1,720,966 research outputs found
Innovation und Tradition. Ein Referat von Lea Hagmann vor dem Hintergrund des Filmes «Beyond Tradition» im Kino Rosenthal in Heiden
No full textIm Referat zum Film "Beyond Tradition" stellt Musikethnologin Lea Hagmann die drei Vokaltraditionen kurz vor, geht dann aber vor allem auf die Frage ein: «Was ist eigentlich Tradition?» und damit verbunden: «Was ist Authentizität und Innovation?». Diese Fragen hängen eng miteinander zusammen, sind komplexer, als sie auf den ersten Moment scheinen und führen überall auf der Welt schnell zu hitzigen Diskussionen. Der musikethnologische Blick hilft dieses Phänomen einzuordnen und gewisse kulturtheoretische Konzepte zu verstehen, die deutlich machen, dass die Situation in der Schweiz gar nicht so anders ist als in Georgien und dem skaninavischen Sápmi
Review: Lea Hagmann (2022), Celtic Music and Dance in Cornwall: Cornu-Copia (London: Routledge), 238 pp., £130, ISBN: 978-0-367-69141-7
Full text linkReview of Lea Hagmann (2022), Celtic Music and Dance in Cornwall: Cornu-Copia (London: Routledge)
Preface / Prefazione / Préface / Vorwort
No full textIt seems no coincidence that the ‘music-making’ of non-human animals is now at the centre of a musicological publication. The growing concerns about our environment – triggered by the current climate crisis and the increasingly dwindling and changing natural habitats and their associated soundscapes – call for a closer look and listening, a radical rethinking of the role of the Anthropocene, and a search for new ways of dealing with our world. Approaches such as non-Western, indigenous cosmologies or (eco-)feminist theories can offer perspectives in this context.
Musicological research, particularly in human animal studies, sound ecologies, zoomusicology and ecomusicology, is becoming increasingly important, which has recently led to the establishment of a new study group of the International Council of Traditions of Music and Dance (ICTMD) dedicated to research on “Multispecies Sound and Movement Studies”. With its focus on sound relations between humans and birds, this volume fits in well with the current research debates
“Una storia che non è mai accaduta ed è certissima”: raccontando Pantelleria dei Masbedo
No full textIn an interview with Nicolò Massazza and Iacopo Bedogni (Masbedo) “Una storia che non è mai accaduta ed è certissima”, Vincenzina C. Ottomano focuses on the role of sound in the video installation “Pantelleria” and how the two artists managed to recreate the memory of the bombing of the Sicilian island during the Second World War
Einsingen um 9: Gespräch mit Julia Schiwowa zum Corona-Projekt „Einsingen um 9“ Zürich, April 2021
No full text"Einsingen um 9" ist ein digitales Singprojekt, welches während der Coronakrise 2020 entstanden ist. Lea Hagmann spricht mit einer der Gründerinnen, der Sängerin Julia Schiwowa, über die Entstehung und Entwicklung des Projekts."Einsingen um 9" ist ein digitales Singprojekt, welches während der Coronakrise 2020 entstanden ist. Lea Hagmann spricht mit einer der Gründerinnen, der Sängerin Julia Schiwowa, über die Entstehung und Entwicklung des Projekts."Einsingen um 9" ist ein digitales Singprojekt, welches während der Coronakrise 2020 entstanden ist. Lea Hagmann spricht mit einer der Gründerinnen, der Sängerin Julia Schiwowa, über die Entstehung und Entwicklung des Projekts."Einsingen um 9" ist ein digitales Singprojekt, welches während der Coronakrise 2020 entstanden ist. Lea Hagmann spricht mit einer der Gründerinnen, der Sängerin Julia Schiwowa, über die Entstehung und Entwicklung des Projekts
Preface / Prefazione / Préface / Vorwort
No full textThe tryptic on “Music in Times of Crisis” began with “Pandemics” (vol. 38) and continues here with “Conflicts and Wars” (vol. 39) addressing aspects of musicological engagement in confrontational crises. While the effects of the global pandemic of Covid-19 were already well-known when we put out our call, we could not have guessed that the theme of war would gain such global prominence with the recent escalation of the conflict between Russia and Ukraine. For obvious reasons, the focus of this issue cannot be this particular socio-political conflict. Nonetheless, many of the contributions published here resonate eerily through space and time, questioning how sounds and conflicts relate to each other, how acoustic phenomena can be an expression of wars both past and present, and how such local, national and global crises are perceived as, expressed in, or confronted through music. In the present issue authors address the topic of music in “Conflicts and Wars” spanning several centuries and continents
Einsingen um 9: Gespräch mit Julia Schiwowa zum Corona-Projekt
No full text"Einsingen um 9" ist ein digitales Singprojekt, welches während der Coronakrise 2020 entstanden ist. Lea Hagmann spricht mit einer der Gründerinnen, der Sängerin Julia Schiwowa, über die Entstehung und Entwicklung des Projekts
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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