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Umjetnost i društvo: ontološki i socio-antropološki temelji suvremene umjetnosti: (paradigmatska estetička refleksija Maxa Bensea)
No full textThe title of the book indicates the field of the research and the methodology which contains the pluralism and the interdisciplinarity. The phenomenon of contemporary/modern art is being approached scientifically, aiming at uncovering its ontological foundations and socio-anthropological characteristics. The basic thesis is that, in the time determined by science and technology, the essence of art has undergone changes. The book has XIII chapters and a conclusion.
Aesthetic Reflection of Max Bense (Chapter III) and Foundations of Scientific Aesthetics (Chapter IV) deal with Max Bense's aesthetic reflection as paradigmatic for ontological analysis of modern art. In the rich material of 20th-century art, Desire for Purity (Chapter V) follows the ontological changes of its essence, its connections with the society as well as with the forms of modern spirit. Mathematical-Geometric Description – Topographical Scheme of Existence (Chapter VI) analyses ontological modes of existence and art. Symbolist Aesthetics – The Symbol of Existence (Chapter IX) researches the art process as the symbolist process with theoretical inauguration of aesthetic semantics. In Technical Consciousness and Aesthetic Existence (Chapter VIII) the essential relation between the modern technique and modern art as well as its implications for the art are being considered with theoretical and philosophical consistency. Aesthetic Reflection as the Form of Art (Chapter X) analyses reflexive and researching character of modern art; it is the necessary mediation term which changes ontological character of art. Informational Processes of Modern Art (Chapter XI) – the author consistently develops previous theses into a new aesthetic and civilization medium: informational processes. Theory of Realization (Chapter XII) considers the essential cognitive-theoretical defect of classical /bivalency/ logic in the new civilization theoretical premises: the new logic demands the third term, reflection, as the aesthetic process appears to be essentially reflexive. In Aesthetics and Civilization (Chapter XIII) a particular attention is being paid to the explication of socio-cultural and civilization characteristics of the contemporary world and of the influence they have on changes of man's perceptive and anthropological structure
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Ontologija vrijednosti u filozofiji Romana Ingardena
No full textRoman Ingarden (1893-1970), poljski filozof, jedan je od najznačajnijih predstavnika fenomenologijske ontologije u filozofiji dvadesetog stoljeća. Iako intelektualno oblikovan pod neposrednim utjecajem Husselove fenomenologije, Ingarden se kroz svoj misaoni razvoj udaljava od Husserla i suprotstavlja njegovoj ideji fenomenologijske filozofije te utemeljuje i razvija svoju osebujnu koncepciju fenomenologijske ontologije. Nezadovoljan Husserlovim osnovnim fenomenologijskim stavom ˝transcendentalnog idealizma˝, kojega smatra tek epistemologijskim stavom naše svijesti, Ingarden traga za čvršćim utemeljivanjem naše spoznaje kao apriorne (nužne)istine. Pronalazi ga u ontologiji i njezinim neupitnim uvjetima naše spoznaje. Ona ima šire značenje jer u sebe uključuje studij čiste svijesti. To ga vodi prema istraživanju ontologijskih i metafizičkih pretpostavki i strukture svijeta te naše mogućnosti njihova spoznavanja. Usmjerenost na strukturu svijeta, vodit će ga prema analizama ontoloških i ontičkih struktura i pripadnih im vrijednosti, a to se ponajprije odnosi na umjetnička djela, kao i na čovjekovo moralno djelovanje
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Filozofija i život: filozofska i socio-kulturna antropologija Nikole Skledara
No full textTekst predstavlja osvrt na knjigu Nikole Skledara Filozofija i život i pokušaj je kritičkog prikaza, u osnovnim crtama, njegova teorijskog i intelektualnog profila, uzimajući u obzir i neke druge njegove knjige. Osnovni je cilj pokazati jednu izgrađenu i izvorno otorenu antropologiju koja, u interpretaciji čovjekova povijesnog opstanka, ima egzistencijalni, hermeneutički i humanistički karakter. Tekst razmatra glavne teme kao što su: odnos filozofije i suvremenog života, suvremeni odgoj/obrazovanje i filozofija čovjeka, integralna bioetika, filozofija prema religiji i znanosti, eros i thanatos, o životu poslije smrti, filozofijske osnove znanosti, iz opusa naših filozofa i dr. (IN ENGLISH: This text is a review of Nikola Skledar’s book Philosophy and Life, but it also represents an attempt to critically outline the author’s theoretical and intelectual profile taking into account his other books. The main objective of the text is to present developed and original open anthropology which has existential, hermeneutical and humanist character in interpretation of the man’s historic subsistence. The text examines principal themes like: the relation between the philosophy and contemporary life, modern education/schooling and the philosophy of man, integral bio-ethics, philosophy towards religion and science, eros and thanatos, about the life after death, philosophical foundations of science, from the work of our philosophers, etc.
