1,720,959 research outputs found
Untitled [Hand, bottle, prescriptions]
No full textEvan_Leavitt__Milledgeville__GA_February_22__2014_at_0958PMThese images were created as part of the Hughes Remix project, a collaborative endeavor developed by UMBC's Albin O. Kuhn Library Special Collections and the Department of Visual Art to foster creative engagement with archival holdings in conjunction with the 2014 Society for Photographic Education annual conference. UMBC's Special Collections offered a selection of images from the Hughes Company Glass Negatives (http://contentdm.ad.umbc.edu/cdm/landingpage/collection/hughes) collection for SPE members and conference attendees to remix, reinvent, reinterpret, and reimagine the images in this collection of Baltimore street scenes, promotional and advertising photographs, businesses, churches, schools, monuments, factories, machinery, and portraits. Images that were created were displayed during the conference as well as on a Tumblr site and are now archived in the Special Collections. Full details of the project can be found at: http://hughes-remix.tumblr.com/overview.The original Hughes Company Glass Negatives collection can be found at: http://contentdm.ad.umbc.edu/cdm/landingpage/collection/hughe
Untitled [Reverse silhouette of man in top hat overlaid on building]
No full textEvan_Leavitt__Milledgeville__GA_February_22__2014_at_0943PMThese images were created as part of the Hughes Remix project, a collaborative endeavor developed by UMBC's Albin O. Kuhn Library Special Collections and the Department of Visual Art to foster creative engagement with archival holdings in conjunction with the 2014 Society for Photographic Education annual conference. UMBC's Special Collections offered a selection of images from the Hughes Company Glass Negatives (http://contentdm.ad.umbc.edu/cdm/landingpage/collection/hughes) collection for SPE members and conference attendees to remix, reinvent, reinterpret, and reimagine the images in this collection of Baltimore street scenes, promotional and advertising photographs, businesses, churches, schools, monuments, factories, machinery, and portraits. Images that were created were displayed during the conference as well as on a Tumblr site and are now archived in the Special Collections. Full details of the project can be found at: http://hughes-remix.tumblr.com/overview.The original Hughes Company Glass Negatives collection can be found at: http://contentdm.ad.umbc.edu/cdm/landingpage/collection/hughe
Untitled [Pocket watches and trees in forest]
No full textEvan_Leavitt__Milledgeville__GA_February_22__2014_at_1114PMThese images were created as part of the Hughes Remix project, a collaborative endeavor developed by UMBC's Albin O. Kuhn Library Special Collections and the Department of Visual Art to foster creative engagement with archival holdings in conjunction with the 2014 Society for Photographic Education annual conference. UMBC's Special Collections offered a selection of images from the Hughes Company Glass Negatives (http://contentdm.ad.umbc.edu/cdm/landingpage/collection/hughes) collection for SPE members and conference attendees to remix, reinvent, reinterpret, and reimagine the images in this collection of Baltimore street scenes, promotional and advertising photographs, businesses, churches, schools, monuments, factories, machinery, and portraits. Images that were created were displayed during the conference as well as on a Tumblr site and are now archived in the Special Collections. Full details of the project can be found at: http://hughes-remix.tumblr.com/overview.The original Hughes Company Glass Negatives collection can be found at: http://contentdm.ad.umbc.edu/cdm/landingpage/collection/hughe
Untitled [Hand and group portrait; He deserted hope]
No full textEvan_Leavitt__Milledgeville__GA_February_22__2014_at_1043PMThese images were created as part of the Hughes Remix project, a collaborative endeavor developed by UMBC's Albin O. Kuhn Library Special Collections and the Department of Visual Art to foster creative engagement with archival holdings in conjunction with the 2014 Society for Photographic Education annual conference. UMBC's Special Collections offered a selection of images from the Hughes Company Glass Negatives (http://contentdm.ad.umbc.edu/cdm/landingpage/collection/hughes) collection for SPE members and conference attendees to remix, reinvent, reinterpret, and reimagine the images in this collection of Baltimore street scenes, promotional and advertising photographs, businesses, churches, schools, monuments, factories, machinery, and portraits. Images that were created were displayed during the conference as well as on a Tumblr site and are now archived in the Special Collections. Full details of the project can be found at: http://hughes-remix.tumblr.com/overview.The original Hughes Company Glass Negatives collection can be found at: http://contentdm.ad.umbc.edu/cdm/landingpage/collection/hughe
Untitled [Hand and group portrait of children; What is your ending]
No full textEvan_Leavitt__Milledgeville__GA_February_22__2014_at_1059PMThese images were created as part of the Hughes Remix project, a collaborative endeavor developed by UMBC's Albin O. Kuhn Library Special Collections and the Department of Visual Art to foster creative engagement with archival holdings in conjunction with the 2014 Society for Photographic Education annual conference. UMBC's Special Collections offered a selection of images from the Hughes Company Glass Negatives (http://contentdm.ad.umbc.edu/cdm/landingpage/collection/hughes) collection for SPE members and conference attendees to remix, reinvent, reinterpret, and reimagine the images in this collection of Baltimore street scenes, promotional and advertising photographs, businesses, churches, schools, monuments, factories, machinery, and portraits. Images that were created were displayed during the conference as well as on a Tumblr site and are now archived in the Special Collections. Full details of the project can be found at: http://hughes-remix.tumblr.com/overview.The original Hughes Company Glass Negatives collection can be found at: http://contentdm.ad.umbc.edu/cdm/landingpage/collection/hughe
Untitled [Eye in frame; lessons in sin]
No full textEvan_Leavitt__Milledgeville__GA_February_22__2014_at_1013PMThese images were created as part of the Hughes Remix project, a collaborative endeavor developed by UMBC's Albin O. Kuhn Library Special Collections and the Department of Visual Art to foster creative engagement with archival holdings in conjunction with the 2014 Society for Photographic Education annual conference. UMBC's Special Collections offered a selection of images from the Hughes Company Glass Negatives (http://contentdm.ad.umbc.edu/cdm/landingpage/collection/hughes) collection for SPE members and conference attendees to remix, reinvent, reinterpret, and reimagine the images in this collection of Baltimore street scenes, promotional and advertising photographs, businesses, churches, schools, monuments, factories, machinery, and portraits. Images that were created were displayed during the conference as well as on a Tumblr site and are now archived in the Special Collections. Full details of the project can be found at: http://hughes-remix.tumblr.com/overview.The original Hughes Company Glass Negatives collection can be found at: http://contentdm.ad.umbc.edu/cdm/landingpage/collection/hughe
Untitled [Ballet dancer and feather]
No full textEvan_Leavitt__Milledgeville__GA_February_22__2014_at_1028PMThese images were created as part of the Hughes Remix project, a collaborative endeavor developed by UMBC's Albin O. Kuhn Library Special Collections and the Department of Visual Art to foster creative engagement with archival holdings in conjunction with the 2014 Society for Photographic Education annual conference. UMBC's Special Collections offered a selection of images from the Hughes Company Glass Negatives (http://contentdm.ad.umbc.edu/cdm/landingpage/collection/hughes) collection for SPE members and conference attendees to remix, reinvent, reinterpret, and reimagine the images in this collection of Baltimore street scenes, promotional and advertising photographs, businesses, churches, schools, monuments, factories, machinery, and portraits. Images that were created were displayed during the conference as well as on a Tumblr site and are now archived in the Special Collections. Full details of the project can be found at: http://hughes-remix.tumblr.com/overview.The original Hughes Company Glass Negatives collection can be found at: http://contentdm.ad.umbc.edu/cdm/landingpage/collection/hughe
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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