1,721,116 research outputs found
Interview with Lawrence Smith
No full textInterview with Lawrence Smith, music director and conductor, on "On Stage"with Margaret King Stanley. "On Stage with Margaret King Stanley" was an arts focused radio program that aired on Trinity University's KRTU-FM
J. Lawrence Smith to James C. Furman
No full textA four page letter from J. Lawrence Smith, president of the Office of the Louisville Gas Company
Notice nécrologique sur M. Lawrence Smith
No full textDaubrée Auguste. Notice nécrologique sur M. Lawrence Smith. In: Bulletin de la Société minéralogique de France, volume 6, 8, 1883. pp. 246-247
Faculty recital by Roman Totenberg, violin and Lawrence Smith, piano, February 25, 1964
Get PDFThis is the concert program of the Faculty Recital by Roman Totenberg, violin and Lawrence Smith, piano on Tuesday, February 25, 1964 at 8:30 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Sonata in A Major, Op. 13 by Gabriel Fauré, Sonata in G Minor by Claude Debussy, and Sonata in D minor, Op. 108 by Johannes Brahms. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Oral history interview with Bill (William Lawrence) Smith, March 23, 2000
No full text1 electronic record(s) and derivatives. 1 audio file (wav, mp3) 661359418 bytes. 00:38:16. 4 PDF documents (8 scans, jp2).Oral history interview with Bill (William Lawrence) Smith, March 23, 2000. Valdosta (Ga.). Fieldworker: Marneth Andagan. Audio file digitized from cassette tape. Part of the South Georgia Folklife Project at Valdosta State University Archives and Special Collections. Topics include music and Civil War reenactments.
Notes: Student paper for spring 2000, Laurie Sommers, instructor. Student paper on file. Also a member of the Rebelaires which plays for Civil War re-enactments and Sons of Confederate Veterans events, and the Georgia Volunteer Fife and Dru
Faculty recital by Joy Pottle-Lawrence Smith, piano-duo, April 7, 1964
Get PDFThis is the concert program of the Faculty Recital by Joy Pottle-Lawrence Smith, piano-duo on Tuesday, April 7, 1964 at 8:30 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Hommage à Händel, Op. 92 by Ignaz Moscheles, Suite No. 2 by Sergei Rachmaninoff, Etudes in the form of a canon, Op. 56 by Robert Schumann/Debussy, and Fêtes from "Nocturnes" by Claude Debussy/Ravel. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund
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