Filozofske primjedbe multikulturalizmu
No full textMultikulturalizam se prije svega razmatra kroz kritičko promišljanje i analizu njegovih filozofskih temelja. Ovo promišljanje otkriva multikulturalizam više kao političku, a ne kulturnu teorijsku paradigmu. Članak raspravlja o dva osnovna pojma kulturne teorije: Drugi i identitet
Filozofija-pjesništvo-svijet Vanje Sutlića
No full textNaslovljena tema i njezini relati pretpostavlja eksplikaciju misaone pozicije u onome bitnom: iz cjeline Sutlićeva mišljenja doprijeti do shvaćanja pjesništva(ali i umjetnosti)u horizontu njegova ˝transfilozofijskoga mišljenja˝. Put u Sutlićevo mišljenje vodi kroz ˝rasklapanje˝ i analizu bitnih odrednica misaonog sklopa: praćenje ˝figura˝ mišljenja u njegovu kretanju, imanentno kritičko čitanje i su-mišljenje (˝biti i su-vremenosti˝), razumijevanje pjesništva iz novog bitkovnog-ontologijskog horizonta ˝povijesnog mišljenja˝. To pred čime stoji Sutlić kao filozof, jest filozofija i svijet u svome bitnom pitanju: ono se više ne može razriješiti (odgovoriti) na način tradicionalne filozofije-potreban je obrat u mišljenju
Društvene vrednote i religioznost
Get PDFIN CROATIAN: U članku se ispituje prihvaćenost društvenih vrednota, bitnih za globalni proces modernizacije i postmodernizacije, te utjecaj religioznosti na prihvaćanje rečenih vrednota. Članak je proizišao iz raščlambe rezultata iskustvenoga sociologijskog istraživanja provedena 1999. na reprezentativnom - stratificiranom, proporcionalnom i zonskom -uzorku veličine 705 punoljetnih stanovnika Zagreba i Zagrebačke županije u projektu Religijske promjene i vrijednosti u bruatskom društvu. Društvene i religijske promjene u hrvatskom društvu ispituje se u kontekstu procesa tranzicije iz predmodernog društva u moderno društvo. Struktura vrijednosne orijentacije bitno određuje njegovu sliku u tome procesu.
Ta je struktura diferencirana statusom pojedinih vrednota i njihovim značenjem za cjelovitu sliku društva u promijenjenoj društvenoj paradigmi. Najviše prihvaćene vrednote nose u sebi univerzalno značenje i pokazuju se dublje uronjenima u svijest, jer čine bit integriteta čovjeka kao čovjeka: pokazuju snažnu interioriziranu
moralnu svijest, što se može smatrati značajnim nalazom za vrijednosnu strukturu društva. Kad je riječ o dimenziji religioznosti u ispitivanju vrednota, nalazi pokazuju da ova dimenzija ne utječe značajno na prihvaćanje ili odbijanje ponuđenih vrednota. To može upućivati na zaključak da društvene vrednote, označene bitnima za
konstituciju mreže vrednota u procesu modernizacije i postmodernizacije, nose u sebi slojeve univerzalnog značenja za čovjeka: sadržane su u velikim svjetskim religijama, te su po značenju etičkih vrijednosti sukladne. Vrijednosti su ispitivane metodama rangova prihvačenosti, faktorskom analizom i analizom indeksa te s pet nezavisnih varijabla, pomoću analize varijance i multiple regresijske analize. ------- IN ENGLISH: This article examines the acceptance of social values important for the global process of modernization and post-modernization, as well
as the influence of religiousness on the acceptance of the values mentioned. It has resulted from the analysis of the results of experiential sociological research carried out in 1999 on the representative - stratified, proportional and area sample of the size of 705 'adult inhabitants of the town of Zagreb and the Zagrebačka County within the Religious changes and values in Croatian society
project. Social and religious changes in Croatian society are being examined in the context of a process of transition from the pre-modern into a modern society. Its image within this process is being essentially determined by the structure of the value-related orientation. And this structure is differentiated by the status of
individual values and the significance they have for the overall picture of the society within changed social paradigm. Mostly accepted values with the intrinsic universal significance showed to lie deeply in the
eonsciousness as they make the essence of the man's integrity as the human being: they show a strong interiorized moral conscience which can be considered a significant finding in terms of the society's
structure of values. As for dimension of religiousness in the examination of values, the findings show that this dimension does not significantly effect the acceptance or refusal of the values offered. These findings might point to the conclusion that social values, designated to be essential for the formation of the network of values
within the process of modernization and post-modernization, contain the layers of universal significance for the mankind: they are contained in the world's great religions and are eon-formable in terms of meaning of their ethical values. The values were examined by the method of ranks of acceptance, through factor and index analyses respectively, as well as by five independent variables, by means of
the variance analysis and the multiple regression analysis
Nikola Skledar kao filozof i antropolog kulture
No full textNikola Skledar filozof je u izvorno grčkom smislu. Na putu philo-sophia-e, sa snažnim nagnućem prema ljepoti ideja, neutaživog erosa u spoznavanju, u stalnoj dijalektičkoj igri apolinijskog i dionizijskog spram stalno izmičuće istine. Skledar razvija originalnu filozofsku koncepciju jedne egzistencijalne i dijalektičke antropologije kulture, razumijevanjem čovjeka i njegove biti, koju čini duhovno i kulturno stvaranje
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