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Li han lin quan ji: si shi er juan, mu lu si juan, nian pu. v.1
No full text[李白].綫裝, 1函.框20.3x14.8公分, 9行18字, 小字雙行同. 白口, 左右雙邊, 單白魚尾. 版心中鐫"李集"及卷次, 下鐫葉次.書根印有"李翰林集"前有王樨登序, 李陽冰《李翰林詩序》, 樂史《別集序》, 宋敏求後序, 曾鞏後序, 毛漸題跋.書中樂史《別集序》載"李翰林歌詩李陽冰纂為草堂集十卷史又別收歌詩十卷與草堂集互有得失因校勘排為二十卷號曰李翰林集"With: 李翰林年譜 / 薛仲邕編 ; 舊唐書列傳 ; 新唐書列傳 ; 李翰林墓誌銘 / 李華 ; 碣記 / 劉全 ; 碑陰記 / 蘇軾.Xian zhuang, 1 han.Kuang 20.3 x 14.8 gong fen, 9 hang 18 zi, xiao zi shuang hang tong. Bai kou, zuo you shuang bian, dan bai yu wei. Ban xin zhong juan "Li ji"ji juan ci, xia juan ye ci.Shu gen yin you "Li han lin ji"Qian you Wang Xideng xu, Li Yangbing "Li han lin shi xu", Yue Shi "Bie ji xu", Song Minqiu hou xu, Zeng Gong hou xu, Mao Jian ti ba.Shu zhong Yue Shi "Bie ji xu" zai "Li han lin ge shi Li Yangbing zuan wei Cao tang ji shi juan shi you bie shou ge shi shi juan yu Cao tang ji hu you de shi yin jiao kan pai wei er shi juan hao yue Li han lin ji"[Li Bai].With: Li han lin nian pu / Xue Zhongyong bian ; Jiu Tang shu lie zhuan ; Xin Tang shu lie zhuan ; Li han lin mu zhi ming / Li Hua ; Jie ji / Liu Quan ; Bei yin ji / Su Shi
Han lin shuo chang zhuan ji dai
No full textLive recording.Possibly reproduced from other commercial recording or radio broadcast (Pending for review)Electronic reproduction from Rulan Chao Pian Betamax collection.Performing group: 漢霖民俗說唱藝術團.Sung in Chinese.Performing group: han lin min su shuo chang yi shu tuan
Artist interview, Lin Fei Fei
No full textArtist interview about 21st Street WOW mural (1517 21st St., Sacramento, CA), part of the 2018 Wide Open Walls Festival. Interview conducted November 11, 2020.About the Sacramento Public Art Archive :Students in the ART 118C: Public Art course at California State University, Sacramento interviewed the artists behind murals and sculptures across the city. Their work makes up the "Sacramento Public Art Archive," a growing repository of video interviews that records, preserves, and protects the history and artistic visions behind beloved works of public art.For an interactive tour of all of the public artworks and interviews, visit the Sacramento Public Art Archive
2017-3-1 Table S1.pdf
No full textAuthor(s): Fei Lin Article Title: A formulation of neem cake seeded with Bacillus sp. provides control over tomato
Fusarium crown and root rotArticle doi: http://dx.doi.org/10.1080/09583157.2017.1296106Supplemental Table S1</div
Commentary Notes on the Han Fei Zi
No full text本文是筆者近來讀《韓非子》一書所作之札記，共有十四則。討論的方式為，每則札記先列《韓非子》之本文，次則徵引相關之前賢註解，最後再就問題進行討論。本文多結合新近出土之考古、文獻資料以為校讀之依據，或用以證成新解，或用以補充、修正前賢之說法。This paper consists of fourteen items of commentary notes derived from the author's recent study of the Han Fei Zi. In each item, the author first sets forth the original Han Fei Zi passages in question, cites the rele-vant annotations from other scholars, and then proceeds to discuss the issues at hand. The paper makes use of recently unearthed texts and other archaeological evidence to support new interpretations, or to bolster and/or revise the existing interpretations rendered by other scholars
Tz-Lin Hsu Piano Recital Program Notes
No full textThis is the Program Notes of Tz-Lin Hsu\ue2s piano recital held on May 20th, 2020. The recital program includes Johann Sebastian Bach\ue2s The Well-Tempered Clavier, Book 1, Prelude and Fugue No. 17 in A-flat Major, BWV 862; Ludwig van Beethoven\ue2s Sonata No. 7 in D Major, Op. 10, No. 3, Jakob Ludwig Felix Mendelssohn Bartholdy\ue2s Fantasy in F-sharp minor, Op. 28; and Ignacy Jan Paderewski\ue2s Th\uc3\ua8me vari\uc3\ua8 in A Major, Op. 16, No. 3. The program notes will briefly introduce these four composers\ue2 lives, their compositional backgrounds, and the structure of each work, including the tonal organization and thematic materials
