1,720,956 research outputs found
'And they did it as citizens': President Clinton on Thermopylae and United Airlines Flight 93
Reviewing President Clinton’s speech in commemoration of the victims of UAF 93, held in Shanksville on September 10th, 2011, this paper examines the use of descriptions of the Battle of Thermopylae as a propaganda tool in times of national crisis and war. Reading the speech in the context of the 9/11 memorial tradition and its reception of president Lincoln’s Gettysburg Address and Thucydides’ account of Pericles’ Funeral Oration, as well as popular representations of the Spartans’ last stance, it discusses how these manipulations of history are used to propagate certain ideas of citizenship and democratic freedom and silences others. A comparison with Hermann Göring’s use of the myth of Thermopylae in a speech directed at soldiers in Stalingrad (1943) bears this out.Key words: Bill Clinton, UAF 93, Thermopylae, Hermann Göring, 9/11 memorial tradition. Anhand einer Untersuchung der Rede von Präsident Clinton zum Gedenken an die Opfer von Flug UAF 93, gehalten in Shanksville am 10. September 2011, wird in diesem Artikel die Verwendung von Beschreibungen der Schlacht bei den Thermopylen als Propagandawerkzeug in Zeiten nationaler Krisen und Krieg untersucht. Wird die Rede gelesen im Zusammenhang mit der Tradition des Gedenken von 9/11 und seiner Rezeption der Gettysburg-Rede Präsident Lincolns und der Gefallenenrede des Perikles bei Thukydides, wie auch populärer Beschreibungen des letzten Kampfes an den Thermopylen, wird beschrieben wie diese Manipulationen der Geschichtsschreibung verwendet werden, um bestimmte Ideen über Bürgergesellschaft und demokratische Freiheit hervorzuheben, während andere verschwiegen werden. Ein Vergleich mit Hermann Görings Verwendung des Mythos von der Schlacht an den Thermopylen in seiner Stalingrad Rede (1943) hebt dies hervor. Schlüsselwörter: Bill Clinton, UAF 93, Thermopylen, Hermann Göring, 9/11 Tradition des Gedenkens
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
'No freer than the helots': Messenian rebel behaviour in Pausanias' Messeniaka in comparative perspective
This dissertation explores Pausanias’ depiction of the (mythical) Messenian revolt against the Spartans in book 4 of his Periegesis in comparative perspective with ancient depictions of slave revolts and Flavius Josephus’ Jewish War. I concentrate on how Pausanias portrays Aristomenes and the other rebels, as well as the Messenians in general. Although recently the Messenian Wars have been the subject of scholarly interest from literary critics, historians, and archaeologists, who have fruitfully combined their disciplines in their interpretations of the story, Pausanias’ aims and agenda in his representation of the Messenians have so far been left unexplored. This dissertation therefore asks: What stance did Pausanias take in the contested history of Messenia?
In my analysis of Pausanias’ figuration of Messenian history, in chapters 1 (the introduction) and 2 I concentrate on his frequent use of τόλμη and in particular in its combination with ἀπόνοια (‘despair’). Τόλμη, translated as daring, contains both positive and negative connotations. It is a necessary ingredient of courage, but can also lead to recklessness if uncontrolled.
My comparative framework in chapters 3 to 6 puts this reading of Pausanias’ book 4 to the test. In chapter 3 I compare Pausanias’ depiction of Aristomenes’ leadership qualities with Athenaeus’ use of the story of Drimakos, the rebel leader of a slave revolt on the island of Chios. In chapters 4 and 5 I pursue the connection between slavery, τόλμη and ἀπόνοια further in a comparison of the Messenian revolt with Diodorus’ depiction of the two Sicilian slave wars, along with Plutarch’s and Appian’s account of Spartacus’ revolt. In the sixth chapter I interpret the Messenian revolt as a ‘nationalistic’ uprising and compare Pausanias’ account with Josephus’ Jewish War
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
'No freer than the helots': Messenian rebel behaviour in Pausanias' Messeniaka in comparative perspective
This dissertation explores Pausanias’ depiction of the (mythical) Messenian revolt against the Spartans in book 4 of his Periegesis in comparative perspective with ancient depictions of slave revolts and Flavius Josephus’ Jewish War. I concentrate on how Pausanias portrays Aristomenes and the other rebels, as well as the Messenians in general. Although recently the Messenian Wars have been the subject of scholarly interest from literary critics, historians, and archaeologists, who have fruitfully combined their disciplines in their interpretations of the story, Pausanias’ aims and agenda in his representation of the Messenians have so far been left unexplored. This dissertation therefore asks: What stance did Pausanias take in the contested history of Messenia?
In my analysis of Pausanias’ figuration of Messenian history, in chapters 1 (the introduction) and 2 I concentrate on his frequent use of τόλμη and in particular in its combination with ἀπόνοια (‘despair’). Τόλμη, translated as daring, contains both positive and negative connotations. It is a necessary ingredient of courage, but can also lead to recklessness if uncontrolled.
My comparative framework in chapters 3 to 6 puts this reading of Pausanias’ book 4 to the test. In chapter 3 I compare Pausanias’ depiction of Aristomenes’ leadership qualities with Athenaeus’ use of the story of Drimakos, the rebel leader of a slave revolt on the island of Chios. In chapters 4 and 5 I pursue the connection between slavery, τόλμη and ἀπόνοια further in a comparison of the Messenian revolt with Diodorus’ depiction of the two Sicilian slave wars, along with Plutarch’s and Appian’s account of Spartacus’ revolt. In the sixth chapter I interpret the Messenian revolt as a ‘nationalistic’ uprising and compare Pausanias’ account with Josephus’ Jewish War
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