1,720,966 research outputs found

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    The visual diary, the conceptual framework, the practices, and the frames: pedagogical possibilities of the secondary visual arts curriculum in New South Wales, Australia

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    This chapter focuses on the pedagogical interpretations of the visual arts secondary suite of syllabi in New South Wales (NSW), Australia. In order to contextualize this discussion, it is necessary to begin with an orientation to the curriculum and to the national art education contexts in contemporary Australia that have determined the NSWcurriculum’s endurance. Government vision and policy are seldom reflected in classroom pedagogy (Ashton 2002).This is particularly the case in NSW, where the accreditation authority, the New South Wales Education Standards Authority (NESA), formerly known as the Board of Studies, Teaching and Educational Standards (BOSTES), has rehabilitated the newly minted national curriculum in all subjects implemented to date to align with state government and educational agendas and principles.This position of preeminence has been most acutely demonstrated in the abject rejection of the Australian Curriculum: The Arts by NSW, with schools being directly advised by its accreditation authority not to implement it (BOSTES 2014b). The national curriculum is therefore in partial implementation in Australia with only a few states taking up the call, since the choice of school curriculum is the purview of each individual state.Thus, the status quo in NSW remains with the existing NSWsyllabi offerings, and “national curriculum” is, in fact, a misnomer

    Patricia Leavy: Social Fiction Icon

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    This article explores Patricia Leavy’s social fiction novels. The article details how and why Leavy’s work has been a source of inspiration, how the development of “social fiction” broadened the arts-based research landscape, and how this works makes possible new forms of creative research. Lasczik then reviews in detail much of Leavy’s extensive fiction catalog, her use of different genres, the messages embedded in her novels, and what those novels mean to readers

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    Walking the Mandala - A Big-Little Way of Being and Knowing in Disrupted Worlds

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    Global disruptions can inspire new ways of teaching and thinking through the big questions of little things. Recognising our disrupted times, we explore the mandala as an integrative symbol – a visuo-spatial abstraction of a worldview – that invites and represents responses to big questions in ontology, cosmology, epistemology, axiology and eschatology. We re-imagine the mandala as an expansion and a contraction of intersecting ‘opposites’ (e.g. sacred-profane, mythos-logos, order-chaos) that can push-and-pull thinking through the wicked problems of disrupted times. We embrace Walking the Mandala as a mytho-poetical and logico-mathematical act for learning and unlearning. It is at once an embodied and affective act of creative turns and qualitative diffractions, and a cognitive act of critical and analytical cartography that orientates and measures. It is a circumambulation – a circling of possibilities that connects oneself to others. Finally, we introduce a novel three-dimensional mandala – the Zygo – as a material artefact and architecture for critical, creative and consilient thinking through disruptions in big-little worlds
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