10,232 research outputs found
El Tlacuache Núm. 473 (2011). 473 Año 11 (2011) junio. El Tlacuache
No full textEl último balcón colonial en esquina de Cuernavaca por Mauricio Valencia Escalante. -El mural de “La Confesión” en el convento de Tlaquiltenango por Laura Elena Hinojosa
Acta del Ayuntamiento de Valencia
No full textValencia, VenezuelaResolución mediante la cual el Presidente Constitucional del Estado Carabobo, asigna una pensión de 40 bolívares mensuales, a la señora Laura de Fortique.Alcaldia de Valencia - Universidad Simon Bolivar - Bolivariu
Laura Puentes, \u2715
No full textLaura Puentes was born in Bogota, Colombia and raised in Mt. Dora, Florida. She has an Associate\u27s degree from Valencia Community College. She is pursuing a Bachelor\u27s degree in Biotechnology and a minor in Anthropology. Knowing first-hand the difficulties that come with learning a new language, she developed a community service program called Bridges in order to help Spanish speaking individuals with translation services. Laura is interested in conducting research in drug discovery and development. She plans to obtain her Ph.D in Biomedical Engineering and Biotechnology and become a research scientist.https://stars.library.ucf.edu/mcnair_gallery/1071/thumbnail.jp
Things have no rest: a conversation with Laura Valencia
No full textUna entrevista a Laura Valencia, artista transdiciplinar que centra su trabajo en la exploración del cuerpo como campo y herramienta de transformación y creador de otras realidades, tanto en su obra como en la docencia.
La conversación indaga en los modos de composición con objetos abordados en sus obras escénicas y en su experiencia como docente. Se revisitan las experiencias de las obras Eterna (1999), Mar de fondo (2007), Só (2018) y Todo (2021).An interview with Laura Valencia, a transdisciplinary artist who focuses her work on exploring the body as a field and tool for transformation, and as a creator of other realities both in her work and in her teaching. The conversation explores the modes of composition with objects addressed in her stage works and in her experience as a teacher. The experiences of the works Eterna (1999), Mar de fondo (2007), Só (2018) and Todo(2021) are revisited.Facultad de Arte
Laura Benavides, piano (Colombia)
No full textConcierto interpretado por Laura Benavides. Inició sus estudios musicales en el Conservatorio Antonio María Valencia, en el programa de formación básica en el área de piano principal, con la maestra Lucía Mora. Ha participado en varios de los festivales infantiles de piano del Plan Pentagrama de la Universidad del Valle, donde ha sido galardonada en diferentes ocasiones.
En este concierto interpretó obras de Johann Sebastian Bach, Frédéric Chopin, Ernesto Lecuona y Luis Carlos Figueroa
Construcción de mirador en la Calle Ruzafa número 35, primero izquierda de Valencia para Doña Laura Mateo, 1942
No full textContiene : Memorias ; Plantas ; Alzados ; Secciones ; Croquis . Documentación original y adicional disponible en Archivo-CIAConstrucción de mirador en la Calle Ruzafa número 35, primero izquierda de Valencia para Doña Laura Mateo, 1942Rieta Sister, J. (1942). Construcción de mirador en la Calle Ruzafa número 35, primero izquierda de Valencia para Doña Laura Mateo, 1942. Universitat Politècnica de València. Escuela Técnica Superior de Arquitectura - Escola Tècnica Superior d'Arquitectura. https://riunet.upv.es/handle/10251/90554AR
La Politècnica recibe a las falleras mayores de Valencia, Laura Caballero y Carmen Monzonís
No full textLugar:Agromuseo de Vera
;Protagonistas:visita falleras
;Tipo de evento:institucionalMartín García, S. (2011). La Politècnica recibe a las falleras mayores de Valencia, Laura Caballero y Carmen Monzonís. https://riunet.upv.es/handle/10251/10391
Violencia, desarrollo y despojo en Buenaventura
No full textInge Helena Valencia, Laura Silva Chica, Alejandro Moreno Moren
La Academia valenciana de Bellas Artes : el movimiento academista europeo y su proyección en Valencia
No full textMonografia sobre l'Acadèmia de Belles d'arts de València presentada com a tesis doctoral pel seu autor.Monografía sobre la Academia de Bellas Artes de Valencia presentada como tesis doctoral por su autor.Monography on the Fine Arts Academy of Valencia presented as the doctoral thesis of the author
The myth of minority : cultural change in Valencia in the thirteenth century at the time of the conquests of James I of Aragon
No full textThe history of the Iberian Peninsula is intricate and complex. Like most regions of
Western Europe in the Middle Ages, it suffered invasion, occupation, political change and an almost constant re–alignment of social alliances. Yet the thirteenth century saw one of the most massive shifts in the balance of power recorded in western history. In the space of fifty years, Islamic rule within the peninsula was ended for good, with the last vestiges of Muslim territory erased from the southern peninsula by the fifteenth century. Christian ascendancy heralded the arrival of a mixed policy of tolerance, as questions began to be asked about the nature of living together with other cultures and religions and whether this new rule – this new Christian rule – needed to tolerate the existence of others in its midst.
The most dramatic shift in policy occurred in the middle of the thirteenth century, as the campaigns of the two great northern kingdoms of Leon–Castile and Aragon–Catalonia moved southwards. The most dramatic outcome – due to the size of the Muslim population – was the relatively swift conquest of, in the case of Ferdinand III, the main towns of Andalucia and, in the case of James I, king of Aragon, the region of Valencia by 1245. Yet it is important when examining the campaigns of these great warrior kings not
to be overwhelmed by the idea of the religious ethos for the conquest. Some historians have chosen to interpret the thirteenth–century conquests as the Christian reaction for the centuries of subjugation under Muslim rule. The reasoning behind the conquests was far more complex than that of a mere idealistic crusade. In the case of thirteenth–century Christian expansion, desire for territory, sovereignty, inheritance, taxation and inter-territorial rivalry had just as much of a part to play as a desire to overcome the Muslim ‘infidel.’ It is the conquest of Valencia which will form the major focal point of this paper, examining the historical precedent for conquest, the nature of Muslim rule, the ulterior motives of the Christians, the
position of Muslims and Jews in existing Christian society (as well as under the
conquerors) and the role of James I in both consolidating and changing that culture.
The programme of this thesis is divided into two main parts. In the first part, the paper will explore the impact of historical events up to the birth of James; how these events both shaped him as a king and as a warrior; and how domestic concerns may have provided a greater incentive than religious missionaries spreading Crusading fever amongst Western kingdoms. It will review the impact of those close to the king; on the nature of his conquest; on his ideology; and how his attitude towards his conquered subjects was shaped. External political and geographical pressures impacted both upon the king’s campaigning and, ultimately, how complete the conquest was.
In the second part, the thesis will focus on the communities themselves and the changes that occurred as the conquests progressed further and further southwards. It will
contrast the circumstances and fortunes of those conquered with the lives of minority
cultures who were already subjects in the Christian realms. It will examine the idea of
hierarchy within minority culture and the social mores that had an even more direct
impact upon community life than the military campaigning. Most important of all, it will
question the idea of convivencia and the concept of tolerance and ‘living together.
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