1,720,962 research outputs found
Downsizing of supermassive black holes from the SDSS quasar survey - II. Extension to z ~ 4
The near-infrared to ultraviolet continuum of radio-loud versus radio-quiet quasars
Starting from a sample of Sloan Digital Sky Survey quasars appearing also in the Two-Micron All-Sky Survey, we study the continuum properties of ∼1000 objects observed in eight bands, from near-infrared to ultraviolet. We construct the mean spectral energy distribution (SED) and compare and contrast the continua of radio-loud and radio-quiet quasar (RLQ and RQQ, respectively) objects. The SEDs of the two populations are significantly different, in the sense that RLQs are redder with power-law spectral indices 〈αRLQ〉=−0.55 ± 0.04 and 〈αRQQ〉=−0.31 ± 0.01 in the spectral range between 1014.5 and 1015.35 Hz. This difference is discussed in terms of different extinctions, different disc temperatures, or slopes of the non-thermal component
The quasar MBH-Mhost relation through cosmic time - II. Evidence for evolution from z = 3 to the present age
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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