. The first chapter is the research history of Lin Hai-yin\ue2s novel and theory of this thesis: Aesthetics of reception, narratology and Feminist Literary Criticism.
In the second chapter we research Lin Hai-yin\ue2s personal history during the time of May Fourth. The May Fourth Spirit had affect her vision, but because her marginal perspective, which made her novel more objective and unique. The third chapter is the influence of May Fourth women\ue2s novel in Lin\ue2s. On the theme, subject matter, writing strategy, she followed these writer\ue2s strategy, but present more profound thoughts which different from them.
In the fourth chapter we discuss the plot and characters of Lin\ue2s novel. The narrator in Lin\ue2s novel is usually a woman. Through these women\ue2s eyes, we saw a women\ue2s world that has solid sisterhood. We also saw the faces of men in her novel which are weak and escape from making decision are not the same with the traditional men\ue2s character kinds. And there also shows her concern of society through these characters.
The last chapter is discussing Lin\ue2s novel\ue2s acceptation and influences in Taiwan. In past criticism, her novel\ue2s theme had been seen like homesick. But the writing strategy of women during the anti-commu period is selected themes that considered not important, like love, marriage\ue2\ua6etc. to show they concerned society by these characters\ue2 fate. In conclusion we affirmed Lin Hai-yin\ue2s novel has great value, and she is one of the most important novelists in the 1950\ue2s age
Enhanced chemiluminescence for the oxidation of luminol with m-chloroperoxybenzoic acid catalyzed by microperoxidase 8
No full textStopped-flow study of the enhanced chemiluminescence for the oxidation of luminol with hydrogen peroxide catalyzed by microperoxidase 8
No full text
Intense chemiluminescence from the oxidation of luminol with m-chloroperoxybenzoic acid catalyzed by Mn(III)-microperoxidase
No full textMing-Hui Lin, flute and Ayako Yoda, piano and harpsichord, April 25, 2015
No full textThis is the concert program of the Ming-Hui Lin, flute and Ayako Yoda, piano and harpsichord performance on Saturday, April 25, 2015 at 8:30 p.m., at the Marshall Room, 855 Commonwealth Avenue. Works performed were Sonata in C major for Flute and Basso Continuo, BWV 1033 by Johann Sebastian Bach, Sonata for Flute and Piano, No. 3 by Philippe Gaubert, Sonatina for Flute and Piano by Eldin Burton, Syrinx for Flute solo by Claude Debussy, and Introduction and Variations on "Trockne Blumen" in E minor for Flute and Piano, D802 by Franz Schubert. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund
The Study on Kuan-yin Tzu-lin Chi
No full textAbstract
This paper aims to analyze Kuan-yin Tzu-lin Chi (Compassionate Grove of Kuan-yin) compiled by Hung-tsan in Ching Dynasty. One part of Kuan-yin Tzu-lin Chi includes eleven pieces of classics related to Kuan-yin, and the other part contains kan-ying (stimulus and response) tales, composed of two subsections. The latter part of Kuan-yin Tzu-lin Chi involves 154 kan-ying tales about Kuan-yin (including nine tales from India), which were collected from Ch`in Ch\ue2\ub2in to Ching Dynasty and recorded on 26 pieces of Chinese literature. In these tales, people chanted the name of Kuan-yin or recited The Heart Sutra, Kuan-yin Ching (Chapter of Universal Gateway), or The Great Compassionate Dharani to meet their practical needs in life.
This paper includes six chapters, and the method adopted is literature analysis. First of all, the derivation of the worship in Kuan-yin and the popularity of such belief among the Asian world are discussed. Subsequently, accounts are given that from possessing the conferral by the Buddha of the prediction of the attainment of Buddhahood in the future, Kuan-yin has been kind and compassionate to the end of all time. In addition, Kuan-yin has vowed to benefit the sentient beings, be profoundly compassionate, and build the relationship in the secular world. In order to save all sentient beings and manifest physically, Kuan-yin can give practical benefits to them, including invoking the name, satisfying two kinds of seeking, deleting three basic evil afflictions, solving eight difficulties, and creating fourteen fearlessness. To prove Kuan-yin\ue2s benevolent power, the kan-ying tales from Kuan-yin Tzu-lin Chi, Kuan-yin Chi-yen Chi, and other literature are cited. Apart from that, with the progress of the Buddha\ue2s teaching, and the extension of kan-ying tales about Kuan-yin, research on Kuna-yin\ue2s impact on literature and Buddhism is conducted to verify the Universal Gateway belief in \ue2Great kindness is to build absolute trust for all the sentient beings, and great compassion is to save them.\ue
Tibetyrus formicarius Yin & Lin 2020, sp. nov.
