1,040 research outputs found
Marius von Mayenburg and Roland Schimmelpfennig
No full textRoland Schimmelpfennig and Marius von Mayenburg represent a new generation of playwrights to emerge in the German-speaking countries in the late 1990s; other prominent protagonists include Falk Richter, Lukas Bärfuss and Kathrin Röggla, as well as Dea Loher and Sibylle Berg. In this chapter, the author clearly shares some of their approaches, as both revisit and reinvent key conventional dramatic mechanisms, yet from a postdramatic horizon. Fireface, mapped out key themes as well as the (European middle-class) universe that keeps appearing in Mayenburg’s work in a variety of permutations. In Der Hässliche, premiered at Schaubühne Berlin in January 2007, Marius von Mayenburg plays a scathing game with postmodern ideas of the ‘performativity’ of subjectivity and contingency of identity. These academic ideas, in the context of neoliberal capitalism, contribute to an all-encompassing commodification of individuality. In fact, all of Marius von Mayenburg’s plays transcend the hyper-realities of his scenarios into grotesque exposures of absurdities of middle-class life under global capitalism
La Crétoise ! Chant patriotique, paroles de Montrejol et Max Villia, musique de Marius Lambert
No full textTu peux dormir, berceuse. Paroles de Louis Amiel et Léon Rabbe. Musique de Marius Lambert
No full textAnalysis of texture and connected-component contours for the automatic identification of writers
No full textRecent advances in 'off-line' writer identification allow for new applications in handwritten text retrieval from archives of scanned historical documents. This paper describes new algorithms for forensic or historical writer identification, using the contours of fragmented connected-components in free-style handwriting. The writer is considered to be characterized by a stochastic pattern generator, producing a family of character fragments (fraglets). Using a codebook of such fraglets from an independent training set, the probability distribution of fraglet contours was computed for an independent test set. Results revealed a high sensitivity of the fraglet histogram in identifying individual writers on the basis of a paragraph of text. Large-scale experiments on the optimal size of Kohonen maps of fraglet contours were performed, showing usable classification rates within a non-critical range of Kohonen map dimensions. The proposed automatic approach bridges the gap between image-statistics approaches and purely knowledge-based manual character-based methods. (c) 2006 Elsevier B.V. All rights reserved
Aimé CESAIRE, ce poète en prise avec son temps
No full textDans le cadre de la célébration du centenaire de la naissance d\u27Aimé CESAIRE, l\u27association Auguste BIAN et l\u27ESPE de Guadeloupe, organise une rencontre sur l\u27oeuvre de CESAIRE, « ce poète en prise avec son temps ». Max DORVILLE introduit l\u27évènement. Frédéric ANCIAUX est le modérateur de cette soirée qui croise successivement les regards de trois conférenciers Christian CHERY, Julien MERION et Lambert-Félix PRUDENT sur l\u27oeuvre de CESAIRE, entrecoupée par les récitants Harry BALTUS et Marius MAYOUTTE
Monsieur Pierre Lambert Préfet de la Haute-Savoie, République française
No full textMonsieur Pierre Lambert Préfet de la Haute-Savoie, République française, 21 décembre 201
Biblical connotations in Marius von Mayenburgʼs plays
No full textMarius von Mayenburgʼs plays provide a critique of contemporary society, which is replete with violence and conformity. The playwright refers to the so‑called ‘new realism,’ and also incorporates elements of the post‑dramatic theatre. Biblical motifs in contemporary literature, including German literature, have recently lost their popularity; however, they have not disappeared altogether. They continue to be a source of inspiration for artists across various domains. Marius von Mayenburg is no exception, as he fearlessly incorporates and reinterprets these motifs, harnessing their universal messages in his plays. This paper aims to trace biblical motifs and determine their function in three well‑known plays by the author: Parasiten, Märtyrer and Mars
Cour d'assises des Bouches-du-Rhône. Jugement rendu le 8 Décembre 1868 contre les empoisonneuses marseillaises [avec complainte en provençal et en français / Signé : Marius Decard fils]
No full text[Factum. Empoisonneuses de Marseille. 1868][Factum. Copello, Françoise Lambert dite Fanny, épouse. 1868][Factum. Gabriel, Antoinette-Joséphine Duguet, veuve Louis-Joseph. 1868][Factum. Salvago, Marie-Rose Alavena dite Rosine, Veuve Jean. 1868][Canard. 1868][Factum. Joye, Jean-François. 1868][Factum. Ville, Marie Autran, Veuve Antoine. 1868]Appartient à l’ensemble documentaire : PACA
Effective planning for internal audit.
No full textThe purpose of this thesis is to find a way to effectively plan for internal audit. Conditions necessary for effective planning are formulated by using analysis of scientific literature. In second part author suggests a model for effective internal audit planning. In third part model is applied and analyzed using a case study
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