535 research outputs found

    "The day of the great writer is gone for ever": Author surrogacy in Martin Amis’s Money and J.M. Coetzee’s Summertime.

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    This study focuses on the use of author surrogacy in the novels Money: A Suicide Note by Martin Amis and Summertime: Scenes from Provincial Life by J.M. Coetzee. It addresses the connection between their use of author surrogacy and their comments on what scholars classify as the postmodern cultural condition. Both authors have written themselves into their novels with a different purpose but both used strikingly similar themes to incorporate this purpose, although the stress on these themes varies. Authorial power, the distinction between the real and the imagined, and the fading line between high- and lowbrow culture are examples of the topics discussed in this study with regards to author surrogacy and the postmodern cultural condition. This study concludes that, through their use of author surrogacy, J.M. Coetzee mainly aims to critique, while Martin Amis satirises postmodern culture. Keywords: Amis, author surrogacy, authorial power, Coetzee, fact-fiction distinction, high- and lowbrow culture, postmodern cultural condition

    Alive but Cancelled: The Public’s Response to the Controversial Author

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    This thesis explores how the public has responded to authors J.K. Rowling and Lionel Shriver, who have become the subject of public controversy, and what this response tells us about the current conceptions about the author. Academics like Wenche Ommundsen and English & Frow have established that authors are no longer the faceless names they once were, and several of them have reached a proper celebrity status. Especially now, in a time in which social media exerts great influence on how the general public views celebrities and concepts like “wokeness” and social justice become increasingly relevant topics, celebrities and celebrity authors are often expected to display socially just behaviour and reprimanded when they do not. By analysing the online responses to the controversies caused by these two prominent authors, this thesis argues that the public perceives a strong relationship between authors and their work and generally attributes a great deal of responsibility to popular authors with vast platforms. Keywords: Lionel Shriver; J.K. Rowling; literary celebrity; wokeness; cancel culture; Death of the Author; transphobia; cultural appropriatio

    Data from: Cross-cultural variation in men’s preference for sexual dimorphism in women’s faces

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    Marcinkowska U.M., Kozlov M.V., Cai H., Contreras-Garduño J., Dixson B.J., Oana G.A., Kaminski G., Li N.P., Lyons M.T., Onyishi I.E., Prasai K., Pazhoohi F., Prokop P., Rosales Cardozo S.L., Sydney N., Yong J.C., Rantala M.J. (2014). Data from: Cross-cultural variation in men’s preference for sexual dimorphism in women’s faces. InK Repository at Singapore Management University. http://ink.library.smu.edu.sg/researchdata/6/</p

    Super high-rise in Rotterdam

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    There is large difference in height between high-rise buildings in the Netherlands and high-rise in other continents such as North America and Asia. The tallest building in the Netherlands, the “Maastoren”, has a height of 164.75 meter whereas in the rest of the world buildings with a height of more than 300 meter are not uncommon. In Dubai the Burj Khalifa has even reached a height of 828 meter. Each high-rise project is unique and depends on the many location-bound conditions which influence the choices made in the design of a tall building. Because of this the following question is asked: “Is it technically possible to achieve similar heights in the Netherlands?”. In order to answer this question the goal of this thesis is to deliver the structural design of a tall building with a predetermined height of 800 meter.Design and ConstructionCivil Engineering and Geoscience

    The Return of Modernism: An Analysis of The Relation between the Metamodernist Debate and Two Novels by Ali Smith

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    This master thesis aims to analyse how two twenty-first century novels by Ali Smith, Hotel World (2001), and How to Be Both (2014) relate to the modernism of the twentieth century. For this research, author research, a close analysis of both of the novels, and reception research will be carried out to analyse whether the author profiles herself as modernist, and if this can be seen in the novels themselves and their reception. To outline the metamodernist debate, Tim Vermeulen and Robin van den Akker’s, as well as David James and Urmila Seshagiri’s articles and book on metamodernism will be discussed. Bourdieu’s theories are used to explain the importance of reception research. This thesis argues that Smith does not actively relate herself to twentieth century modernism, but does use modernist techniques in both of the novels

    An Abundance of Truths: How Julian Barnes' The Sense of an Ending and The Only Story prove that postmodernism is not dead.

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    There has been a decline in the use of postmodern themes and aspects since the 2000’s. According to critics the postmodern values no longer corresponded with those of society. However, does this mean that postmodernism is now no longer a practiced art movement? Julian Barnes is a well-known British author who often incorporated postmodern themes and techniques to his writing. Though postmodernism is often claimed to be a dead movement, Barnes is still using postmodern aspects in his more recent novels. In this thesis The Sense of an Ending (2011) and The Only Story (2019) will be discussed and analysed to show that postmodernism remains a relevant art movement in literature. This thesis aims to contribute to the discussion regarding the proclaimed end of postmodernism. Key words: Postmodernism, metamodernism, Julian Barnes, The Sense of an Ending (2011), The Only Story (2019

    Schrijvers als sterren. Literaire interviews in de Nederlandse Esquire

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    Since the 1980’s there is a market for men’s magazines in the Netherlands. In 1991 Gijs van de Westelaken founded a Dutch edition of the originally American lifestyle magazine Esquire. Although it is not a literary magazine, Esquire pays attention to literature in almost every issue by prepublications, book reviews, literary columns and interviews with literary authors (literary interviews). Even though much research has been done on literature in popular women's magazines, the men's segment is still unexplored territory. This thesis focuses on the men’s magazine Esquire and on the genre of the literary interview, because of the phenomenon that the visibility of the author has become more important in the modern celebrity culture and society. The thesis describes on the basis of all 65 literary interviews that are published in Esquire between 1990 and 2014 how the genre functions in the magazine and what image of ! masculini ty emerges in the interviews. It turns out that the number of literary interviews increased over the years and that there are large differences between male and female interviewees, both in number and in appearance, age and imaging. Female interviewees are less frequently interviewed and they are younger and more attractive than men. While Esquire shows female authors frequently as a sex object, male authors are generally imaged as macho men, family men, sophisticated men or stylish men. It can also be concluded that literature is not the main subject of the interviews. Some interviews are not about literature at all and in others it is only briefly noted as the occasion of the interview. The personality of the interviewed author seems, especially in the longreads, a more important topic. This finding fits with the phenomenon of the celebrity culture

    The Author Resurrected: The Paris Review's Answer to the Age of Criticism

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    Contains fulltext : 68354.pdf (Publisher’s version ) (Open Access)21 p
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