6,727 research outputs found
Ang Lee during production of CROUCHING TIGER, HIDDEN DRAGON, 2000
No full textAng Lee during production of CROUCHING TIGER, HIDDEN DRAGON, 2000. 8x10 b&w photographic print
Ang Lee onstage at the 2012 (85th) Academy Awards ceremony
No full textAng Lee, winner, Directing (LIFE OF PI), onstage at the 2012 (85th) Academy Awards ceremony. Color tiff
"I' ll tell you a story that will make you believe" in narratives: the role of metafiction in the novel and in the film Life of Pi
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Inglês: Estudos Linguísticos e Literários, Florianópolis, 2015.Recentes estudos propõem que adaptações cinematográficas sejam entendidas como fonte de criação, os quais refletem contextos e interpretações diferentes do texto em que são baseadas. Nessa dissertação, propõe-se uma análise comparativa do romance Life of Pi (2001), de Yann Martel e do filme homônimo dirigido por Ang Lee (2012). A análise tem como objetivo identificar a presença e o modo em que a metaficção é construída no romance e no filme, e quais são alguns significados produzidos por ela em ambos os textos, tanto o literário quanto o fílmico. A concepção de metafição se baseia nas definições de Linda Hutcheon e Patricia Waugh. Por metaficção, entende-se a ficção consciente de si, que expõe o processo de escrita ao leitor e o convida a ter um papel ativo na construção do significado. Após uma análise comparativa dos dois textos, conclui-se que a metaficção está presente em ambos, tanto tematicamente como estruturalmente. As reflexões sobre narrativas apresentadas pelos personagens, o uso de vários níveis narrativos e de intertextualidade revelam diferentes usos da metafição em ambos. A diferença mais importante entre o romance e o filme Life of Pi está no uso dos níveis narrativos. Enquanto o romance possui um ?autor? sem nome que apresenta a história aos leitores, o filme possui um diretor implícito que deixa pistas de qual versão da história de Pi é ?real? no contexto da narrativa. Essa diferença dá ao romance um final aberto, em que o leitor deve escolher qual versão da história ele acredita, enquanto o filme possui uma resolução para essa questão. O filme, então, pode ser entendido como um testemunho, uma narrativa de trauma de um sobrevivente de um naufrágio e da experiência de migração, enquanto o livro não apresenta uma decisão em relação às versões da história, deixando o leitor aberto a qualquer possibilidade.Abstract : Recent studies propose that Film Adaptations should be understood as sources of creation, which also reflect a different context and interpretation from the text upon which they were based. In this thesis, I propose a comparative analysis of the novel Life of Pi (2001), by Yann Martel, and the homonymous film directed by Ang Lee (2012). The analysis has the objective of identifying the presence and the way in which metafiction is constructed in the novel and in the film, and what are some of the meanings produced by it in both texts, the filmic and the literary. The concept of metafiction was based on the definitions by Linda Hutcheon and Patricia Waugh. It is understood as the self-conscious fictional text, which exposes the writing process to the readers and invites them to have an active role in the construction of meaning. In the comparative analyses of the two texts, I have proved that metafiction is present in the two texts, both thematically and structurally. The reflections of the characters on narrative itself as well as the use of different narrative levels and intertextual references reveal different uses of metanarrative in both film and novel. The most important difference between the novel and the film Life of Pi is in their uses of different narrative levels. While the novel has an unnamed =author? who presents the story to the readers, the film has an implicit director who leaves =clues? of which version of Pi?s story is ?real? in the context of the narrative. This difference gives to the novel an open end, facein which the readers must choose which version of the story they believe in, while the film presents a resolution to this question. The film, thus, can be understood as a testimony narrative, a narrative of the trauma of a survivor from a shipwreck and from the experience of migration, while the novel does not decide for one of the versions of the story, enabling a more inconclusive reading
Ang Lee at the 2005 (78th) Academy Awards ceremony
