1,724,332 research outputs found
Li han lin quan ji: si shi er juan, mu lu si juan, nian pu. v.1
No full text[李白].綫裝, 1函.框20.3x14.8公分, 9行18字, 小字雙行同. 白口, 左右雙邊, 單白魚尾. 版心中鐫"李集"及卷次, 下鐫葉次.書根印有"李翰林集"前有王樨登序, 李陽冰《李翰林詩序》, 樂史《別集序》, 宋敏求後序, 曾鞏後序, 毛漸題跋.書中樂史《別集序》載"李翰林歌詩李陽冰纂為草堂集十卷史又別收歌詩十卷與草堂集互有得失因校勘排為二十卷號曰李翰林集"With: 李翰林年譜 / 薛仲邕編 ; 舊唐書列傳 ; 新唐書列傳 ; 李翰林墓誌銘 / 李華 ; 碣記 / 劉全 ; 碑陰記 / 蘇軾.Xian zhuang, 1 han.Kuang 20.3 x 14.8 gong fen, 9 hang 18 zi, xiao zi shuang hang tong. Bai kou, zuo you shuang bian, dan bai yu wei. Ban xin zhong juan "Li ji"ji juan ci, xia juan ye ci.Shu gen yin you "Li han lin ji"Qian you Wang Xideng xu, Li Yangbing "Li han lin shi xu", Yue Shi "Bie ji xu", Song Minqiu hou xu, Zeng Gong hou xu, Mao Jian ti ba.Shu zhong Yue Shi "Bie ji xu" zai "Li han lin ge shi Li Yangbing zuan wei Cao tang ji shi juan shi you bie shou ge shi shi juan yu Cao tang ji hu you de shi yin jiao kan pai wei er shi juan hao yue Li han lin ji"[Li Bai].With: Li han lin nian pu / Xue Zhongyong bian ; Jiu Tang shu lie zhuan ; Xin Tang shu lie zhuan ; Li han lin mu zhi ming / Li Hua ; Jie ji / Liu Quan ; Bei yin ji / Su Shi
Meng qiu 蒙 求 de Li Han 李 瀚.
No full textNumérisation effectuée à partir d'un document original.Fragment comprenant : la dédicace à l'empereur, par Li Liang 李 良, déb. manque (col. 1 à 8) et la préface de Li Hua 李 華, complet (col. 9 à 18) suivies du texte du Meng qiu de Li Han en 1 pian 篇, déb. (col. 19 à 26). 28 premières phrases rimées. Les notes explicatives de l'auteur font défaut. Partiellement éd. (col. 6-8 et 20-21) par Naba Toshisada in SG , X, n° spécial (1941), p. 495. Cf. KTSL , pp. 206-208. Précisions données sur les auteurs : Li Liang de la préfecture de Rao 饒 州 (col. 7) ; Li Hua de la commanderie de Zhao 趙 郡 ; Li Han de An ping 安 平 (col. 9). Écr. soignée, assez rapide, traits épais. Encre parfois assez pâle. Rares corrections. 26 col. dont 16 mutilées (col. 1, 2, 6, 7 et 15 à 18 notamment). 14 à 17 car. par col. Marges non tracées, sup. 1,4 à 2,4 cm, inf. 1 à 4,3 cm
"T'a-li-han" (塔里寒)
No full textTaoist Ch'ang-ch'un's Travels is one of the best travel stories in China. It is also an extremely important material on the historical geography of Central Asia in the Middle Ages. Emile Bretschneider, Wang Kuo-wei and Arthur Waley have made considerable contributions toward identifications of various place names appearing in the Travels and the routes followed by the Taoist and his followers. It was the late Professor Michiyo Naka who, for the first time, pointed out confusion in the chronology of Chingis Khan's expeditions into Central Asia and corrected the errors in both Persian and Chinese histories of the time, and the main source he used for this purpose was the Travels. There remain, however, a few points that have not yet been clarified; the location of T'a-li-han, the place where the Taoist was received in audience by Chingis Khan, etc. The present author tries to identify T'a-li-han not with the present Taliqan but with Kunduz and to prove that Ch'ang-ch'un did never go into or beyond the Hindu-kush
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Representation for new Scenarios: the work of Li Han
No full textThe set of portraits of an urban production space can be read as the story of a troubled relationship – at the same time of need and opposition – between the production spaces and the city.
Almost always placed in a space “elsewhere”; depicted in plans, using graphics and textures that enhance their diversity: in the collective sensibility the places of production acquire a sense of strangeness that even the most innovative visions (Olivetti) fail to dent. In 2011, Li Han, a Chinese architect/designer, published A Little Bit of Beijing. This small volume employs a series of very detailed isometric splits for the portrayal of District 798: a former suburban industrial district, now artistic district, similar in history and in forms to many disused European industrial areas.
He shows the changes that the complex has undergone through the mutations of use; in addition to the physical space, the volume depicts furniture, graphics, and people living in and animating the spaces.
The representation developed by Li Han opens the way to a possible contemporary solution to the “city/industry” duo, proposing an unusual scenario: the industry is the city; the production spaces, now latent at the edges of European cities, are the answer to the question of cities
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