1,935 research outputs found
Yves Fremault, Nederzettingssporen uit de IJzertijd in het Antwerpse : Verzameling A. Goossens (Borgerhout) (Témoignages de sites de l'Age du Fer dans la région d'Anvers : Collection A. Goossens). Bruxelles, Centre National de Recherches Archéologiques en Belgique, 1969, 1 vol., 106 p., 46 pl. = Répertoires archéologiques, série B (Les Collections), tome IV
No full textLimme Luc. Yves Fremault, Nederzettingssporen uit de IJzertijd in het Antwerpse : Verzameling A. Goossens (Borgerhout) (Témoignages de sites de l'Age du Fer dans la région d'Anvers : Collection A. Goossens). Bruxelles, Centre National de Recherches Archéologiques en Belgique, 1969, 1 vol., 106 p., 46 pl. = Répertoires archéologiques, série B (Les Collections), tome IV. In: Revue du Nord, tome 51, n°202, Juillet-septembre 1969. pp. 553-554
Yves Fremault, Nederzettingssporen uit de IJzertijd in het Antwerpse : Verzameling A. Goossens (Borgerhout) (Témoignages de sites de l'Age du Fer dans la région d'Anvers : Collection A. Goossens). Bruxelles, Centre National de Recherches Archéologiques en Belgique, 1969, 1 vol., 106 p., 46 pl. = Répertoires archéologiques, série B (Les Collections), tome IV
No full textLimme Luc. Yves Fremault, Nederzettingssporen uit de IJzertijd in het Antwerpse : Verzameling A. Goossens (Borgerhout) (Témoignages de sites de l'Age du Fer dans la région d'Anvers : Collection A. Goossens). Bruxelles, Centre National de Recherches Archéologiques en Belgique, 1969, 1 vol., 106 p., 46 pl. = Répertoires archéologiques, série B (Les Collections), tome IV. In: Revue du Nord, tome 51, n°202, Juillet-septembre 1969. pp. 553-554
Elkab and beyond: Studies in honour of Luc Limme
No full textThis volume honours Dr Luc Limme with 34 contributions from his friends and colleagues on a wide variety of topics concerning the study of ancient Egypt. The first set of articles focuses on the site of Elkab; among them are reports of fieldwork as well as studies dealing with the more recent history of this important site. Articles in the next section investigate issues of Egyptian history, with an emphasis on the later periods, and include archaeological, art historical, papyrological and philological topics, reflecting Luc Limme's wide ranging interests in the field of Egyptology
Authorship in the Interstices of History, Biography, Reality and Memory: Histoire(s) du cinéma and Cabra Marcado para Morrer
No full textEste artigo contrasta Histoire(s) du cinéma de Jean-Luc Godard e Cabra Marcado Para Morrer de Eduardo Coutinho, estão engajadas com a questão da autoria no cinema. Enquanto a imagem de Godard enfatiza a capacidade que tem um filme de transmitir a visão de mundo pessoal de um artista, a presença de Coutinho na tela funciona menos como um meio de subjetivar a obra do que como um catalizador instigando cetas reações nos "atores" filmados
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
De la laïcité à la française à la théorie normative de la religion (et retour).: Un entretien de Luc Foisneau avec Cécile Laborde
No full textThis interview with Cécile Laborde was conducted by Luc Foisneau in Aubervilliers on 13th April 2023. This interview has been published on the website Politika.io in French and English versions. In addition to Critical Republicanism (Oxford 2008) and a collective volume with John Maynor, Republicanism and Political Theory (Blackwell 2008), Cécile Laborde is the author of Liberalism's Religion (Harvard 2017). She's a Fellow of the British Academy and of the Royal Academy of Belgium.Cet entretien avec Cécile Laborde a été réalisé par Luc Foisneau à Aubervilliers le 13 avril 2023. Cet entretien a été publié sur le site Politika.io en versions française et anglaise. Outre Critical Republicanism (Oxford 2008) et un volume collectif avec John Maynor, Republicanism and Political Theory (Blackwell 2008), Cécile Laborde est l'auteur de Liberalism's Religion (Harvard 2017). Elle est membre de la British Academy et de l'Académie royale de Belgique
A Canonical Form for PROV Documents: Dataset Underpinning Evaluation
No full textDataset supporting:
Luc Moreau (2017) A Canonical Form for PROV Documents and its Application to Equality, Signature, and Validation. ACM Transactions on Internet Technology.
We present a canonical form for PROV that is a normalized way of representing PROV documents as mathematical expressions. As opposed to the normal form specified by the PROV-CONSTRAINTS recommendation, the canonical form we present is defined for all PROV documents, irrespective of their validity, and it can be serialized in a unique way. The paper makes the case for a canonical form for PROV and its potential uses, namely: comparison of PROV documents in different formats, validation, and signature of PROV documents. A signature of a PROV document allows the integrity and the author of provenance to be ascertained; since the signature is based on the canonical form, these checks are not tied to a particular encoding, but can be performed on any representation of PROV.</span
Portrait of the Author in (Him/Her)self
No full textA fragment of a philosophical essay by Jean-Luc Nancy and Federico Ferrari titled Iconographie dell’auteur (Paris, 2005), published for the first time in Polish, that addresses the problem of a relationship between the image of the author and his/her work
Touching Freud's dog: H.D.'s tactile poetics
No full text"Do not touch me", Frau Emmy warns Freud in 1889. "Do not touch", Freud echoes in 1933. This time, he is referring to his pet chow, Yofi, warning H.D. that "she snaps - she is very difficult with strangers". Examining the prohibition in light of work by Jacques Derrida and Jean-Luc Nancy, this article charts the withdrawal that always interrupts touch. Despite Freud's taboo, however, H.D.'s writing seeks to make contact in strange and unnerving ways. Developing Julia Kristeva's account of the semiotic, this paper proposes a literature of touch. Reading H.D.'s poems, alongside Tribute to Freud, and her letters, the author demonstrates that H.D.'s poetics are always haunted by the very (im)possibility of contact
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