Fei-yen wai-zhuan the true era of its birth and investigation of its author
No full textFei-yen wai-zhuan 飛燕外傳 (The Unofficial Biography of [Zhao] Fei-yen) is one of the classical-language fictions in traditional China, describing the famous romance between Emperor Cheng-di 成帝 and Zhao Fei-yen 趙飛燕 sisters in the Former Han Dynasty. The author is attributed with Ling Xüan 伶玄, who definitely had confessed that he was living with the Former Han Dynasty in his brief autobiography. However, it was too suspicious to believe, from the beginning of its appearance in the Southern Song Dynasty, scholars have been puzzled to determine the true era of its birth. Through their discussions, now it is widely accepted that Fei-yen wai-zhuan was born during the Six Dynasties, not in the Tang Dynasty, though it is still lacking in conclusive evidence. But some insist that it could be compared with the great masterpieces of Tang-tales, like Ying-ying zhuan 鶯鶯傳, Li Wa zhuan 李娃傳, Huo Xiao-yü zhuan 霍小玉傳, which belonged to the Tang Dynasty. Then should we say that Fei-yen wai-zhuan was a premature masterpiece? It still remains a great mystery to all, including its author Ling Xüan himself. This study, paying attention to the text itself, proves this tale should belong to the Tang Dynasty. Its main keywords are two, Zhen-la 眞臘 and Qi-chu Ling-hua jing 七出菱花鏡 (Water-chestnut flower shaped bronze mirror, circled by seven petals). The former, used first in the historical records in China was in the Sui Dynasty Da-ye 大業 12years(616), and the latter one likely appeared after reign of Empress Wu(690--705). These facts simply tell us Fei-yen wai-zhuan was born in the Tang Dynasty. The true author of this tale is Niu Seng-ru 牛僧孺, a famous prime minister of late Tang and was also a well-known writer of Tang-tales, who authored Xüan-guai lu 玄怪錄. We could know the close affinities between Fei-yen wai-zhuan and Xüan-guai lu. As a drafted scholar-official, all of Niu's life had been under the strife in bureaucracy with the factional parties at that time. Once the opposition party blamed Niu for violating his majesty, to write the tale Zhou Qin xing-ji 周秦行記 named Niu Seng-ru. Though its writer was anonymous, Niu was nearly accused of injury to the majesy (Lèse majesté). I contend Niu decided to write Fei-yen wai-zhuan under a pseudonym to make counterattack against a recreant writer in the same manner and to regain true pride for himself
Shang han ming li lun
No full text張仲景述 ; 王叔和撰次 ; 成無己注解 ; 吳勉學閱 ; 徐鎔校. 傷寒明理論 : 四卷 / 成無己撰 ; 吳勉學閱 ; 徐鎔校.綫裝.框20x13.5公分, 10行20字, 小字雙行同. 白口, 四周單邊(間或左右雙邊), 單黑魚尾. 版心上鐫題名, 中鐫卷次, 下鐫葉次.書名頁刻"張仲景著傷寒論, 張卿子先生手定, 成無己註, 附諸名家, 大文堂藏板"《中國中醫古籍總目》(00671)著錄清廣州大文堂刻本.卷前附附: 醫林列傳 -- 論圖.鈐"莊兆祥印", "莊兆祥"Xian zhuang.Kuang 20 x 13.5 gong fen, 10 hang 20 zi, xiao zi shuang hang tong. Bai kou, si zhou dan bian (jian huo zuo you shuang bian), dan hei yu wei. Ban xin shang juan ti ming, zhong juan juan ci, xia juan ye ci.Detailed notes in vernacular field only.Detailed notes in vernacular field only.Zhang Zhongjing shu ; Wang Shuhe zhuan ci ; Cheng Wuji zhu jie ; Wu Mianxue yue ; Xu Rong jiao. Shang han ming li lun : si juan / Cheng Wuji zhuan ; Wu Mianxue yue ; Xu Rong jiao.Juan qian fu fu: Yi lin lie zhuan -- Lun tu.Qian "Zhuang Zhaoxiang yin", "Zhuang Zhaoxiang
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