627 research outputs found
1985-1986: Henry IV, part one
No full textFrom left: Peter Silbert as Worcester, Damien Leake as Hotspur, and Charles Noel as NorthumberlandHenry IV, part one;Grayscal
1985-1986: Henry IV, part one
No full textCenter: Damien Leake as Hotspur.
From left: Tom Blair as Vernon (kneeling), Daniel Mooney as Douglas (standing), Peter Silbert as Worcester (kneeling), and Thomas J. Hoffman as Hotspur's Servant (in foreground with back turned)Henry IV, part one;Grayscal
1985-1986: A Flea in Her Ear
No full textFrom left: Peter Silbert as Chandebise, Albert Farrar as Camille (lying in bed), Peter Jay Fernandez as Tournel, Marie Mathay as Raymonde, and Damien Leake as HomenidesA Flea in Her Ear;Grayscal
Furious Angels
No full textReunited by tragedy, Andrew and Will are unlikely pawns in a high-stakes game of A.I. and religious fanaticism. Answering a call from beyond the grave they are unwittingly thrown into a vast technological world both deadly and fascinating. This is the breathtaking first book in the series by Irish author Dr Damien Mac Namara
1985-1986: Two Brothers, A Ballad
No full textMembers of the Musical Group. From left: Raul Aranas, Damien Leake, Peter Silbert, Peter Jay Fernandez, Catherine Lynn Davis, and Albert FarrarTwo Brothers, A Ballad;Grayscal
1985-1986: Henry IV, part one
No full textCenter: James Pickering as King Henry the Fourth and Peter Silbert as Worcester.
Left: L. Peter Callender as Westmoreland, Matthew Redding as Blunt, and John V. Tener as Lancaster.
Right: Charles Noel as Northumberland (seated) and Damien Leake as HotspurHenry IV, part one;Grayscal
1985-1986: A Flea in Her Ear
No full textCenter: James Pickering as Ferraillon.
Left: Peter Jay Fernandez as Tournel and Damien Leake as Homenides.
Right: Peter Silbert as Chandebise, Marie Mathay as Raymonde, and Catherine Lynn Davis as Lucienne.
Background: David B. Heuvelman II as Etienne, Albert Farrar as Camille, Tobias Andersen as Dr. Finache, and Miki Kim as AntoinetteA Flea in Her Ear;Grayscal
How Is Damien Hirst a Cultural Entrepreneur?
Full text linkabstract: An on-going academic debate occupying Entrepreneurship researchers for the past several decades is concerned with defining what an entrepreneur is and what an entrepreneur does. The debate also extends to exploring the influence different types of entrepreneurs have on their environment. In the new creative economy, entrepreneurship has become a central issue for the regeneration of urban space. This essay first differentiates between economic and cultural entrepreneurs and second explores what influence cultural entrepreneurs, especially, have on urban developments. By using Damien Hirst as exemplar for the discussion of the entrepreneurial character and spheres of action, the analysis of his career demonstrates how difficult it is in practice to draw a line between artistic, cultural and commercial activities in the creative economy. Hirst’s approach to contemporary conceptual art and his factory-like art production are both controversial and successful as defined by the author. Nevertheless, there seems to be agreement that his entrepreneurial artistic work has had a profound impact on the revitalization of East London and thus can be used as model for urban planners. The author posits that Hirst is a cultural entrepreneur based on this model for creating/regenerating viable economic urban spaces who embraces the blending of the artistic and market spheres
Transforming the Reading Experience of Scientific Documents with Polymorphism
Full text linkDespite the opportunities created by digital reading, documents remain mostly static and mimic paper. Any improvement in the shape or form of documents has to come from authors who contend with current digital formats, workflows, and software and who impose a presentation to readers. Instead, I propose the concept of polymorphic documents which are documents that can change in form to offer better representations of the information they contain. I believe that multiple representations of the same information can help readers, and that any document can be made polymorphic, with no intervention from the original author. This thesis presents four projects investigating what information can be obtained from existing documents, how this information can be better represented, and how these representations can be generated using only the source document. To do so, I draw upon theories showing the benefit of presenting information using multiple representations; the design of interactive systems to support morphing representations; and user studies to evaluate system usability and the benefits of the new representations on reader comprehension
L’« Incroyable » trésor de Damien Hirst présenté à Venise en 2017
No full textCet article se propose de revenir sur l’exposition Treasures from the Wreck of the Unbelievable de l’artiste britannique Damien Hirst. Présentée à Venise en 2017, elle mettait en lumière le prétendu trésor de l’épave « l’Incroyable », découvert au large des côtes d’Afrique en 2008. Il s’agit d’une lecture personnelle de l’auteur à la suite de sa visite en septembre 2017.This paper aims to analyse the exhibition “Treasures from the Wreck of the Unbelievable” by the British artist Damien Hirst. Presented at Venice in 2017, the exhibition showed the treasure of the so-called “Unbelievable”, discovered off the African West coast in 2008. This paper is a personal analyze of the author after her visit in September 2017
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