1,721,030 research outputs found
Prix de thèse AMU pour Li Shiwei
Lors d'une cérémonie qui se déroulera le 22 novembre prochain au siège de notre université (site du Pharo, Marseille), LI Shiwei 黎诗薇, membre de l'axe de recherche Littérature d'Asie et traduction (IrAsia), actuellement ATER au Département d'Etudes Asiatiques, se verra décerner un Prix de thèse d'Aix-Marseille université pour son travail de doctorat dirigé par le Professeur Noël Dutrait et soutenu le 24 novembre 2016 devant un jury présidé par le Pr Vincent Durant-Dastès (INALCO) et composé de..
Récit et chansons dans Fleur en Fiole d’Or : David Tod Roy et André Lévy face à l’intertextualité dans leurs traductions de la version cihua 詞話 du Jin Ping Mei 金瓶梅
Li Shiwei : Narrative and Songs in The Plum in the Golden Vase : David Tod Roy and André Lévy and the Issues of Intertextuality in their Translations of the
Cihua 詞 話 Version of the Jin Ping Mei 金 瓶 梅
This research note seeks to analyze the different translation strategies of two sinologist-translators, David Tod Roy and André Lévy, when confronted with a work as complex as the Jin Ping Mei 金 瓶 梅 , and in particular their different choices regarding the translations of qu 曲 (lyrics or songs). I first analyze the uses and functions of qu in the cihua 詞 話 version of the Jin Ping Mei and then present the different points of view of the translators concerning the ideological and aesthetic values of the author and the organization of his narrative. The note also discusses their strategies when confronted with the difficulties of translation of the intertexts structured around the qu as well as the potential effects of these translation choices on their readers. Finally, the note proposes some hypotheses concerning the reasons that motivated these choices.Cette note de recherche a pour objectif d’analyser les différentes stratégies de traduction de deux sinologues-traducteurs, David Tod Roy et André Lévy, face à une oeuvre aussi complexe que le Jin Ping Mei 金 瓶 梅 , et en particulier leurs différents choix de traduction des qu 曲 (poésies chantées). Nous y analysons d’abord les usages et les fonctions des qu dans la version dite cihua 詞 話 du Jin Ping Mei, pour présenter ensuite les différents points de vue des traducteurs concernant les valeurs idéologiques et esthétiques de l’auteur et l’organisation de son récit. Sont également abordés leurs stratégies face aux difficultés de traductions des intertextes axés autour des qu, ainsi que les effets potentiels de ces choix de traduction sur leurs lecteurs. La note propose pour finir quelques hypothèses concernant les raisons ayant motivé ces choix.黎 诗 薇 (Li Shiwei) : 《 金 瓶 梅 》 中 的 曲 與 敘 事 : 苪 效 衛 與 雷 威 安 關 於 《 金 瓶 梅 》 詞 話 本 中 互 文 性 的 翻 譯 本 文 選 取 《 金 瓶 梅 》 詞 話 本 中 關 於 曲 的 翻 譯 的 例 子 , 來 探 討 芮 效 衛 與 雷 威 安 這 兩 位 漢 學 家 及 譯 者 面 對 《 金 瓶 梅 》 這 部 複 雜 的 文 學 作 品 所 採 用 的 不 同 的 翻 譯 策 略 。 本 人 首 先 分 析 了 《 金 瓶 梅 》 詞 話 本 中 曲 的 運 用 以 及 其 在 作 品 中 的 功 能 , 然 後 闡 述 了 兩 位 譯 者 關 於 作 者 創 作 該 作 品 的 價 值 觀 、 美 學 觀 及 作 品 敘 事 結 構 等 方 面 不 同 的 看 法 , 並 分 析 譯 者 在 曲 的 互 文 性 翻 譯 問 題 上 所 採 取 的 不 同 的 翻 譯 策 略 , 以 及 這 些 策 略 對 讀 者 閱 讀 譯 文 所 產 生 的 影 響 。 最 後 , 本 人 就 導 致 譯 者 採 用 不 同 翻 譯 策 略 的 原 因 提 出 一 些 推 論 。Li Shiwei. Récit et chansons dans Fleur en Fiole d’Or : David Tod Roy et André Lévy face à l’intertextualité dans leurs traductions de la version cihua 詞話 du Jin Ping Mei 金瓶梅. In: Études chinoises, vol. 35, n°2,2016. pp. 87-103
The effect of biochar-amended biogas digestate on soil nitrous oxide emissions of long-term reduced tillage under varying soil moisture
http://dx.doi.org/10.13039/501100010812 Fachagentur Nachwachsende Rohstoff
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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