No full textTibetyrus formicarius Yin & Lin, sp. nov. (Figs 1–3) Type material. HOLOTYPE: CHINA: ♂, ‘China: Xizang, Nyingchi, Gongbo'gyamda Co., Bahe Town, Jiare Vill., Jiarelongba, 30.0075º N, 93.7818º E, 3,485 m, 18.x.2019, Lin Y-J, TŨỮḔDZOiDZAEÙDZAEȐDZ’ (SNUC). PARATYTYPES: CHINA: 2 ♀♀, same collection data as holotype (SNUC). Description. Male (Fig. 1A). Body generally elongate, length (combined length of head, pronotum, elytra and abdomen) 3.71 mm, color uniformly reddish-brown; dorsal surface of whole body finely punctate, with short decumbent setae of elytra and abdomen slightly denser than those on head and pronotum. Head (Figs 1A, 2A) lengthily and bluntly triangular, length from anterior margin of clypeus to head base 0.71 mm, width across eyes 0.57 mm; vertexal foveae at level of midline of eyes; frons dilated apically, longitudinally and smoothly impressed between antennal tubercles; postocular margins rounded, with tufts of dense setae on each side; eyes moderately prominent, each composed of about 15 facets. Maxillary palpi (Fig. 1B) with short, evenly distributed sensillar setae. Antennae elongate (Fig. 1A), length 2.30 mm; antennomeres 1 (scapes) distinctly longer than 2 (pedicels) and 3 combined, but shorter than combined length of antennomeres 2 to 4, approximately 1.8× as long as wide, antennomeres 2 and 3 of similar size, antennomeres 4–6 longer than 2, successively wider, antennomeres 7 slightly wider than 6, transverse, antennomeres 8 slightly narrower and much shorter than 7, antennomeres 9–11 (Fig. 1C) strongly enlarged to form distinct clubs, 9 about three times as long as and twice as wide as 8, 10 much larger than 9, broadly and deeply excavated on ventral surface, 11 much smaller than 10 and slightly larger than 9, their bases strongly elongate and constricted to form long projections, which extend downwards to exceed over half of antennomeres 10, with disk-like protuberance near bases of projections, basal portions of antennomeres 11 also circularly impressed, within impressions one fovea-like setose pit, apices much broader than bases and rounded. Pronotum (Figs 1A, 2A) elongate, mid-length 0.76 mm, maximum width 0.66 mm, with slightly arcuate anterior and sinuate posterior margin, sides rounded at middle, then narrowing toward apex and subparallel in basal two-fifths. Elytra (Fig. 1A) much wider than long, length along suture 0.89 mm, maximum width 1.15 mm, posterior margin with row of dense setae that are longer than those on disc. Mesoventrite (Fig. 2B) strongly transverse, with thin ridges lateral to middle; metaventrite also transverse, with large, lamina-like postero-submedial projections, posterior margin of each projection strongly curved ventrally to form large spine; setae of meso- and metaventrite much denser and longer in lateral areas than at middle. Legs elongate, lacking modifications. Abdomen about as long as wide, widest at posterior margin of tergite 1 (IV), mid-length 1.35 mm, maximum width 1.28 mm. Sternite 7 (IX) (Fig. 2C) semi-membranous, elongate, with round apex and dense apical setae. Aedeagus (Fig. 2 D–F) elongate, length 0.62 mm, median lobe with large, nearly symmetric basal capsule, apical half strongly twisted, narrowing apicad, forming pointed apex; endophallus complex in structure, composed of one elongate, broad, curved and weakly sclerotized plate-like sclerite abruptly narrowed and acute at apex, one relatively broad and bi-sinuate sclerite narrowing from basal two-thirds to apex, and one much shorter and thinner elongate sclerite near middle; parameres reduced and symmetric, lacking apical setae. Female. General appearance similar to male; antennae shorter, clubs (Fig. 1D) unmodified; metaventrite lacking projections. Measurements (as for male): body length 3.50–3.71 mm, length/width of head 0.65–0.66/ 0.56 mm, pronotum 0.72–0.76/ 0.64–0.65 mm, elytra 0.85–0.91/ 1.15–1.19 mm, abdomen 1.27–1.39/ 1.33–1.36 mm, length of antennae 1.85 mm, antennomeres 1 approximately as long as 2–3 combined and 1.3× as long as wide; each eye composed of about 18 facets. Distribution. Southwestern China: Xizang. Biological and collection notes. The collection site is located near the entrance of a deep, north-south oriented valley named Jiarelongba, approximately 2 km north of Jiare Village, and 11 km west of Basongcuo Lake. The valley has abundant vegetation, with a broad pass and a creek on the west side (Fig. 3C, D). The field work was conducted at around 9:00 a.m. Two individuals of the pselaphid were first discovered in tunnels of an ant nest found under an approximately 30 cm 2 stone on the ground just beside the pass. Later a third individual was collected from another nest in the same area less than 50 m away. The host ant was later identified as a member of the genus Formica (Fig. 3A, B; S.-Y. Zhou & H. Ran, pers. comm.). The new species is apparently myrmecophilous because of the repeated circumstances of its collection, and it may possibly be a synoekete or a symphile due to the presence of what may be paired trichomes on the postocular margin. Similar trichomes of the head are commonly found in many myrmecophilous pselaphine genera, especially in the tribe Batrisini. The markedly constricted elytral base and loss of hind wings are typical for various myrmecophilous/termitophilous beetle groups. However, additional field observations are necessary to further reveal the biology of the new species. Etymology. The specific epithet recognizes the association between the new species and Formica ants.Published as part of Yin, Zi-Wei & Lin, Ye-Jie, 2020, Tibetyrus gen. nov., a new myrmecophilous Tyrini from Xizang, China (Coleoptera: Staphylinidae: Pselaphinae), pp. 131-137 in Zootaxa 4786 (1) on pages 133-136, DOI: 10.11646/zootaxa.4786.1.10, http://zenodo.org/record/386494
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