1,720,960 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
On the Utility of Finitude for the Neuroscience of Awakening
This philosophical essay explores the concept of "awakening" as a dynamic, non-permanent process by bridging ancient philosophy and modern neuroscience. It challenges the traditional view of a static, eternal nirvana by interpreting the human yearning for such a state as a form of "incompetence-compensation." Drawing on Heraclitus's idea of Aletheia (unconcealment) and Buddhist teachings on attachment (upadana), the text argues that true liberation lies not in achieving a fixed state but in embracing the continuous, impermanent zigzag path of reason. Neurological theories, such as Karl Friston's predictive coding and Georg Northoff's spatiotemporal theory of consciousness, are used as metaphorical frameworks to illustrate how the brain, as a "master of compensation," temporarily deconstructs its rigid, narrative self to experience a timeless present. The essay concludes that this dynamic process, far from being a failure, is the very essence of human existence: a perpetual negotiation between finitude and the hope for a greater whole
The Spiritual Self-Pattern: A Neurocognitive Extension of the Resonance-Inference Model for Psychotherapy
This article introduces a 'spiritual self-pattern' into the Resonance-Inference Model (RIM) of psychotherapy (Leidig, 2025), proposing it as the supreme regulator of the balance between predictive confidence and corrective evidence (E-I balance) that underpins consciousness. The neurocognitive rationale is grounded in the work on criticality and affective E-I control by Tucker, Luu, and Friston (2025) and Gallagher's (2013) process-oriented Self-Pattern Theory. We argue that the spiritual self-pattern—the dynamic search for meaning, purpose, and connection—functions as the highest regulatory level of this E-I balance. Spiritual needs are conceptualized as the most fundamental priors in the generative self-model, whose fulfillment depends on this optimal balance between confidence (E, elation) and corrective evidence (I, anxiety). Consequently, spiritual dissonance is defined as a chronic E-I imbalance that drives the system into rigid, maladaptive attractor states. In contrast, spiritual resonance describes the synergetic phase transition into a state of criticality, enabling maximum complexity, adaptability, and well-being. The spiritual self-pattern thus acts as the supreme control parameter governing the psyche's entire attractor landscape. This model provides a process-based explanation for the efficacy of spiritually integrated therapies, framing the spiritual dimension not as an add-on, but as a neurocognitive imperative for understanding sustainable change
Vertical Resonance as a Control Parameter: Integrating a Phenomenological Self-Model into the Criticality of Active Inference
This theoretical paper proposes a novel synthesis of the neurodynamic framework of active inference with phenomenological and systemic models of psychological change. Building on the "criticality of consciousness" hypothesis (Tucker et al., 2025), consciousness is understood as the balanced interplay of an excitatory (E) predictive and an inhibitory (I) corrective limbic system. To imbue this formal architecture with content, concepts from the Resonance-Inference Model (RIM) are integrated (Leidig, 2025a) to describe the brain's generative model as a phenomenological self-pattern. The principles of synergetics (Haken, 1983) are applied to model psychological transformation as a non-linear phase transition. The central contribution is the thesis that the highest level of the self-pattern—the spiritual self (Leidig, 2025b)—acts as a synergetic control parameter governing the entire neurocognitive dynamic. Based on the slaving principle, a mechanism of downward causation is articulated, whereby a change in this high-level parameter directly modulates the precision-weighting of the neurodynamic E/I balance. The model offers a plausible, non-reductionist explanation for how mental states like meaning and belief can have causal effects on brain dynamics. It builds a bridge between computational neuroscience and humanistic psychology, providing a unified framework for understanding psychopathology and therapeutic change
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