1,720,958 research outputs found
Wolfgang Bunte. — Juden und Judentum in der mittelniederländischen Literatur (1100-1600). Francfort-sur-Main, Lang, 1989 (" Judentum u. Umwelt ", 24)
No full textLezzi M. T., Schreckenberg Heinz. Wolfgang Bunte. — Juden und Judentum in der mittelniederländischen Literatur (1100-1600). Francfort-sur-Main, Lang, 1989 (" Judentum u. Umwelt ", 24). In: Cahiers de civilisation médiévale, 38e année (n°149), Janvier-mars 1995. pp. 83-84
Eve Borsook. — Messages in Mosaic. The Royal Programmes of Norman Sicily (1130-1187), 1990 (" Clarendon Stud. in Hist. of art ")
No full textLezzi M. T., Pace Valentino. Eve Borsook. — Messages in Mosaic. The Royal Programmes of Norman Sicily (1130-1187), 1990 (" Clarendon Stud. in Hist. of art "). In: Cahiers de civilisation médiévale, 35e année (n°139), Juillet-septembre 1992. pp. 248-249
Wolfgang Bunte. — Religionsgespräche zwischen Christen und Juden in den Niederlanden (1100-1500). Francfort-sur-Main, Lang, 1990 (" Judentum u. Umwelt ", 27)
No full textLezzi M. T., Schreckenberg Heinz. Wolfgang Bunte. — Religionsgespräche zwischen Christen und Juden in den Niederlanden (1100-1500). Francfort-sur-Main, Lang, 1990 (" Judentum u. Umwelt ", 27). In: Cahiers de civilisation médiévale, 38e année (n°149), Janvier-mars 1995. pp. 84-85
Wolfgang Bunte. — Religionsgespräche zwischen Christen und Juden in den Niederlanden (1100-1500). Francfort-sur-Main, Lang, 1990 (" Judentum u. Umwelt ", 27)
No full textLezzi M. T., Schreckenberg Heinz. Wolfgang Bunte. — Religionsgespräche zwischen Christen und Juden in den Niederlanden (1100-1500). Francfort-sur-Main, Lang, 1990 (" Judentum u. Umwelt ", 27). In: Cahiers de civilisation médiévale, 38e année (n°149), Janvier-mars 1995. pp. 84-85
La façade romane et ses rapports avec le protiro, l'atrium et le quadriportico
No full textIn Italia, durante il periodo romanico, la facciata non utilizza un organizzato programma decorativo, strettamente pensato in relazione alle sue forme. La ragione di questa assenza è da cercare nel largo uso di strutture antistanti, indipendenti sia sul piano funzionale che su quello della organizzazione decorativa. In questo senso il primo esempio è fornito dall'ambiente cassinese, dove il recupero di forme antiche consente la creazione di un atrio dal forte sapore maiestatico. La stessa logica guida chi progetta la facciata di S. Ambrogio a Milano che, per la soluzione delle grandi arcate sovrapposte del nartece, va colta corne il precedente diretto del protiro padano a due ordini. Quest' ultimo, semplificando il discorso architettonico, acquista, attraverso l'uso della decorazione, lo specifico valore di rappresentazione simbolica ecclesiale rivolta alla piazza e porta a vistosa conclusione il processo di isolamento della retrostante facciata.La façade romane italienne ne présente pas de programme décoratif organisé, étroitement lié à la forme architectonique. Les causes de cette absence sont à chercher dans l'usage très répandu de bâtiments placés devant elle et indépendants de par leur fonction et l'organisation de leur décor. L'exemple le plus ancien se situe dans l'environnement du Mont-Cassin, où le souvenir des formes architectoniques typiques de la fin de l'antiquité a permis la création d'un atrium empreint d'un goût puissant de majesté. La même logique a guidé la réalisation de la façade de Saint-Ambroise de Milan qui, par le jeu des grandes arcades superposées du narthex, constitue l'ancêtre direct du protiro à deux ordres de la vallée du Pô. Ce dernier, en simplifiant le discours architectonique, a acquis, grâce à son décor sculpté, l'insigne avantage de représenter symboliquement l'Église face au peuple, et a porté à son terme, de façon visible, le processus d'isolement de la façade.Gandolfo Francesco, Lezzi M. T. La façade romane et ses rapports avec le protiro, l'atrium et le quadriportico. In: Cahiers de civilisation médiévale, 34e année (n°135-136), Juillet-décembre 1991. La façade romane. Actes du Colloque international organisé par le Centre d'Etudes Supérieures de Civilisation Médiévale. Poitiers, 26-29 septembre 1990. pp. 309-319
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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