1,720,962 research outputs found

    Letture shakespeariane: Otello e Re Lear

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    Numero monografico di "Studi di estetica" dal titolo "Letture shakespeariane: Otello e Re Lear" (anno XLV, IV serie, n. 3/2017) curato da Giuseppe Di Giacomo e Laura Talarico. Il fascicolo contiene articoli di Alessandro Alfieri, Rosy Colombo, Giuseppe Di Giacomo, Piergiorgio Donatelli, Elio Franzini, Giuseppe Pucci, Laura Talarico, Stefano VelottiMonographic issue of "Studi di estetica" entitled "Shakespearean Readings: Othello and King Lear" (year XLV, IV series, n. 3/2017) edited by Giuseppe Di Giacomo and Laura Talarico. The issue includes articles by Alessandro Alfieri, Rosy Colombo, Giuseppe Di Giacomo, Piergiorgio Donatelli, Elio Franzini, Giuseppe Pucci, Laura Talarico, Stefano Velott

    Presentazione

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    Presentazione del fascicolo monografico di "Paradigmi. Rivista di critica filosofica" dal titolo "Filosofia e teatro. Amleto e Macbeth" curato da Giuseppe Di Giacomo e Laura Talarico. Il fascicolo contiene articoli di Carlo Borghero, Laura Caretti, Paola Colaiacomo, Giuseppe Di Giacomo, Marta Fattori, Elio Franzini, Alessandro Serpieri, Laura TalaricoForeword to the monographic issue of “Paradigmi. Rivista di critica filosofica” entitled “Philosophy and Theatre. Hamlet and Macbeth” edited by Giuseppe Di Giacomo and Laura Talarico. The issue includes articles by Carlo Borghero, Laura Caretti, Paola Colaiacomo, Giuseppe Di Giacomo, Marta Fattori, Elio Franzini, Alessandro Serpieri, Laura Talaric

    Filosofia e teatro. Amleto e Macbeth

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    Numero monografico di "Paradigmi. Rivista di critica filosofica" dal titolo "Filosofia e teatro. Amleto e Macbeth" curato da Giuseppe Di Giacomo e Laura Talarico. Il fascicolo contiene articoli di Laura Talarico, Giuseppe Di Giacomo, Alessandro Serpieri, Carlo Borghero, Marta Fattori, Laura Caretti, Paola Colaiacomo, Elio FranziniMonographic issue of “Paradigmi. Rivista di critica filosofica” entitled “Philosophy and Theatre. Hamlet and Macbeth” edited by Giuseppe Di Giacomo and Laura Talarico. The issue includes articles by Laura Talarico, Giuseppe Di Giacomo, Alessandro Serpieri, Carlo Borghero, Marta Fattori, Laura Caretti, Paola Colaiacomo, Elio Franzin

    Otello come tragedia del fazzoletto nero

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    The numerous and diverse interpretive hypotheses on Othello’s handkerchief that have been put forward in the course of time largely share the assumption that this stage property is white. Such critical orthodoxy has recently been challenged by Ian Smith’s "Othello’s black handkerchief", an essay which, based on precise textual and contextual evidence, convincingly demonstrates that the controversial piece of cloth is actually black and should be identified with Othello’s body, rather than with Desdemona’s. Smith’s work strikingly exposes how cultural and ideological bias has long made criticism selectively colour-blind, and invites a radical re-reading of the tragedy as a whole. Taking its cue from Smith’s contention, this article explores how the presence of a black, rather than white, handkerchief can affect our reading of some aspects of the play, particularly focussing on the characters of Othello and Desdemona

    La lettura e il futuro dell'identità privata

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    Marshall McLuhan, "La lettura e il futuro dell'identità privata", traduzione e cura di Laura Talarico; titolo originale: "Reading and the Future of Private Identity" (1973, ora in "McLuhan Studies", Premiere Issue, 1996)Marshall McLuhan, "La lettura e il futuro dell'identità privata", translated and edited by Laura Talarico; original title: "Reading and the Future of Private Identity" (1973, publ. in "McLuhan Studies", Premiere Issue, 1996

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods
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