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The Expolore in Su-shi’s Ji-yu and Return Based on the Themelines of Time and Space
本論文擬探究蘇軾的「寄寓」與「懷歸」,「寄寓」是他對自我存在處境的感受,「懷歸」是他一生的心願與期望,二者都是他一生縈繞於心的生命意識,而二者之間又有密切關係,「寄寓」意識所言寄寓於世的生命覺知,乃是無可安頓的生存狀態,而其所感知人生不斷的空間變動,會導致主體歸返的心理需求,這包含原生家鄉的情感,甚至自我生命安頓的生活方式。
探究「寄寓」與「懷歸」時,又與「時間」、「空間」有密切關係。「寄寓」意識所言人寄寓於世的生存狀態,會涉及二個層面的意義,第一,「寄寓」思想將人生看作暫時寄寓之處,關注人生無常、短暫的生命處境,此一意涵,實具有強烈的時間焦慮,「寄寓」的感受,會強化對生命意義的叩問,即人一生短暫的生命,究竟應投注於何處,故蘇軾常有仕途與歸返的掙扎,即可由此窺見,而時間焦慮的超越,又與物化、大化相關涉,此與「寄寓」意識的思想淵源正可互相聯繫。第二,由其中短暫寓居之意涵,加上蘇軾宦途漂泊的經歷,便會產生自我於各處「寄寓」的觀念,並以「寄寓」述說人生中空間變動的感受,此一空間意識又會有兩個層面的意義,首先,進入仕途後,其所處空間對自我造成許多壓迫與束縛,使自我一生面臨不斷的空間變動,因而強化自我的「寄寓」與「懷歸」之意識,過去的研究較傾向由黨爭及蘇軾正直的性格來述說,本論文擬由組織及社會文化的視角切入,由其入仕途後,面對一有階序(hierarchy)的空間,由此一空間的運作規則來分析,觀察蘇軾的心理與行為表現,以呈現他與空間的相關性。其次,則是自我基本生活安頓,此即家園的失落與尋求,「寄寓」不只是心靈感受,更是實質物理空間的無可安頓,而「懷歸」更與尋求一個能安頓自我的家有關,故 他如何建構自我的安居空間,乃是一值得注意的課題,而以往研究較忽略他所受物理空間的影響,本論文可針對此一面向進行分析。
如此,以時間、空間為主軸來考察蘇軾的「寄寓」與「懷歸」,便可作為一個詮釋系統,以之分析蘇軾的生命意識,並可進一步理解其與苦難奮鬥,最後歸鄉、歸田、中隱、致仕皆無著落的心路歷程。The dissertation explores two themes in the life of Su-shi---Ji-yu and his wish to return. Ji-yu means his reflections for his life; his wish to return means a life-long expectations and eagerness. Both of the two themes are deeply connected. Ji-yu is an expression about constant migration in his lifespan, which has an immense impact on his desire to return. The desire to return concludes a trip back to his hometown, and a search for an ideal style of life.
Exploring the two themes ---Ji-yu and his wish to return---involves greatly with time and space. There are two main levels about Ju-yu consciousness. For one level, the world is a temporary residence, in which we consider our life fleeting and therefore we suffer from the huge anxiety of time passing. As a result, we will take it into consideration that where we should put our effort into. Sh-shi is always caught in a dilemma of either career perusing or return. Solving the anxiety of time is associated with the concepts--- Wu-hwa and Da-hwa, which has a connection with the philosophical resource of Ji-yu. For the other level, Su-shi will use the concept of space to discuss the fate that people transfer from one place to another. The consciousness of space involves two directions. One direction is about the situation that when he enters political arena, he is faced with oppression and limitation, which causes his constant migration, which enhance his feelings of Ji-yu and anticipation for return. Scholars used to explain his political fate from the aspects of political factions and his righteous personality. The dissertation focuses on political organization and culture. After Su-shi starts his official career, he is in face of a space of hierarchy. With the analysis of the rules of the operation in the space, I observe his psychological state and behavior to present how he deals with the space. The other direction is about his rebuilding his home after losing his original home. Ji-yu is the topic of failing to settle himself in every space that he falls into. Meanwhile, return is the search for a home to settle himself. Thus, how he constructs a security place is a theme worth researching. Many papers put emphasis on how he conquers troubles form his environment and ignored how surroundings influences him. My dissertation focuses on solving the problem.
Based on themelines of time and space, doing research on Ji-yu and return, I create an explanatory system in order to analyze his sense of life. Moreover, we can understand his process of struggle with difficulties in life and a journey of no return
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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