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    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Excursions to the base of the mantle.

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    The core mantle boundary (CMB) region, consisting of the core mantle interface itself and the few hundred kms above and below it, is investigated in two different types of large-scale seismological studies. In the first study, a large set of long-period S phases is analyzed to determine large scale shear velocity structure in the CMB region beneath Alaska. Subdivision of the data by depth, source region, and source to receiver azimuth establishes that the observations exhibit stable behavior, which is consistent with extensive local stratification of D\sp{\prime\prime}. The preferred model, SYLO, has a 2.75% velocity increase 243 km above the core mantle boundary and a negative velocity gradient within the D\sp{\prime\prime} layer. Analysis of core-penetrating phases indicates that the outermost 100 km of the core below the fast D\sp{\prime\prime} region underlying Alaska must be slower than the PREM structure. In the second study, a set of short-period P-wave amplitude profiles near the core shadow zone is utilized to explore lateral variations in P velocity structure at the base of the mantle. Various radially symmetric models are tested by comparison of the data with amplitudes measured from synthetics. The observed amplitude versus distance profiles exhibit significant regional variations of the apparent shadow zone boundary, with as much as a 5\sp\circ shift in onset distance, but it is possible to model the overall behavior using simple, regionally varying positive P velocity gradients in the lowermost mantle. The strong lateral variations required by the data support the presence of compositional heterogeneity in D\sp{\prime\prime}. The data also indicate that if there is a P velocity discontinuity corresponding to the S discontinuity beneath Alaska, it must be less than 1% in magnitude, indicating a change in Poisson's ratio across the discontinuity. The results from these two studies, as well as those from previous studies of the CMB region (which are briefly reviewed), are used to evaluate several simple schemes for the role of D\sp{\prime\prime} in mantle convection.PhDGeologyUniversity of Michigan, Horace H. Rackham School of Graduate Studieshttp://deepblue.lib.umich.edu/bitstream/2027.42/104449/1/9034551.pdfDescription of 9034551.pdf : Restricted to UM users only

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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