No full textAng Lee, winner, Directing (BROKEBACK MOUNTAIN), poses with his statuette backstage at the 2005 (78th) Academy Awards ceremony. Color photographic print
'I ain't queer' : Love, masculinity and history in Brokeback Mountain (Ang Lee, 2006)
No full text'I ain't queer' : Love, masculinity and history in Brokeback Mountain (Ang Lee, 2006
Ang Lee\u27s America: A Study of Adaptation and Transculturation
No full textIn Ang Lee’s America: A Study of Adaptation and Transculturation, I examine how Ang Lee, a Taiwanese filmmaker in the US, represents historic America while reflecting on a culturally hybrid Taiwanese identity in his five American-themed films—The Ice Storm (1997), Ride with the Devil (1999), Hulk (2003), Brokeback Mountain (2005), and Taking Woodstock (2009). By focusing on his American adaptations, I notice how Lee adopts a comparative framework to interpret American history and American texts, drawing from his Taiwanese background and familiarity with Chinese and Hong Kong cinemas. These mixed cultural references speak to a larger phenomenon: what I am calling is transnational eclecticism, a unique blend of an Eastern sensibility with Western subjects—a method I attempt to introduce here to supplement current discourses on the Taiwan issue in Comparative Literature, Film Studies, Transnational American Studies, and Adaptation Studies. The Chinese connection and American influences on post-WWII Taiwan are equally considered in this dissertation for me to examine Taiwan’s historical complexity and cultural hybridity. In Ang Lee’s America, I include intertextual and contextual readings of source texts and adaptations, bring in Fernando Ortiz’s idea of transculturation, Édouard Glissant’s notion of creolization, etc., to enrich my theoretical framework, and argue that it is Lee’s hybrid background that accounts for the adaptability and cultural blending in his representation of an imagined America
Ang Lee at the Board of Governors Ball, 2000 (73rd) Academy Awards ceremony
No full textAng Lee, acceptor, Foreign Language Film (CROUCHING TIGER, HIDDEN DRAGON) at the Board of Governors Ball, 2000 (73rd) Academy Awards ceremony. 8x10 color photographic print
Angiotensin II induces soluble fms-Like tyrosine kinase-1 release via calcineurin signaling pathway in pregnancy
No full textMaternal endothelial dysfunction in preeclampsia is associated with increased soluble fms-like tyrosine kinase-1 (sFlt-1), a circulating antagonist of vascular endothelial growth factor and placental growth factor. Angiotensin II (Ang II) is a potent vasoconstrictor that increases concomitant with sFlt-1 during pregnancy. Therefore, we speculated that Ang II may promote the expression of sFlt-1 in pregnancy. Here we report that infusion of Ang II significantly increases circulating levels of sFlt-1 in pregnant mice, thereby demonstrating that Ang II is a regulator of sFlt-1 secretion in vivo. Furthermore, Ang II stimulated sFlt-1 production in a dose- and time-dependent manner from human villous explants and cultured trophoblasts but not from endothelial cells, suggesting that trophoblasts are the primary source of sFlt-1 during pregnancy. As expected, Ang II-induced sFlt-1 secretion resulted in the inhibition of endothelial cell migration and in vitro tube formation. In vitro and in vivo studies with losartan, small interfering RNA specific for calcineurin and FK506 demonstrated that Ang II-mediated sFlt-1 release was via Ang II type 1 receptor activation and calcineurin signaling, respectively. These findings reveal a previously unrecognized regulatory role for Ang II on sFlt-1 expression in murine and human pregnancy and suggest that elevated sFlt-1 levels in preeclampsia may be caused by a dysregulation of the local renin/angiotensin system
Supplemental Material, sj-pdf-1-ang-10.1177_00033197221075853 - Elevated C-Reactive Protein/Albumin Ratio Is Associated With Lesion Complexity, Multilevel Involvement, and Adverse Outcomes in Patients With Peripheral Artery Disease
No full textSupplemental Material, sj-pdf-1-ang-10.1177_00033197221075853 for Elevated C-Reactive Protein/Albumin Ratio Is Associated With Lesion Complexity, Multilevel Involvement, and Adverse Outcomes in Patients With Peripheral Artery Disease by Byung Gyu Kim, Jongkwon Seo, Gwang Sil Kim, Moo-Nyun Jin, Hye Young Lee, Young Sup Byun, and Byung Ok Kim in Angiology</p
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