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Sustaining difference: theorizing minority musics in Badakhshan
No full textThis chapter concerns the ways in which music sustains difference in the Pamir Mountains of Central Asia. It shows how music-making serves to articulate identity amongst minority groups in Badakhshan by circumventing the monologic construction of ethnic awareness promulgated by dominant national élites and by emphasising instead the sonic and visual attributes of expressive culture as a unique manifestation of alterity. Drawing upon the
theoretical precedents set by post-modern and post structural discourse in this respect, it is argued that music not only operates as a medium for differentiating cultural identities within a complex multicultural setting but that it also serves to sustain différance by highlighting the provisional character of ‘otherness’. In particular, the author focuses upon a mystic tradition symbolizing Badakhshani identity known as madh. By examining
the different aspects of madh performance, it is shown how music-making subverts the very foundations upon which ethnic difference is conceptualised. The author shows how music sustains difference in Central Asia by presenting a new theory of minority music in Badakhshan
The Power of Performance: methodologische Neuorientierungen in den Sozialwissenschaften
Full text link03 Editors' preface; Indian Recordings (Schomerus 1929)
Full text linkThe CD publication features 30 sound recordings, chiefly recitations of classical Tamil poetry, made by Hilko Wiardo Schomerus in Madras (Chennai) in 1929. What is new and special about this release is the publication of the sources, of which hitherto no (or only little) notice has been taken.Die CD-Publikation enthält 30 Tonaufnahmen, hauptsächlich Rezitationen aus der klassischen tamilischen Dichtung, die Hilko Wiardo Schomerus 1929 in Madras (Chennai) gemacht hat. Das Besondere an dieser Publikation ist die Veröffentlichung dieser Quellen, die bis heute wenig oder gar nicht beachtet wurden
05 Schomerus and his field research on Tamil recitation; Indian Recordings (Schomerus 1929)
Full text linkThe CD publication features 30 sound recordings, chiefly recitations of classical Tamil poetry, made by Hilko Wiardo Schomerus in Madras (Chennai) in 1929. What is new and special about this release is the publication of the sources, of which hitherto no (or only little) notice has been taken.Die CD-Publikation enthält 30 Tonaufnahmen, hauptsächlich Rezitationen aus der klassischen tamilischen Dichtung, die Hilko Wiardo Schomerus 1929 in Madras (Chennai) gemacht hat. Das Besondere an dieser Publikation ist die Veröffentlichung dieser Quellen, die bis heute wenig oder gar nicht beachtet wurden
Indian Recordings (Schomerus 1929); Booklet
No full textThe CD publication features 30 sound recordings, chiefly recitations of classical Tamil poetry, made by Hilko Wiardo Schomerus in Madras (Chennai) in 1929. What is new and special about this release is the publication of the sources, of which hitherto no (or only little) notice has been taken.
Booklett: https://e-book.fwf.ac.at/o:1308
1. Introductory notes, comments and transcriptions: https://e-book.fwf.ac.at/o:1317
2. Documents: https://e-book.fwf.ac.at/o:1321
3. Protocol and Sound recordings: https://e-book.fwf.ac.at/o:135
Indian Recordings (Schomerus 1929); Booklet
Full text linkThe CD publication features 30 sound recordings, chiefly recitations of classical Tamil poetry, made by Hilko Wiardo Schomerus in Madras (Chennai) in 1929. What is new and special about this release is the publication of the sources, of which hitherto no (or only little) notice has been taken.
Booklett: https://e-book.fwf.ac.at/o:1308
1. Introductory notes, comments and transcriptions: https://e-book.fwf.ac.at/o:1317
2. Documents: https://e-book.fwf.ac.at/o:1321
3. Protocol and Sound recordings: https://e-book.fwf.ac.at/o:1353Die CD-Publikation enthält 30 Tonaufnahmen, hauptsächlich Rezitationen aus der klassischen tamilischen Dichtung, die Hilko Wiardo Schomerus 1929 in Madras (Chennai) gemacht hat. Das Besondere an dieser Publikation ist die Veröffentlichung dieser Quellen, die bis heute wenig oder gar nicht beachtet wurden.
Booklett: https://e-book.fwf.ac.at/o:1308
1. Introductory notes, comments and transcriptions: https://e-book.fwf.ac.at/o:1317
2. Documents: https://e-book.fwf.ac.at/o:1321
3. Protocol and Sound recordings: https://e-book.fwf.ac.at/o:135
03 Editors' preface; Indian Recordings (Schomerus 1929)
No full textThe CD publication features 30 sound recordings, chiefly recitations of classical Tamil poetry, made by Hilko Wiardo Schomerus in Madras (Chennai) in 1929. What is new and special about this release is the publication of the sources, of which hitherto no (or only little) notice has been taken
08 Schomerus' German translations; Indian Recordings (Schomerus 1929)
Full text linkThe CD publication features 30 sound recordings, chiefly recitations of classical Tamil poetry, made by Hilko Wiardo Schomerus in Madras (Chennai) in 1929. What is new and special about this release is the publication of the sources, of which hitherto no (or only little) notice has been taken.Die CD-Publikation enthält 30 Tonaufnahmen, hauptsächlich Rezitationen aus der klassischen tamilischen Dichtung, die Hilko Wiardo Schomerus 1929 in Madras (Chennai) gemacht hat. Das Besondere an dieser Publikation ist die Veröffentlichung dieser Quellen, die bis heute wenig oder gar nicht beachtet wurden
Tihomir Vujičić’s Ethnomusicological Legacy: Identifying, Negotiating, and Overcoming Insider/Outsider Oppositions
No full textComplex questions of insider/outsider positions concern the co-authors’ archival work on Tihamér Vujicsics’ [Tihomir Vujicic] ethnomusicological legacy through the bilateral research project of the Institutes of Musicology in Budapest and in Belgrade. Vujicic’s identity can be explained as a double-insider in both Serbian and Hungarian (musical) cultures and languages, and as in between the other South Slavs’ cultures in Hungary and the Yugoslav researchers’ community. In the paper will also be discussed insider/outsider position of Vujicic’s legacy within the Institute of Musicology in Hungary, as well the position of ethnomusicologists from Belgrade dealing with Vujicic’s various archive materials
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