1,720,957 research outputs found
American Literature, Lynching, and the Spectator in the Crowd Spectacular Violence
This book examines spectatorship in texts by Theodore Dreiser, Miriam Michelson, Irvin S. Cobb, and Paul Laurence Dunbar. As a figure who is simultaneously within and outside the crowd, the spectator is in a unique position to express the fractures between the individual and the collective in American society.Intro -- Contents -- ACKNOWLEDGMENTS -- Chapter One: A Critical Introduction -- Chapter Two: Reporting the Crowd -- Chapter Three: The Female Reporter as Spectator and Spectacle -- Chapter Four: Confronting the Crowd and Vigilante Violence -- Chapter Five: Recounting the Horror of the Spectacle -- Bibliography -- IndexThis book examines spectatorship in texts by Theodore Dreiser, Miriam Michelson, Irvin S. Cobb, and Paul Laurence Dunbar. As a figure who is simultaneously within and outside the crowd, the spectator is in a unique position to express the fractures between the individual and the collective in American society.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
“Pretty Maids All in a Row”: Power and the Female Child in Frances Hodgson Burnett’s The Secret Garden
This article explores Frances Hodgson Burnett’s The Secret Garden (1911) as a “hybrid” text and an example of “exploratory fiction.” Of primary interest is the parallel between Mary’s growth and the garden’s rehabilitation. Through Mary Lennox, arguably Burnett’s most complex fictional child, the novel challenges traditional patriarchal values with a depiction of female-based power dynamics. The novel makes a significant contribution to the shift in the way the female and the child was stereotypically portrayed in literature before the twentieth century
Lily’s Dilemma: Opposing Principles in \u3cem\u3eThe House of Mirth\u3c/em\u3e
The focus of this study is Lily Bart and how she maneuvers in the cold, competitive world of upper class New York. To create a framework for my investigation, I draw upon naturalistic readings of the story which portray Lily as an outsider or other in her society. Lily\u27s ethical principles lead to her destruction. Her marriage problem is just an example of her rejection of the life that her society expects her to lead. As she becomes more aware of a different philosophy of life--characterized by Selden\u27s republic of the spirit --she finds it impossible to abide by the rules and customs of her society. Ultimately she is unable to live in either world successfully. My research suggests that Lily\u27s moral integrity prevents her from marrying only for money, but she is unable to see other choices available to her that will satisfy her need for luxury and wealth. In my study of Lily I examine the reasons why she could not reconcile the two opposing principles that lead to her downfall. My work analyzes Lily\u27s inner struggles between her values and her ambition
Williams, Christy. Mapping Fairy-Tale Space: Pastiche and Metafiction in Borderless Tales. Detroit: Wayne State UP, 2021
Christy Williams explores fairy-tale structures in an innovative way by using a geographic metaphor to trace the history and interconnections of the fairy-tale genre. The map and web concepts are effective for explaining how these stories intersect across time and space and for decentering the European fairy-tale tradition by expanding beyond that canon. The main focus of Williams’s book is to use the notion of mapping to analyze twenty-first century fairy tales, and she does so by organizing her study into two parts with two chapters in each that cover a range of examples from both television and written texts. At the core of this analysis lies an exploration of the ways in which familiar, well-known fairy tales are reconfigured and made relevant for modern audiences
Experimenting with Poverty & Performing Benevolence: Morality and Social Reform in Stephen Crane’s New York City Sketches and Maggie, A Girl of the Streets
This article analyzes the belief system of the Bowery people in Stephen Crane’s city sketches and Maggie, A Girl of the Streets and considers how the values imposed on them by the performance of morality in both the theatre and the mission church clash with their lived experiences and actively shape their lives. Through scenes which present a performance of grief and a spectacle of insincere emotions, Crane effectively criticizes the false morality of certain characters, like Maggie's mother Mary Johnson, while at the same time causing his readers to contemplate the plight of the poor. Mary seems to be mimicking the rhetoric and the ideology of benevolence of many female moral reformers. Middle-class morality significantly influences the values of these characters and seeps into Bowery culture through the religion of the mission church and through the entertainments found in the theatres and music halls that the characters visit. Middle-class culture sought to counter the disorder and crowd behavior of the lower class and the reform movement specifically targeted urban areas, subscribing to the belief that private virtue led to public virtue. Crane is critical of how both the mission church and the theatre promote moral poses without really seeking to do anything to help people. I argue that Crane emphasizes the effects of the performance of morality over the harsh physical environment as a determining force in the lives of the poor in America’s emerging cities during the nineteenth century
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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