323,382 research outputs found
François Boucher : huit reproductions facsimile en couleurs.
No full textColección dirixida por Henri RoujonTít. en antep. : "François Boucher (1703-1770)"La serie Les peintres illustres se publica en París por el ed. Lafitte et Cie ca. 1900-1950Pierre Lafitte et Cie. edita en París en las primeras décadas del s. XXAntepPort. con ilLas h. de lám. son reproducciones en col. de obras del artistaLas h. de lám. son il. col. de facsímiles de obras de François Boucher, intercaladas en el textoAs f. de lám. il. cor son facsímiles de obras de François Boucher, intercaladas no text
Breughel-le-Vieux : huit reproductions facsimile en couleurs.
No full textColección dirixida por Henri RoujonTít. en antep.: "Breughel le vieux (1530?-1610?)"La serie Les peintres illustres se publica en París por el ed. Lafitte et Cie. ca. 1900-1950Pierre Lafitte et Cie. edita en París en las primeras décadas del s. XXAntepPort. con ilLas h. de lám. son reproducciones en col. de obras de Breughel, Le Vieux, intercaladas en el textoAs f. de lám. il. cor son facsímiles de obras de Breughel, Le Vieux, intercaladas no textoLas h. de lám. son il. col. de facsímiles de obras de Breughel, Le Vieux, intercaladas en el text
Fantin Latour : huit reproductions facsimile en couleurs.
No full textColección dirigida por Henry RoujonColección dirixida por Henry RoujonLa serie Les peintres illustres se publica en París por el ed. Lafitte et Cie ca. 1900-1950Posiblente impreso en la primera mitad del S. XXAntepPort. con ilLas h. de lám., intercaladas en el texto, son reproducciones de obras de Fantin LatourLas h. de lám. son reproducciones en col. de obras del artistaAs f. de lám. son reproduccións en cor de obras do artist
Vigée Le Brun : huit reproductions facsimile en couleurs.
No full textColección dirigida por Henri RoujonColección dirixida por Henri RoujonLa serie Les peintres illustres se publica en París por el ed. Lafitte et Cie ca. 1900-1950Posiblemente impreso en la primera mitad del S. XXAntepPort. con ilLas h. de lám. son reproducciones en col. de obras de Vigée Le Brun, intercaladas en el textoLas h. de lám. il. col. son facsímiles de obras de Vigée Le Brun, intercaladas en el textoAs f. de lám. il. cor. son facsímiles de obras de Vigée Le Brun, intercaladas no text
Paul Baudry : huit reproductions facsimile en couleurs.
No full textColección dirigida por Henry RoujonColección dirixida por Henry RoujonLa serie Les peintres illustres se publica en París por el ed. Lafitte et Cie ca. 1900-1950Posiblemente impreso en la primera mitad del s. XXAntepPort. con ilLas h. de lám. son reproducciones en col. de obras de Paul Baudry, intercaladas en el textoLas h. de lám. son reproducciones en col. de obras del artistaAs f. de lám. son reproduccións en cor de obras do artist
United States, church off river in Lafitte
No full textDue to a malfunction inside Platt's camera, the majority of his first 8,000 images, dating from 1919 to 1933, have blurred areas where the unexposed film was not laying flat inside the camera. His 35mm photography after 1933 does not show this defect, but the condition of the film is rather poor, having been housed between loose sheets of paper in cardboard boxes for over 50 years. The majority of images he took from 1933-1963 are severely scratched. Therefore, only a small portion of Platt's photography has been chosen for online presentation.3/26 10:00 a.m. Lafitte village, end of rds [roads] fr.[from] N.Or.[New Orleans] along both sides of bayou - church & cemetery.GrayscalePlatt Nitrate Negative, Box 247 of 25
United States, view of Lafitte from river
No full textDue to a malfunction inside Platt's camera, the majority of his first 8,000 images, dating from 1919 to 1933, have blurred areas where the unexposed film was not laying flat inside the camera. His 35mm photography after 1933 does not show this defect, but the condition of the film is rather poor, having been housed between loose sheets of paper in cardboard boxes for over 50 years. The majority of images he took from 1933-1963 are severely scratched. Therefore, only a small portion of Platt's photography has been chosen for online presentation.3/26 10:00 a.m. Lafitte village, end of rds [roads] fr.[from] N.Or.[New Orleans] along both sides of bayou - shrimp boat at house.GrayscalePlatt Nitrate Negative, Box 247 of 25
United States, view of stores in Lafitte from river
No full textDue to a malfunction inside Platt's camera, the majority of his first 8,000 images, dating from 1919 to 1933, have blurred areas where the unexposed film was not laying flat inside the camera. His 35mm photography after 1933 does not show this defect, but the condition of the film is rather poor, having been housed between loose sheets of paper in cardboard boxes for over 50 years. The majority of images he took from 1933-1963 are severely scratched. Therefore, only a small portion of Platt's photography has been chosen for online presentation.3/26 10:00 a.m. Lafitte village, end of rds [roads] fr.[from] N.Or.[New Orleans] along both sides of bayou - Isidore Fisher gen'l [general] store.GrayscalePlatt Nitrate Negative, Box 247 of 25
Diffusive author(s), cohesive author: Analysis of S/N (1994)
No full textThis study indicates the ways in which various aspects of the author(s) are brought forth in Dumb type’s performance art, the S/N production. Previous research has suggested a non-hierarchical organization of Dumb type and the absence of a “privileged author” in Dumb type’s collaborative work, S/N. However, the results that I have investigated from member’s interviews on the creative process of S/N along with my analysis of the recorded images of S/N, indicate a different aspect of the author(s). First, S/N was created through, so to speak, the collective ideas of the members of Dumb type. Further, S/N has at least nine quotations from previous performances, installations, and printed writings, besides the work-in-progress technique. Explicating one of the “author functions” as given by Michel Foucault, each text has plural subjects of the author. However, it has been revealed from members’ interviews that Teiji Furuhashi had a decision-making role in selecting the members’ ideas within the performance. Since then, S/N has had plural subjects of creation; however, Furuhashi is one of the subjects of creation along with the “privileged author.” S/N has plural authors (diffusive authors) yet at the same time, it has a “privileged author,” Teiji Furuhashi (cohesive author)
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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