1,722,147 research outputs found
Raymond Waggoner Lectures - Leon R. Kass, Ageless Bodies, Happy Souls: Biotechnology and the Pursuit of Perfection, 2003
No full textVideo files, transcript, and images of 2003 Waggoner lecture. Leon R. Kass, Ageless Bodies, Happy Souls: Biotechnology and the Pursuit of Perfection, 2003.http://deepblue.lib.umich.edu/bitstream/2027.42/110299/2/2003_Kass.ziphttp://deepblue.lib.umich.edu/bitstream/2027.42/110299/3/2003_Kass_media1.ziphttp://deepblue.lib.umich.edu/bitstream/2027.42/110299/4/2003_Kass_media2.zi
Organs for sale? Propriety, property, and the price of progress. by Leon R. Kass
No full texttag=1 data=Organs for sale? Propriety, property, and the price of progress. by Leon R. Kass
tag=2 data=Kass, Leon R.
tag=3 data=The Public Interest,
tag=6 data=Spring 1992
tag=7 data=65-86.
tag=8 data=HEALTH SERVICES
tag=9 data=ORGAN TRANSPLANT
tag=10 data=A discussion on organ transplantation and, especially, what to think about recent proposals to meet the need for transplantable human organs by permitting or even encouraging their sale and purchase.
tag=11 data=1992/4/9
tag=12 data=92/0593
tag=13 data=CABA discussion on organ transplantation and, especially, what to think about recent proposals to meet the need for transplantable human organs by permitting or even encouraging their sale and purchase
An investigation of the shape, temperature distribution and tension of a heated free jet flowing at ultra low Reynolds numbers
No full textThesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Mechanical Engineering, 1964.MICROFICHE COPY AVAILABLE IN ENGINEERING.Vita.Includes bibliographical references (leaves 121-123).by Leon R. Glicksman.Ph.D
Personal Papers (MS 80-0002)
No full textLetter from Harris Leon Kempner to Leon R. Dreyfus, Dr. L. A. Morgan, and Charles Worthen discussing the suspension of Captain Leon Lewis being rumored to have racial overtones and asking for advice on how the case should be handled
Personal Papers (MS 80-0002)
No full textLetter from Harris Leon Kempner to Leon R. Dreyfus, Dr. L. A. Morgan, and Charles Worthen discussing the suspension of Captain Leon Lewis being rumored to have racial overtones and asking for advice on how the case should be handled
[Corporal Leon R. Carman Debarking USS General C.G. Morton]
No full textPhotograph of Corporal Leon R. Carman shortly after debarking from the USS General C.G. Morton. Carman is greeted by two women in uniform, shaking hands with one on his right while the other clings to his arm on his left while a serviceman to their left smiles at the exchange. In the background, four women watch the interaction from a gated area to their right; behind Carman, an onlooking soldier stands on the gangway, partially obscuring two soldiers behind him
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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