1,720,964 research outputs found
A new species of Karekizo Morimoto, 1962 (Coleoptera: Curculionidae: Molytinae) from the Alishan Mountains of Taiwan and a first record of Karekizo impressicollis outside Japan
Full text linkLewis, Jake H. (2023): A new species of Karekizo Morimoto, 1962 (Coleoptera: Curculionidae: Molytinae) from the Alishan Mountains of Taiwan and a first record of Karekizo impressicollis outside Japan. Zootaxa 5277 (2): 381-387, DOI: 10.11646/zootaxa.5277.2.8, URL: http://dx.doi.org/10.11646/zootaxa.5277.2.
FIGURE 1 in A new species of Karekizo Morimoto, 1962 (Coleoptera: Curculionidae: Molytinae) from the Alishan Mountains of Taiwan and a first record of Karekizo impressicollis outside Japan
No full textFIGURE 1. Karekizo depressus sp. n. (pre-dissection holotype male). A) Lateral. B) Dorsal.Published as part of Lewis, Jake H., 2023, A new species of Karekizo Morimoto, 1962 (Coleoptera: Curculionidae: Molytinae) from the Alishan Mountains of Taiwan and a first record of Karekizo impressicollis outside Japan, pp. 381-387 in Zootaxa 5277 (2) on page 383, DOI: 10.11646/zootaxa.5277.2.8, http://zenodo.org/record/788999
FIGURE 4. A in A new species of Karekizo Morimoto, 1962 (Coleoptera: Curculionidae: Molytinae) from the Alishan Mountains of Taiwan and a first record of Karekizo impressicollis outside Japan
No full textFIGURE 4. A) Karekizo depressus sp. n. forefemur. B) Karekizo impressicollis Morimoto, 1962 forefemur.Published as part of Lewis, Jake H., 2023, A new species of Karekizo Morimoto, 1962 (Coleoptera: Curculionidae: Molytinae) from the Alishan Mountains of Taiwan and a first record of Karekizo impressicollis outside Japan, pp. 381-387 in Zootaxa 5277 (2) on page 385, DOI: 10.11646/zootaxa.5277.2.8, http://zenodo.org/record/788999
FIGURE 2. A in A new species of Karekizo Morimoto, 1962 (Coleoptera: Curculionidae: Molytinae) from the Alishan Mountains of Taiwan and a first record of Karekizo impressicollis outside Japan
No full textFIGURE 2. A) Karekizo depressus sp. n. aedeagus. B) Karekizo impressicollis Morimoto, 1962 aedeagus. C) K. depressus pronotum (micro-ct). D) K. impressicollis pronotum. E) K. impressicollis forefemur. F) K. depressus forefemur.Published as part of Lewis, Jake H., 2023, A new species of Karekizo Morimoto, 1962 (Coleoptera: Curculionidae: Molytinae) from the Alishan Mountains of Taiwan and a first record of Karekizo impressicollis outside Japan, pp. 381-387 in Zootaxa 5277 (2) on page 384, DOI: 10.11646/zootaxa.5277.2.8, http://zenodo.org/record/788999
FIGURE 3 in A new species of Karekizo Morimoto, 1962 (Coleoptera: Curculionidae: Molytinae) from the Alishan Mountains of Taiwan and a first record of Karekizo impressicollis outside Japan
No full textFIGURE 3. Map showing the collection locality of Karekizo depressus sp. n. (yellow square; Taiwan, Chiayi Hsien, FenChi-Hu) and new country record for K. impressicollis Morimoto, 1962 (red triangle; South Korea, Jeju Island, Yonshil, Mt. Hallasan). The black circles represent collection localities of examined specimens of K. impressicollis.Published as part of Lewis, Jake H., 2023, A new species of Karekizo Morimoto, 1962 (Coleoptera: Curculionidae: Molytinae) from the Alishan Mountains of Taiwan and a first record of Karekizo impressicollis outside Japan, pp. 381-387 in Zootaxa 5277 (2) on page 385, DOI: 10.11646/zootaxa.5277.2.8, http://zenodo.org/record/788999
First Occurrence in Canada ofCarabus auratusL. (Coleoptera: Carabidae), an Adventive Ground Beetle of European Origin
No full textLewis, Jake H., Webster, Reginald P., McAlpine, Donald F. (2015): First Occurrence in Canada ofCarabus auratusL. (Coleoptera: Carabidae), an Adventive Ground Beetle of European Origin. The Coleopterists Bulletin 69 (2): 264-266, DOI: 10.1649/0010-065x-69.2.264, URL: http://dx.doi.org/10.1649/0010-065x-69.2.26
Fig. 1. A in First Occurrence in Canada ofCarabus auratusL. (Coleoptera: Carabidae), an Adventive Ground Beetle of European Origin
No full textFig. 1. A) Carabus auratus, 18 May 2014, near Perth-Andover, New Brunswick, Canada, B) Field Settlement Road, New Brunswick, habitat from which the first Canadian occurrences of C. auratus were recorded in 2013–2014.Published as part of <i>Lewis, Jake H., Webster, Reginald P. & McAlpine, Donald F., 2015, First Occurrence in Canada ofCarabus auratusL. (Coleoptera: Carabidae), an Adventive Ground Beetle of European Origin, pp. 264-266 in The Coleopterists Bulletin 69 (2)</i> on page 264, DOI: 10.1649/0010-065x-69.2.264, <a href="http://zenodo.org/record/10113817">http://zenodo.org/record/10113817</a>
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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