1,727,533 research outputs found
Covid Conversations 3: Elizabeth LeCompte and Kate Valk
No full textElizabeth LeCompte co-founded The Wooster Group with like-minded pioneers in New York in 1975, leading and directing its collaborators as deaths, departures, and new arrivals have changed its composition and emphases over the decades, segueing into a world-wide uncertain present. Kate Valk joined in 1978, the last representative of The Wooster Group’s foundational period, apart from LeCompte herself, who is still a key member of the company. References in this conversation are primarily to works after 2016. LeCompte briefly remarks on the importance of Since I Can Remember – one of the Group’s ongoing works in progress in 2021 – as an archival project that draws on Valk’s memory of how Nayatt School was made during her formative years. Having become, since then, a quintessential Wooster Group performer, Valk extended her artistic skills to stage direction, undertaking, most recently, The B-Side (2017). Both the initiative and idea for the piece came from performer Eric Berryman, who had brought Valk the collection of blues, songs, spirituals, and preachings on the 1965 LP made from the research of scholar folklorist Bruce Chapman. Berryman had been inspired to approach Valk because of her exclusive use of unadulterated historical recordings in Early Shaker Spirituals (2014), her directorial debut. The main work in rehearsal during 2020 and which was still locked down by the Covid-19 pandemic at the time of this conversation is The Mother, a Wooster Group variant of Brecht’s dramatized version of Gorky’s novel, directed by LeCompte. LeCompte discusses the current situation, emphasizing the increased vulnerability of independent artists and small-scale theatre, while giving a glimpse of the disadvantages for such groupings built into the North American system of project funding. The Wooster Group is a salient example of small-scale theatre that, despite continually precarious conditions, which the pandemic has highlighted and exacerbated, has achieved its creative goals and has defined its place in the exploratory avant-garde flourishing vigorously in the 1960s and 1970s. This particular avant-garde, LeCompte believes, has seen various important developments over the years but might well now be counting its last days. The conversation here presented was recorded on 31 October 2020, transcribed by Kunsang Kelden, and edited by Maria Shevtsova, Editor of New Theatre Quarterly
YPFS Lessons Learned Oral History Project: An Interview with Jenni Lecompte
No full textSuggested Citation Form: LeCompte, Jenni, 2020. “Lessons Learned Interview. Interview by Mercedes Cardona. Yale Program on Financial Stability Lessons Learned Oral History Project. August 7, 2020. Transcript. ypfs.som.yale.edu/library/ypfs-lesson-learned-oral-history-project-interview-jenni-lecompt
C'est moi : romance extraite de "La guirlande de Marceline" ; Le passé qui file / Louis Beydts, comp. ; Claude Devos, T ; Gilberte Lecompte, p. Mai ; L'heure exquise : chanson grise no 5 / Reynaldo Hahn, comp. ; Claude Devos, T ; Gilberte Lecompte, p
No full textComprend : C'est moi : romance extraite de "La guirlande de Marceline" / Louis Beydts, comp. ; Claude Devos, T ; Gilberte Lecompte, p - Le passé qui file / Louis Beydts, comp. ; Claude Devos, T ; Gilberte Lecompte, p - Mai / Reynaldo Hahn, comp. ; Claude Devos, T ; Gilberte Lecompte, p - L'heure exquise / Reynaldo Hahn, comp. ; Claude Devos, T ; Gilberte Lecompte, pBnF-Partenariats, Collection sonore - BelieveContient une table des matière
Data supplement for "Molecular motors enhance microtubule lattice plasticity" Lecompte, William; John, Karin
No full textThis dataset contains the data and source files for figures 2 (a-e), 3(a-d), 4(b,c,e) and Supplementary figures 1, 2(a-e) and 3(a-c) in the following publication:
W. Lecompte and K. John
"Molecular motors enhance microtubule lattice plasticity"
published in 2022 in ArXiv (https://arxiv.org/abs/2209.09161)
Please follow the instructions given in 'Readme.txt'
Chanson d'avril / Georges Bizet, comp. ; Claude Devos, T ; Gilberte Lecompte, p. Ballade à la lune / Edouard Lalo, comp. ; Claude Devos, T ; Gilberte Lecompte, p. Où voulez-vous aller ? : Barcarolle / Charles Gounod, comp. ; Claude Devos, T ; Gilberte Lecompte, p. À Colombine / Charles Gounod, comp. ; Claude Devos, T ; Gilberte Lecompte, p
No full textTitre uniforme : Bizet, Georges (1838-1875). Compositeur. [Chanson d'avril. GB 92]Titre uniforme : Lalo, Édouard (1823-1892). Compositeur. [Ballade à la lune]Titre uniforme : Gounod, Charles (1818-1893). Compositeur. [Où voulez-vous aller ?. CG 419]. Arr.Titre uniforme : Massenet, Jules (1842-1912). Compositeur. [À Colombine]Comprend : Chanson d'avril / Georges Bizet, comp. ; Claude Devos, T ; Gilberte Lecompte, p ; Ballade à la lune / Édouard Lalo, comp. ; Claude Devos, T ; Gilberte Lecompte, p ; Où voulez-vous aller ? / Charles Gounod, comp. ; Claude Devos, T ; Gilberte Lecompte, p ; À Colombine / J. Massenet, comp. ; Claude Devos, T ; Gilberte Lecompte, pBnF-Partenariats, Collection sonore - BelieveContient une table des matière
Lessons Learned: Jenni LeCompte
No full textJenni LeCompte was deputy assistant secretary in charge of public affairs operations at the Treasury Department during the Global Financial Crisis and later became assistant secretary, public affairs. She coordinated communications, served as a spokesperson, and advised Secretary Timothy Geithner during the crisis. This “Lessons Learned” is based on an interview with Ms. LeCompte
Guillo Lecompte
No full textGuillermo Lecompte Lemaitre, de tirantes, corbata y sobrero canotier, remando en lo que parece ser uno de los caños de Cartagena, con manglares en sus orillas
Hommage à Marius Lecompte
No full textThoreau Jacques. Hommage à Marius Lecompte . In: Bulletin de la Classe des sciences, tome 56, 1970. pp. 1425-1429
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