277 research outputs found

    Myra Sklarew papers

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    Myra Sklarew (1934- ), professor of literature and author of poetry, fiction, and nonfiction essays, was born in Baltimore, Maryland. The Myra Sklarew papers date from 1858 to 2008 (bulk dates 1970-2008) and include materials that Sklarew created and accumulated during her lifetime, materials about her life and her writings, and the creative output of others that was inspired by Sklarew. The materials include correspondence; manuscripts and drafts of published Sklarew literary works; copies of Sklarew's monographs; serial publications containing works by and about Sklarew; monographs and manuscripts written by other individuals; and subject files on various topics relating to Sklarew's work

    Letter dated 3 October 1937 from Myra L. Sawyer at Waltham, Massachusetts

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    Letter of Myra Sawyer at Waltham, who has heard on radio about the Japanese taking Dezhou, which occurred in October 1937; return of Minnie Goodnow after trip around the world; a trip to Boston to visit with Minnie; (ALSO: Has unrelated second document [1 p., incomplete, undated, author unknown] describing charity work in Lintsing, China

    Oral History Interview, Myra Marx Ferree (1474)

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    In this interview, Myra Marx Ferree discusses her upbringing where she enjoyed learning about Sociology and Politics at a young age. She is an established author, writing several successful books and now works as the director of the Center for German and European Studies at UW-Madison. To learn more about this oral history, download & review the index first (or transcript if available). It will help determine which audio file(s) to download & listen to.Myra Marx Ferree was born and raised in Morristown, New Jersey. Her interest in Sociology and Politics began at a young age. She received an undergraduate degree in Political Science at Bryn Mawr College and a PhD in Social Psychology at Harvard. Professor Ferree has published multiple books such as her most recent, Global Feminism: Transitional Women’s Activism, Organizing, and Human Rights (2006). She was also a Berlin Prize Fellow at American Academy in Berlin in 2005. Currently, Professor Ferree is the director of the Center for German and European Studies as well as a member of the committee of Gender and Women’s Studies at UW-Madison

    Mind and body

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    Mind and Body Jan Zwicky (Author) Wittgenstein Elegies: Brick Books Classics 6. Brick Books (purchase at Amazon.ca) Nicole Brossard (Author) Ardour. Coach House Books (purchase at Amazon.ca) Reviewed by Myra Bloo

    'Hvit Myra, Lysemask'

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    Descriptions of white ants ('Pack-gaj', 'Hvit Myra', and with Chinese characters) and of a 'glow worm' ('Lysemask'), with the narrative ('Berättelse') of how the worm was captured on board a ship between Rio Gambia and Tenerife on 1 June 1756. Drawings in Indian ink. Author unknown, but possibly by some officer of the Swedish East India Company

    Cinderella's outings.

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    "An author in writing a book doth presume to furnish a ... nom de plume ... mine shall be Poor Cinderella ..."--From p. [7]." ... in some aspects an old book [An American Cinderella to Queen Victoria] with a new title"--From author's introduction.Includes introduction, poems, and an essay.Sometimes attributed to Myra Chilson.Mode of access: Internet

    Myra Warhaftigs Berliner Zimmer

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    In the article, the floor plans of Myra Warhaftig's Dessauer Strasse 38-40 are examined as part of the floor plan development of the Berlin apartment building. The references to the "Berlin Room" (Berliner Zimmer), a special historical feature in the development of the Berlin apartment building, play an important role. For the author, the special achievement of this project lies in the synthesis of this type with modern sociological and emancipatory demands on the floor plan

    In/animate recent work by Myra Mimlitsch-Gray

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    "In/Animate surveys the past decade of work by Myra Mimlitsch-Gray, internationally renowned metalsmith and head of the Metal Program at SUNY New Paltz. Curated by author Akiko Busch, the exhibition explores a variety of artistic processes using iron, copper, brass, silver, and enameled steel. Mimlitsch-Gray's domestic artifacts suggest a coalescence of body and thing, conveying the mutability of the animate and inanimate and reflecting the intimacy between people and the objects they use. A spoon could be a lip, or a dangling twist of fabric, a vein. Over 40 meticulously crafted works contribute to the contemporary conversation about how household objects express ideas about presentation, utility, and class."--Samuel Dorsky Museum websit

    My mortal enemyにおける対立要素とMyraの孤独

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    application/pdfAN00000289-20140726-3In Willa Cather's My Mortal Enemy (1926), the author describes various opposite images such as poverty and wealth, single life and matrimony, Europe and America, Catholicism and Protestanism, love and hostility, and youth and age, through the heroine's life. As for these pairs of opposite notions, it can be thought that one notion sometimes is the root of the other. And the heroine's life can be explained by these oppsite notion. Myra Henshawe, the heroine, desires a rich and happy life but feels lonely at last. This essay aims to explore the meaning of Myra's loneliness. Myra prefers poor artistic friends to rich people with money, and kindly takes care of her young friends. However, she is satisfied with her friends only when she is richer and stronger than them. Moreover, she always wants to live in high society and desires to be richer. Although her husband has a steady job till her later years, she connot be satisfied with her plain life and feels unhappy. Her ambition for money and a materialistic life prevents her from realizing a realistic life for her. While Myra longs for her past life and feels unhappy, her husband, Osward, can positively accept all his life and reality. His positive way of thinking makes Myra lonelier. Myra can neither make money by herself nor abandon her unrealistic ambition. Her loneliness symbolizes the weakness of the people like her.departmental bulletin pape

    "The mad", "the bad", "the victim" : gendered constructions of women who kill within the criminal justice system

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    Women commit significantly fewer murders than men and are perceived to be less violent. This belief about women’s non-violence reflects the discourses surrounding gender, all of which assume that women possess certain inherent essential characteristics such as passivity and gentleness. When women commit murder the fundamental social structures based on appropriate feminine gendered behaviour are contradicted and subsequently challenged. This article will explore the gendered constructions of women who kill within the criminal justice system. These women are labelled as either mad, bad or a victim, by both the criminal justice system and society, depending on the construction of their crime, their gender and their sexuality. Symbiotic to labelling women who kill in this way is the denial of their agency. That is to say that labelling these women denies the recognition of their ability to make a semi-autonomous decision to act in a particular way. It is submitted that denying the agency of these women raises a number of issues, including, but not limited to, maintaining the current gendered status quo within the criminal law and criminal justice system, and justice both being done, and being seen to be done, for these women and their victims
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