1,724,265 research outputs found
Lewis E. Wallace Papers
No full textPhoto of Lewis E. Wallace from the chest up wearing his Navy dress blue uniform
Lewis E. Wallace Papers
No full textImage titled "Victory Celebration" printed aboard the USS Ajax, at the end of the Japanese War. The photo shows Service Squadron Ten celebrating aboard a ship. They are raising their hands in the air and shouting. On the back of the image is writing from Lewis E. Wallace to his mother
Lewis E. Wallace Papers
No full textImage, titled "Victory Celebration," was printed aboard the USS Ajax at the end of the Japanese War. The image shows ships firing off celebrations in the Leyte Gulf. At the bottom of the image, there is writing from Lewis E. Wallace to his mother
Ruby mining properties maps, Gunnison County, Colorado
No full textScales differ.Photocopy."9-25-28," "9-25-28, 2-13-31," and "October, 1930."Blueline print.Handwritten on envelope: "Maps from Report on the Ruby Mining Company Properties, Gunnison Co., Colo., by Lewis E. Ashbaugh."Ruby mining properties: in unsurveyed area, T135-R87W, Gunnison County, ColoradoRuby Mining Properties: in Democrat Basin in the Ruby Range of Elk Mountains, Gunnison County, ColoradoLocation of the Ruby mining properties: Gunnison County, Colorado
Lewis E. Wallace Papers
No full textProgram for the Honorable Discharge Ceremony at Camp Wallace in Texas. The cover is adorned with a photo of the USS Texas (BB-35). Inside the program are song lyrics, a memorial dedication to the USS Houston (CA-30) and its Memorial Chapel including a photo of the USS Houston, and the schedule for the discharge ceremony. The back contains a photo of the USS Houston Memorial Chapel and information on its creation and the loss of the USS Houston and her crew
Rider, Lewis E, TX1147
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/413300Surname: RIDER. Given Name(s) or Initials: LEWIS E. Military Service Number or Last Known Location: TX1147. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 6843.232010
Item: [2016.0049.45561] "Rider, Lewis E, TX1147
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
California 1911, mineral deposits
No full textRelief shown by hachures. Shows locations of mineral, oil and gas resources. "Lewis E. Aubury, State Mineralogist." "November, 1911."Color1:760,00
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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